A new translation of the treatise which inspired modern developments in logic and semantic theory.

“Western people no longer hear; everything is grasped by sight. They no longer speak; they show.” -- Jacques Ellul Well-known for his many books on sociology and theology, Jacques Ellul creatively braids these two strands together in this provocative examination of how reality (which is visual) has superseded truth (which is verbal) in modern times. Ellul explores biblical texts for distinguishing visual cultural forms from the communicative (divine and human) Word, then examines how this distinction plays out with the rise of audiovisual media in the 20th-century West. Even in human speech, visual forms dominate contemporary life and devalue the word; this insight informs discussion of the image/word clash in religion, politics, and art. After a scathing critique of present-day idolatry, Ellul places his hope for nonviolent community in the fragile spoken word. Ultimately, Ellul sees the Bible as presenting a hopeful vision of reconciliation—between visual reality and spoken truth. A new afterword by Jacob Marques Rollison contextualizes Ellul’s stance within French postmodern thought, illuminating Humiliation of the Word as an outspokenly “Protestant communication ethic” in contemporary philosophical and theological discussions of language.

"In the opinion of competent thinkers the Christian Faith of Schleiermacher is, with the exception of Calvin's Institutes, the most important work covering the whole field of doctrine to which Protestant theology can point. To say this is not necessarily to adopt either his fundamental principles or the detailed conclusions to which these principles have guided him. On all such matters a nearly unbroken controversy has long prevailed. Indeed, at the moment a formidable attack is being delivered upon his main positions by a new and active school of thought in Germany. But, whether for acceptance or rejection, it is necessary for serious students to know what Schleiermacher has to say."--Editors' preface, page [v]

Daughters of Anowa provides an analysis of the lives of African women today from an African woman's own perspective. It is a study of the influence of culture and religion - particularly of traditional African cultures and Christianity - on African women's lives. Mercy Amba Oduyoye illustrates how myths, proverbs, and folk tales (called "folktalk") operate in the socialization of young women, working to preserve the norms of the community. Daughters of Anowa reveals how global patriarchy manifests itself in these social structures, in both patrilineal and matrilineal communities. Organized as a narrative in three cycles, Daughters of Anowa demonstrates how folktalk alienates women from power, discourages individuality and encourages conformity. It also considers the possibilities for the future. Oduyoye posits that change will come about only when the daughters of Anowa (the mythic representative of Africa itself) confront the realities of culture and religion in perpetuating patriarchal oppression and work to realize the goal of a new woman in a new Africa.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of research articles deals with various problems of Sanskrit literature, ancient Indian history, art and architecture. Section I deals with problems presented by several Sanskrit works, namely the lower limit of the date of the original Harivamsa, Kalapriyanatha mentioned in Bhavabhuti`s plays the identification of the date of Dhananjaya the author of the Dvisandhana Kavya and the Namamala and the fixation of his date the historical background of Rajasekhara`s Viddhasalabhanjika etc. It gives also for the first time a detailed account for Soddhala`s Udayasundarikatha.