As the title testifies, students were sworn to secrecy before being given access to this magic text, and only a few manuscripts have survived. Bits of its teachings, such as the use of the magic whistle for summoning spirits, are alluded to in other texts. Another key element of its ritual, the elaborate “Seal of God,” has been found in texts and amulets throughout Europe. Interest in The Sworn Book of Honorius has grown in recent years, yet no modern translations have been attempted—until now. Purporting to preserve the magic of Solomon in the face of intense persecution by religious authorities, this text includes one of the oldest and most detailed magic rituals. It contains a complete system of magic including how to attain the divine vision, communicate with holy angels, and control aerial, earthly, and infernal spirits for practical gain. Largely ignored by historians until recently, this text is an important witness to the transmission of Kabbalah and Jewish mysticism to European Hermeticists.

"A collection of essays examining medieval and early modern texts aimed at performing magic or receiving illumination via the mediation of angels. Includes discussion of Jewish, Christian and Muslim texts"--Provided by publisher.

The Grimoire of Pope Honorius, or Le Grimoire du Pape Honorius, is an 17th to 19th century grimoire, claiming to be written by Pope Honorius III (1150 -1227). It is unique among grimoires in that it was specifically designed to be used by a priest, and some of the instructions include saying a Mass. While its name is derived from the 13th century Grimoire of Honorius, its content is closer to later grimories like the Key of Solomon and Grimorium Verum. Edited and translated into English by Edmund Kelly The Grimoire of Pope Honorius Is a book that holds its place in occult literature.

The diabolical classic is presented here with bonus illustrations from occult antiquity. Also included are "Al-Jilwah" and "The Black Book"

Discovered in a hidden compartment of an old chest long after his death, the secret writings of John Dee, one of the leading scientists and occultists of Elizabethan England, record in minute detail his research into the occult. Dee concealed his treatises on the nature of humankind's contact with angelic realms and languages throughout his life, and they were nearly lost forever. In his brief biography of John Dee, Joseph Peterson calls him a "true Renaissance man"? detailing his work in astronomy, mathematics, navigation, the arts, astrology, and the occult sciences. He was even thought to be the model for Shakespeare's Prospero. All this was preparation for Dee's main achievement: five books, revealed and transcribed between March 1582 and May 1583, bringing to light mysteries and truths that scholars and adepts have been struggling to understand and use ever since. These books detail his system for communicating with the angels, and reveal that the angels were interested in and involved with the exploration and colonization of the New World, and in heralding in a new age or new world order. While Dee's influence was certainly felt in his lifetime, his popularity has grown tremendously since. His system was used and adapted by the Hermetic Order of the Golden Dawn, and subsequently by Aleister Crowley. This new edition of John Dee's Five Books of Mystery is by far the most accessible and complete published to date. Peterson has translated Latin terms and added copious footnotes, putting the instructions and references into context for the modern reader.

This work deals with the mutual relationship between the principes, from Augustus to Nero, and the city plebs. In a pioneering work which seeks to move far beyond simple class and ethnic description, Professor Yavetz asks the tough question: why did key Roman emperors make so many efforts to endear themselves to the urban populace? The situation was not entirely unlike what one observes in present day advanced societies. Although a ruling elite held a monopoly of force and power in military and even legislative terms, Ceasar and Ceasarism well understood the advantages of largesse - from rent relief to public games - consolidating and legitimating power. In a work which is self-defined as a limited slice of history, the author is yet able to illumine vast chunks of political sociology: attitudes of the urban mass to one party rule, the trade-off between material goods and politial loyalty, the maintenance of elementary forms of legality, and a populist bent among those who would rule. Yavetz's classic work, which first appeared in 1969 and has been long unavailable, faithfully employs classical events to illumine modern life - not in a forced, but better, in quite natural ways.

"Explores two principal genres of illicit learned magic in late Medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic, which could not"--Provided by publisher.

In many ways, Arbatel is unique among texts on magic. Unlike the vast majority of writings, it is clear, concise, and elegantly written. The practical instructions are straightforward and undemanding. When it first appeared in 1575, it attracted the attention of people with a surprisingly broad range of agendas, including some of the finest minds of the time. Often quoted and reprinted, both praised and condemned, its impact on western esoteric philosophy has been called "overwhelming."Arbatel's magic is full of wonder and free from the sinister elements usually associated with texts on the subject. But it is about more than magic; filled with gnomic wisdom, it urges us to help our neighbors, be positive and grateful, and use time wisely. Above all, it teaches us to pay attention, looking for the wondrous and miraculous. In fact, to the author this virtually defines the magus. * Included are illustrations, bibliography, index, and original Latin text. * First English translation published since in 1655.

In the 1600s, Maria was abandoned in a snowy field in rural England as a baby. Under the care of Hannah Owens, who recognizes that Maria has a gift, she learns about the 'Unnamed Arts.' When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. She invokes a curse that will haunt her family for generations. And she learns the lesson that she will carry with her for the rest of her life: Love is the only thing that matters.