This introductory survey for those unfamiliar with Anouilh covers the whole of his work, up to and including the most recent plays available at the time of writing. It also attempts to counter the prevailing criticisms of Anouilh's work and suggest the basis for a new understanding and fundamental reappraisal of his place and importance in the contemporary French theatre.

A youth encounters a girl who is delivering flowers to his celebrated diva mother. They fall in love. The youth leaves for war and the diva brings the young wife into the theatre where she is dazzled by the lustre and social gaiety. She embraces it with all her love. Her husband is advised she has been unfaithful. He comes home to find her as merry as ever, and unembarrassed by her new life; she has passed him by and will go on to new glory without him.

Theatre of the Living Arts presents the Southwark Company in "Poor Bitos," by Jean Anouilh, director: Andre Gregory, scenic design & lighting: Eugene Lee, costume design: Adam Sage, production manager: Leon Gersten, electronic music composed by Tom Aronis, artistic director: Andre Gregory, associate director: George Sherman, managing director: David Lunney.

This most successful of Anouilh's works in the United States is an excellent lark loaded with humorous whims, romance, and masquerades. The scene is a palatial home where two attractive young girls reside. The home is invaded by three affectionate thieves, on the one hand, and by a country bumpkin on the other. A lovely romance blooms instantly between one of the girls and the youngest thief. Being a very honest fellow, he cannot in good conscience accept her love, and instead turns with vengean

Portrayals of Antigone in Portugal gathers a collection of essays on the Portuguese drama rewritings of this Theban myth produced in the 20th and 21st centuries. For each of the cases analysed, the Portuguese historical, political and cultural context is described. This perspective is expanded through a dialogue with coeval European events. As concerns Portugal, this results principally in political and feminist approaches to the texts. Since the importation of the Sophoclean model is often indirect, the volume includes comparisons with intermediate sources, namely French (Cocteau, Anouilh) and Spanish (María Zambrano), which were extremely influential on the many and diversified versions written in Portugal during this period.

THE STORY: According to Atkinson (Times), a play of many moods...wistfully romantic, satirical, fantastic...To make his points about love (the author) has invented a fable about twin brothers--Frederic, who is shy and sensitive, and Hugo, who is heartl

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.

French bedroom farce set in a large country house inhabited by a general with amorous ideas, his nagging invalid wife, his sister, her lover and others.