Tangier in the 1960s and '70s was a fabled place. This edge city, the 'Interzone', became muse and escapist's dream for artists, writers, millionaires and socialites, who wrote, painted, partied and experienced life with an intensity and freedom that they never could back home. Into this louche and cosmopolitan world came John Hopkins, a young writer who became a part of the bohemian Tangier crowd with its core of Beats that included William Burroughs, Paul and Jane Bowles and Brion Gysin, as well as Tennessee Williams, Jean Genet, Yves Saint Laurent, Barbara Hutton and Malcolm Forbes. Those intoxicating decades - Tangier's 'Golden Years' - are long gone. Grand old houses that once sparkled with life are shuttered and dark and most of the eccentrics who once lived and loved in the city have died. But here, in the pages of John Hopkins' cult classic, all the decadence and flamboyance of those days is brought to life once more.

Princeton grad John Hopkins came to Tangier after adventures in Peru. In addition to the portraiture of the city and its inhabitants, Hopkins' life in Marrakech and his trips into Morocco's Sahara, Algeria, Tunisia, Libya, Spanish Sahara, Mauretania, Senegal, Ghana, Nigeria, Togo, Cameroun, Swaziland and Mozambique are chronicled in entries rich with detail. The glamour, mystery, poverty and opulence of Tangier, the country of Morocco and Africa jumps from every page. The author presents a huge and dizzying cast of writers, painters, socialites, trance dancers, eccentrics, party-givers, magicians, aristocrats, confidence men and expat residents from the early sixties through the late seventies. One encounters Paul and Jane Bowles, Barbara Hutton, William Burroughs, Brion Gysin, Princess Ruspoli, Malcolm Forbes, Tennessee Williams, Mohammed M'rabet, The Hon. David Herbert, Ira Bilankine, Ted Morgan, The Countess de Breteuil and her fabulous mud castle in Marrakech, The Lady Caroline Duff, Jim Wyllie, Elizabeth Vreeland, Jean Genet, Elizabeth David, Alec Waugh, Alfred Chester, Margaret Lane, Louise de Meuron, Adolfo de Velasco, Marguerite McBey and countless others. The Tangier Diaries includes eight pages of photographs, and is invaluable for anyone interested in Tangier and the colorful figures who have lived there.

ONE OF THE NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “A darkly incantatory tragicomedy of love and betrayal ... Beautifully paced, emotionally wise.” —The Boston Globe In the dark waiting room of the ferry terminal in the sketchy Spanish port of Algeciras, two aging Irishmen—Maurice Hearne and Charlie Redmond, longtime partners in the lucrative and dangerous enterprise of smuggling drugs—sit at night, none too patiently. The pair are trying to locate Maurice’s estranged daughter, Dilly, whom they’ve heard is either arriving on a boat coming from Tangier or departing on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals, and serial exiles. Rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today, Night Boat to Tangier is a superbly melancholic melody of a novel, full of beautiful phrases and terrible men.

In this first guide to Tangier's extraordinary cultural history , former BBC North Africa correspondent Richard Hamilton explores the city to find out what has inspired so many international writers, artists and musicians. In Tangier, the Moroccan novelist Mohamed Choukri wrote, 'everything is surreal and everything is possible.' In this intimate portrait, Hamilton explores hotels, cafés, alleyways and the city's darkest secrets. Delving down through complex historical layers, he finds a frontier town that is comic, confounding and haunted by the ghosts of its past. Samuel Pepys thought God should destroy Tangier and St Francis of Assisi called it a city of 'madness and delusions.' Yet, throughout the centuries, it has also been a crucible of creativity. It was a turning point in Henri Matisse's artistic journey and had a profound impact on the founder of the Rolling Stones, Brian Jones. Tangier also produced two of the greatest American novels of the twentieth century: The Sheltering Sky and Naked Lunch. Besides Paul Bowles and William Burroughs, the book also looks at lesser known characters such as the flawed genius, Brion Gysin, as well as Ibn Battuta, who travelled three times further than Marco Polo. Featuring a thrilling cast of pirates, sultans, artists, musicians, writers, princes and playboys, this is an essential read about Tangier.

"In 1999 a collection of small wooden boxes was discovered in a flea market in Tangier. Inside these boxes were 500 glass stereoscopic negatives and handwritten notes from a French officer, who took over 250 photographs between 1916 and 1918. This book highlights previously unseen images taken across the Western Front capturing all aspects of war; from the banal and odd moments to the cruel and brutal ones. It is a vision of one officer.

