Written in Middle English during the Tudor period, "Everyman" is the most famous example of the medieval morality play. Popular in Europe during the 15th and 16th century, morality plays were allegorical dramas in which the protagonists are met with the personifications of personal attributes and tasked with choosing either a good and godly life or evil. "Everyman" is the archetypal morality play, as the main character, Everyman, represents all of mankind. God, frustrated with the wicked and greedy, sends Death to Everyman and summons him to account for his misdeeds and sins. It was believed that God tallied all of one's good and evil deeds in life and then one must provide an accounting before God upon one's death. During Everyman's pilgrimage to God, he meets many characters, such as Fellowship, Good Deeds, and Knowledge. Everyman asks them all to join him in his journey so that he may improve his reckoning before God. In the end, it is only Good Deeds that stays with him before God and helps Everyman find salvation and eternal life. This edition is printed on premium acid-free paper.

A study of Tudor drama that sees the long 16th century from the accession of Henry Tudor to the death of Elizabeth as a whole, taking in the drama of the 'mystery plays' and the early work of Shakespeare. It is an account of current scholarship and an introduction to the complexity of Tudor drama.

When it comes to Christian morality tales, most people think of Bunyan's Pilgrim's Progress. Before Pilgrim's Progress, there was The Summoning of Everyman (more commonly known as Everyman); much like Bunyan's classic work, Everyman uses allegorical characters to examine the question of salvation and how man can receive it. The text is present with both the original translation and a modern translation. Please note, this story is also included in the collection “Everyman and Other Old Religious Plays In Plain and Simple English.”

This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Everyman and Mankind are morality plays which mark the turn of the medieval period to the early modern, with their focus on the individual. Everyman follows a man's journey towards death and his efforts to secure himself a life thereafter, whilst Mankind shows a man battling with temptation and sin, often with great humour. Both texts are modernised here and edited to the highest standards of scholarship, with full on-page commentaries giving the depth of information and insight associated with all Arden editions. The comprehensive, illustrated introduction argues that the plays signal the birth of the early modern consciousness and puts them in their historic and religious contexts. An account is also given of the staging and performance history of the plays and their critical history and significance. With a wealth of helpful and incisive commentary this is the finest edition of the plays available.

Het leven van een man komt steeds meer te staan in het teken van zijn ouderdomskwalen.

Everyman is successful, popular and riding high when Death comes calling. Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.

Several classic religious / mystery plays are included in this large collection. The text is present with both the original translation and a modern translation. The collection includes: Everyman, The Chester Pageant of the Water-Leaders and Drawers of the Dee Concerning Noah’s Deluge, The Chester Pageant of the Barbers and Wax-Chandlers Representing Abraham, Melchisedec, and Isaac, The Second Shepherds’ Play, The Coventry Nativity Play of the Company of Shearmen and Tailors, The Miracle-Play of the Crucifixion, The Cornish Mystery-Play of the Three Maries, The Cornish Mystery-Play of Mary Magdalene and How She Brought the News of the Resurrection of Our Lord Jesus Christ to the Apostles, The Pageant of the Harrowing of Hell or Extraction of Souls From Hell, The Interlude of “God’s Promises”