Born into the turmoil of mid-sixties San Francisco, the daughter of a flower child and a surfer, Joelle Fraser grew up with no bedtime, no boundaries, and no father. But “dads” she had in abundance, as her mother worked her way through boyfriends and husbands, caught between the traditional rules of her upbringing and the new freedoms of the “me generation” and women’s lib. Moving every few months, from houseboats and beach shacks to run-down apartments, Joelle came to learn that a woman’s life, free or not, is played out on men’s territory. Set in northern California, Hawaii, and the small coastal towns of Oregon, Fraser’s engrossing memoir captures this centerless childhood in wonderfully vivid, frank writing, then goes on to show how a legacy like this affects a girl as she grows up. Pretty, blond, precociously aware of her own sexuality, Joelle was drawn to men early, eager to unlock their mysteries. Working in bars, prisons, and firing ranges, she liked to hang out where they congregated. To her the only worlds that counted were men’s worlds. Men held the power; they made life matter. Fraser’s sharp vignettes of her intense relationships, brief, turbulent marriage, and itinerant life are haunting echoes of her early memories. In The Territory of Men, she brilliantly portrays the way a rootless childhood leads to a restless adulthood, and how a mother’s aimless life serves as a blueprint for her daughter.

Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.

One of Vogue’s Best Books of the Year One of Esquire’s Best Books of the Year One of the Wall Street Journal’s Favorite Books of the Year One of the Most Anticipated Books of the Year: Vogue, Parade, Esquire, Bitch, and Maclean’s A New York Times and Washington Post Book to Watch A fiercely personal memoir about coming of age in the male-dominated literary world of the nineties, becoming the first female literary editor of Esquire, and Miller's personal and working relationship with David Foster Wallace A naive and idealistic twenty-two-year-old from the Midwest, Adrienne Miller got her lucky break when she was hired as an editorial assistant at GQ magazine in the mid-nineties. Even if its sensibilities were manifestly mid-century—the martinis, powerful male egos, and unquestioned authority of kings—GQ still seemed the red-hot center of the literary world. It was there that Miller began learning how to survive in a man’s world. Three years later, she forged her own path, becoming the first woman to take on the role of literary editor of Esquire, home to the male writers who had defined manhood itself— Hemingway, Mailer, and Carver. Up against this old world, she would soon discover that it wanted nothing to do with a “mere girl.” But this was also a unique moment in history that saw the rise of a new literary movement, as exemplified by McSweeney’s and the work of David Foster Wallace. A decade older than Miller, the mercurial Wallace would become the defining voice of a generation and the fiction writer she would work with most. He was her closest friend, confidant—and antagonist. Their intellectual and artistic exchange grew into a highly charged professional and personal relationship between the most prominent male writer of the era and a young woman still finding her voice. This memoir—a rich, dazzling story of power, ambition, and identity—ultimately asks the question “How does a young woman fit into this male culture and at what cost?” With great wit and deep intelligence, Miller presents an inspiring and moving portrayal of a young woman’s education in a land of men. “The memoir I’ve been waiting for: a bold, incisive, and illuminating story of a woman whose devotion to language and literature comes at a hideous cost. It’s Joanna Rakoff’s My Salinger Year updated for the age of She Said: a literary New York now long past; an intimate, fiercely realist portrait of a mythic literary figure; and now, a tender reckoning with possession, power, and what Jia Tolentino called the ‘Important, Inappropriate Literary Man.’ A poised and superbly perceptive narration of the problems of working with men, and of loving them.”— Eleanor Henderson, author of 10,000 Saints

Winner Trinity Schools Book Award 2018 Winner Gateshead YA Book Prize 'I love reading Sarah Govett - she's whip-smart, funny and by plugging into the hope and energy of the youth makes me feel better about these dark times.' Dame Emma Thompson Noa Blake is just another normal 15 year old with exams looming. Except in The Territory normal isn't normal. The richest children have a node on the back of their necks and can download information, bypassing the need to study. In a flooded world of dwindling resources, Noa and the other 'Norms' have their work cut out even to compete. And competing is everything - because anybody who fails the exams will be shipped off to the Wetlands, which means a life of misery, if not certain death. But how to focus when your heart is being torn in two directions at once? 'Truly heart wrenching! ... the 1984 of our time' The Guardian online 'Gripping dystopia with a keen political edge' Imogen Russell Williams, Metro 'This is a truly exceptional novel, exciting, gripping and intense' BookTrust 'pacy dystopian fantasy thriller' Telegraph's Best YA Books of 2015 'thrilling and thought-provoking' The Times 'powerful and shocking' Children's Books Ireland 'a terrific book. It simply is.' Bookwitch 'brilliant' Teen Librarian 'Brilliantly plotted, utterly gripping' Gemma Malley (The Declaration) One of The Telegraph's best YA books of 2015

