"This book explains how it [the Sutton Hoo hemlet] was discovered together with other treasures buried in a ship at Sutton Hoo, Suffolk, by the archeologist Basil Brown. He was employed by the owner of estate ... who generously donated the whole find to the British Museum."--Cover verso.

The objects unearthed in 1939 from an Anglo-Saxon ship-burial at Sutton Hoo, Suffolk, rank among the most splendid treasures in the collection of the British Museum. Bringing together fine craftsmanship from England, Germany, Scandinavia, Alexandria and far Byzantium, the spectacular finds included gold and garnet jewellery, silverware, drinking vessels with silver-gilt fittings, a lyre and a sceptre, as well as the iconic helmet, all deliberately buried in the early seventh century as grave-goods for an important, though unidentified, warrior. The Sutton Hoo ship-burial was one of the most exciting discoveries ever made in British archaeology. This beautifully designed introduction to the treasure details the most significant pieces contained within it and explores the circumstances of its burial, discovery and excavation, as well as its lasting legacy and fame.

THE BASIS FOR THE NETFLIX FILM STARRING CAREY MULLIGAN, RALPH FIENNES, AND LILY JAMES A literary adventure that tells the story of a priceless buried treasure discovered in England on the eve of World War II In the long, hot summer of 1939, Britain is preparing for war, but on a riverside farm in Suffolk there is excitement of another kind. Mrs. Pretty, the widowed owner of the farm, has had her hunch confirmed that the mounds on her land hold buried treasure. As the dig proceeds, it becomes clear that this is no ordinary find. This fictional recreation of the famed Sutton Hoo dig follows three months of intense activity when locals fought outsiders, professionals thwarted amateurs, and love and rivalry flourished in equal measure. As the war looms ever closer, engraved gold peeks through the soil, and each character searches for answers in the buried treasure. Their threads of love, loss, and aspiration weave a common awareness of the past as something that can never truly be left behind.

Presents the Anglo-Saxon period of English history from the fifth century up to the late eleventh century, covering such events as the spread of Christianity, the invasions of the Vikings, the composition of Beowulf, and the Battle of Hastings.

Finest heroic poem in Old English celebrates the exploits of Beowulf, a young nobleman of southern Sweden. Combines myth, Christian and pagan elements, and history into a powerful narrative. Genealogies.

Examines what the Sutton Hoo ship-burial site reveals about early England, describes the site's treasures and mysteries, and recounts the events surrounding its discovery.

A definitive account of Sutton Hoo, its discovery, history and famed treasure.

A model, scaled down for children to wear, based on a helmet found in the grave of an Anglo-Saxon king buried at Sutton Hoo in Suffolk. As the helmet of a king, it was richly decorated with designs of scrolls, dragons and birds, all of which are represented on the cut-out model.

A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords. Swords were special in Anglo-Saxon England. Their names, deeds and pedigrees were enshrined in writing. Many were curated for generations, revealed by their worn and mended condition. Few ended their lives as casual discards, placed instead in graves, hoards and watercourses as part of ritualised acts. Contemporary sources leave no doubt that complex social meanings surrounded these weapons, transcending their use on the battlefield; but they have yet to transcend the traditional view that their primary social function was as status symbols. Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge. Eschewing modern value judgements, it focuses instead on contemporary perceptions - exploring how those who made, used and experienced swords really felt about them. It takes a multidisciplinary and holistic approach, bringing together insights from art, archaeology and literature. Comparison with Scandinavia adds further nuance, revealing what was (and was not) distinctive of Anglo-Saxon views of these weapons. Far from elite baubles, swords are revealed to have been dynamic "living" artefacts with their own identities, histories and places in social networks - ideas fuelled by their adaptability, durability and unique rolein bloodshed. Sue Brunning is Curator of European Early Medieval Collections at The British Museum.