Pepys never resumed the personal Diary which he abandoned in 1669 fearing he was going blind. He was one of the greatest accidental historians, never intending to record for posterity, but for amusement. This book makes these diaries available to the general reader. These documents enhance the picture of Pepys as a politician and civil servant.

The last person Alice Shipley expected to see when she arrived in Tangier with her new husband was Lucy Mason. After the horrific accident at Bennington, the two friends - once inseparable roommates - haven't spoken in over a year. But Lucy is standing there, trying to make things right. Perhaps Alice should be happy. She has not adjusted to life in Morocco, too afraid to venture out into the bustling medinas and oppressive heat. Lucy, always fearless and independent, helps Alice emerge from her flat and explore the country. But soon a familiar feeling starts to overtake Alice - she feels controlled and stifled by Lucy at every turn. Then Alice's husband, John, goes missing, and she starts to question everything around her...

Whether it's a military inspired trench coat or a Savile Row tailored suit, menswear design increasingly demands originality, innovation and above all, choice. Menswear, 2nd edition explores the evolution of menswear styles, from the origins of tailoring right through to modern sportswear – showing how historical and social influences continue to endure and influence the menswear collections of today. Interviews offer insight from a range of practitioners, including designer Lou Dalton, fashion entrepreneur Alan Maleh and tailor Ray Stowers. There's also practical advice on research for design innovation, street style, trends and forecasting and collection development. With a wealth of stunning new images and contemporary examples, new to this edition are end-of-chapter exercises to encourage design work, such as Design for Sportswear Fabrication and Tailoring for Menswear. Featured topics Historical Research for Design Innovation Counterculture Dressing Design Process Street Style Trends and Forecasting Tailoring for Menswear Collection Development Drawing for Men CAD for Menswear Menswear Portfolios Featured interviewees Lou Dalton Guy Hill and Kirsty McDougall, Dashing Tweeds Alan Maleh, Man of the World Ray Stowers, Stowers Bespoke Seung Won Hong, Fashion Illustrator Matthew Zorpas, The Gentleman Blogger

While writing a novel set in South America, John Hopkins travelled back there to "reacquaint himself with the scene". In 1972-3, he travelled by train, bus and boat from Mexico City to the centre of the continent, through Belize, Guatemala and Nicaragua and on to Brazil, Peru, Bolivia, Paraguay and Argentina. Hopkins travelled slowly, deliberately, savouring every experience along the way. But the journey was fraught with his angst-ridden strivings to write his novel and with the troubled love he had for Madeleine, his travelling companion. In these heat-scorched, tequila-infused pages, Hopkins paints a sultry, exquisite portrait of South America and in so doing masters an art that he believed would forever elude him.

In Brethren by Nature, Margaret Ellen Newell reveals a little-known aspect of American history: English colonists in New England enslaved thousands of Indians. Massachusetts became the first English colony to legalize slavery in 1641, and the colonists' desire for slaves shaped the major New England Indian wars, including the Pequot War of 1637, King Philip's War of 1675–76, and the northeastern Wabanaki conflicts of 1676–1749. When the wartime conquest of Indians ceased, New Englanders turned to the courts to get control of their labor, or imported Indians from Florida and the Carolinas, or simply claimed free Indians as slaves.Drawing on letters, diaries, newspapers, and court records, Newell recovers the slaves' own stories and shows how they influenced New England society in crucial ways. Indians lived in English homes, raised English children, and manned colonial armies, farms, and fleets, exposing their captors to Native religion, foods, and technology. Some achieved freedom and power in this new colonial culture, but others experienced violence, surveillance, and family separations. Newell also explains how slavery linked the fate of Africans and Indians. The trade in Indian captives connected New England to Caribbean and Atlantic slave economies. Indians labored on sugar plantations in Jamaica, tended fields in the Azores, and rowed English naval galleys in Tangier. Indian slaves outnumbered Africans within New England before 1700, but the balance soon shifted. Fearful of the growing African population, local governments stripped Indian and African servants and slaves of legal rights and personal freedoms. Nevertheless, because Indians remained a significant part of the slave population, the New England colonies did not adopt all of the rigid racial laws typical of slave societies in Virginia and Barbados. Newell finds that second- and third-generation Indian slaves fought their enslavement and claimed citizenship in cases that had implications for all enslaved peoples in eighteenth-century America.