Like all of us, though few so visibly, Alan Greenspan was forced by the financial crisis of 2008 to question some fundamental assumptions about risk management and economic forecasting. No one with any meaningful role in economic decision making in the world saw beforehand the storm for what it was. How had our models so utterly failed us? To answer this question, Alan Greenspan embarked on a rigorous and far-reaching multiyear examination of how Homo economicus predicts the economic future, and how it can predict it better. Economic risk is a fact of life in every realm, from home to business to government at all levels. Whether we’re conscious of it or not, we make wagers on the future virtually every day, one way or another. Very often, however, we’re steering by out-of-date maps, when we’re not driven by factors entirely beyond our conscious control. The Map and the Territory is nothing less than an effort to update our forecasting conceptual grid. It integrates the history of economic prediction, the new work of behavioral economists, and the fruits of the author’s own remarkable career to offer a thrillingly lucid and empirically based grounding in what we can know about economic forecasting and what we can’t.The book explores how culture is and isn't destiny and probes what we can predict about the world's biggest looming challenges, from debt and the reform of the welfare state to natural disasters in an age of global warming. No map is the territory, but Greenspan’s approach, grounded in his trademark rigor, wisdom, and unprecedented context, ensures that this particular map will assist in safe journeys down many different roads, traveled by individuals, businesses, and the state.

DIVThe first collection of nonfiction from the author Tony Kushner calls “one of the best novelists writing in the world today” /divDIV Over a thirty-year period, novelist Christopher Bram witnessed, and lived through, the powerful experiences of coming out, the AIDS epidemic, gay marriage, and the social changes that have occurred in lower Manhattan. From the title piece, which maps the state of gay fiction, to “A Body in Books,” about the gay books that changed the author’s life, the essays in Mapping the Territory form a coherent autobiographical account of Bram’s life. This work wouldn’t be complete without “Homage to Mr. Jimmy,” his account of how his novel Father of Frankenstein grew from his imagination and writing into the Oscar-winning movie Gods and Monsters. Mapping the Territory is a thoroughly engaging and compelling look into a great American writer./div

“A gritty contemporary crime novel that’s lifted above the pack by the intense humanity of its female protagonist. Don’t miss it.” —Milton T. Burton, author of Nights of the Red Moon At the end of State Road 170 and just past a ghost town lies Artemis, population 2,500. The townspeople had sought out this remote corner of Western Texas in hopes of living lives of solitude and independence. None of them realized that their small town would become a hot spot for Mexican drug runners, whose turf battles have turned both sides of the Rio Grande into a war zone. Still, many of the locals would rather take the law into their own hands than get help from police chief Josie Gray, even when they’re up against a cartel’s private army. After arresting one of the cartel’s hit men and killing another, Josie finds her life at risk for doing a job that many people would rather see her quit. And when the town’s self-appointed protector of the Second Amendment is murdered and his cache of weapons disappears, it’s clear that she doesn’t have to pick sides in this war. She’s battling them both. “Fields’s rich plotting, nonstop action, and deft characterizations show the personal side of the larger issue of drug cartels on both sides of the border.” —Publishers Weekly “Tricia Fields is the real deal.” —Craig Johnson, New York Times–bestselling author of The Cold Dish and Hell is Empty “[For] crime fiction readers who yearn for wide open spaces, characters with real heartbeats, and stories that ring true.” —M.J. Rose, author of New York Times–bestselling author of The Reincarnationist

Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The second book in the epic Ballantyne series Zouga was left alone, as alone in spirit as he had ever been in any of his wanderings across the vast African continent. He had spent almost the last penny he owned on these few square feet of yellow earth at the bottom of this hot and dusty pit. He had no men to help him work it, no experience, no capital.' A tribal battle. An Empire's war. Zouga Ballantyne has in his blood a fanatic's need to find diamonds, one that will take him to Southern Africa's most punishing places. Losing his wife to one of the many sicknesses that haunt the diamond mine camp, Zouga and his sons must find another way through the country, helping to build the British Empire, and developing their own form of civilisation in the face of tribal opposition. But the Ballantyne family success comes at a price -the sacrifice of the local Matabele tribe, who have tried to live alongside the colonists, but are slowly losing everything. In the face of exploitation, violence and greed, who will triumph in the land of ruthless men?