The Tenor is a sweeping tale of historical fiction in the style of Ann Patchett's Bel Canto and De Burniere's Captain Corelli's Mandolin. It swiftly moves from Pino Vaggi's youth in pre-war Italy, to his coming of age as a soldier in war-torn Greece, before ending in a shattering surprise finale at Maria Callas' historic final performance ever on the stage of New York's Metropolitan Opera House in 1965. It is based loosely on the stories and anecdotes that the author learned from several of Maria Callas' personal friends and from nearly a dozen trips to Italy and Greece to research the subject.

This is a manual for the serious tenor voice student specializing for operatic soprano roles.

More great teaching material, at the same level as Volume 1. The contents, completely new and unduplicated from Volume 1, once again include American and English art songs, folk songs, sacred songs, and an introduction to singing in German, French, Italian, and Spanish. Over 30 songs in each book. Joan Boytim, who has emerged as the nationally recognized expert in the field of teaching pre-collegiate voice, has done exhaustive research in preparing these volumes.

'Training Tenor Voices' presents a unique combination of historical and pedagogical information on how tenors sing. Designed as a practical program for singers, teachers, and voice professionals, the book places emphasis on the special nature of the tenor voice and the proper physiological functioning that leads to the establishment of vocal proficiency. It supplies practical information on instruction for each category of the tenor voice; recommends the kinds of literature to sing and to avoid; and provides an effective system for voice building, including registration factors, techniques for breath coordination, vowel modification ("covering"), resonance balancing, range extension, the development of vocal agility, and maintaining the high tessitura and sostenuto.

This is the most comprehensive book ever written on the art of multi-tenor drumming. At 366 pages, it covers everything from the most basic movements to extremely advanced material. Whether you are a complete beginner or a seasoned pro, you are certain to find plenty of fresh and enjoyable ideas. Written by seven-time DCA tenor champion James Christian, this book is a love letter to every tenor drummer who has ever picked up a pair of drum sticks. You'll get thousands of exercises and groove patterns, 33 solos, and tons of material for every ability level. Every serious rudimental drummer should own a copy.

He's her brother's best friend. He thinks she's a stalker. There's a ghost involved. Kathleen Grant, a newcomer to the opera world, falls hard for hot tenor JC Vasquez, her brother's best pal. But things get very awkward when a ghost repeatedly forces her to interfere with JC's performances in the opera Don Carlo. Only JC can see her ghostly transformations, and he thinks she's deliberately stalking him. They soon become romantically entangled despite JC's hostility, but Kathleen can't stop the compulsions pushing her on stage. Now she's in danger of being fired from her job at the major New York City opera house. How can she prove to JC that the ghost is controlling her actions? And what does the ghost want?

00 Prelims 1672 -- 01 Chapter 1672 -- 02 Chapter 1672 -- 03 Chapter 1672 -- 04 Chapter 1672 -- 05 Chapter 1672 -- 06 Chapter 1672 -- 07 Chapter 1672 -- 08 Chapter 1672 -- 09 Chapter 1672 -- 10 Chapter 1672 -- 11 Chapter 1672 -- 12 Notes 1672 -- 13 Tenog 1672 -- 14 Audio 1672 -- 15 Biblio 1672 -- 16 Index 1672

Hayden Konig leads a charmed life. He's rich, he loves his full-time job as Police Chief in the little mountain town of St. Germaine, NC, as well as his part-time employment as the organist and choirmaster at St. Barnabas Episcopal Church. He's also working on his third detective story and is convinced that purchasing Raymond Chandler's typewriter and using it to compose his opus will impart some magic to his demented prose. He couldn't be more mistaken. Until a body is found inside the altar of St. Barnabas, the biggest crime that Hayden has had to deal with is the theft of "The Immaculate Confection," a cinnamon bun that looks like the Virgin Mary. The body, however, turns out to be one of the "incorruptibles," and has been in the altar for over sixty years. Added to this, a tent evangelist has come to town - Brother Hogmany MacTavish - and he's having revivals every night featuring Binny Hen the Scripture Chicken, a chicken that chooses the scriptures for Brother Hog's sermons. As All Saints Day approaches, Hayden and his friend Pete are coerced into attending the "Iron Mike Men's Retreat," but when another murder takes place in St. Germaine, it's time to get serious. Could the bounty hunter called in to find the "Immaculate Confection" have something to do with it?

“America's Favorite Tenor.” That was what they called James Melton from the 1920s through the 1950s. He was perhaps the first multi-media performer—in a career that spanned concerts, recordings, movies, the Metropolitan Opera, radio and television. His fame as a singer was equaled by his renown as an antique car collector. In this hobby he was a pioneer in recognizing these vehicles not only as an important part of America's history, but as works of art. His career and his hobby reflected the two great technologies that knit the country together in the first half of the 20th century—radio and the automobile.The James Melton story is the story of an era: from the Roaring Twenties, through the Great Depression, World War II, and post-war prosperity. It is a story filled with interesting characters—his friends and colleagues. He toured the Southwest with Will Rogers to raise money for dustbowl denizens in 1931; he collaborated with George Gershwin in 1934 on a concert tour of 28 cities in 29 days; while in Hollywood making movies for Warner Bros. he visited San Simeon as the guest of William Randolph Hearst; he helped to raise millions at War Bond rallies with performers like Milton Berle and Irving Berlin; he began his TV career after talking Henry Ford II into a Ford Motor Company-sponsored variety show. He created his own lucky breaks through a combination of hard work, talent and charm. All the while he was collecting antique cars, displaying his collection in two museums and participating in car activities. Even fifty years after his death, the provenance of having been in the Melton collection provides added value to those cars.James Melton's life and career are emblematic of America in the first half of the 20th century—a country possessed by a “can do” attitude—a country that could win two world wars and pull itself out of the Great Depression. The James Melton story also a rags-to-riches-to-rags story of a talented, confident young man who raised himself from obscure beginnings in a tiny Florida town to the height of fame on stage, screen and airwaves—but who could not live without the adulation of an adoring public, and who had nothing to fall back on as he aged and musical tastes changed.The author chose to do a biographical memoir because it allowed her to tell the story from her point of view—anecdotally. It includes her personal exploration of the motivations that shaped her father's life, and her discovery of the resulting pressures that brought him down.