On the morning of July 27, 1940, police arrested African American labor organizer Clinton Clark during a parishwide rally in Natchitoches, Louisiana. That day, over 800 black farmers and plantation workers made their way to town to protest for fair payments for their crops and equal access to New Deal assistance programs. Though those arrested with him were released after only three days, Clinton remained in jail for three weeks without charges and faced a possible lynching. News of Clark's captivity reached New Orleans labor organizers and spread to national civil liberties groups, making him a public figure among civil rights organizations. Recounting Clark's life in his own words, Remember My Sacrifice is an exceptional first-hand account of the lives of African Americans in rural Louisiana and of Clark's covert efforts to organize sharecroppers and farm workers during the Great Depression. Born in 1903, Clark grew up in a sharecropping family in Pointe Coupee Parish, Louisiana. Like many of his counterparts, Clark struggled to find work in the 1920s, and in 1931 he moved to California with hopes of finding work. Instead, he was introduced to the Unemployed Benefits Council, a Communist-affiliated relief organization. For Clark, the organization's mission of collective action coupled with respect and relief for the unemployed was the ideal political expression for the frustration he felt within the southern economy. Upon returning to Louisiana in 1933, Clark used his newfound confidence to organize sugar plantation workers and sharecroppers on his own, often hiding out in the woods to escape the persecution of landowners and town officials. Known as the "Black Ghost of Louisiana," Clinton Clark worked to connect rural Louisiana with a larger southern farmers' union movement, an effort that culminated in the formation of the Louisiana Farmers' Union in 1937. Helping small farmers and farm workers -- most of whom were black -- take advantage of President Franklin Roosevelt's agricultural benefit programs and form goods cooperatives that served to break down the tenant farmers' reliance upon plantation commissaries, Clark assisted Louisiana farmers in their search for an equitable income. In 1942 Clinton Clark penned his autobiography at night while working at a trucking company in New Orleans, and shortly afterwards, he fled Louisiana for New York City. In the years that followed, Clark faced the FBI's Communist surveillance, though his memoir suggests that Clark never wholeheartedly endorsed communism -- he simply wanted equality. With an introduction and thorough annotations by Elizabeth Davey and Rodney Clark, Clinton Clark's nephew, Clark's unique narrative illuminates the relationships between labor and civil rights groups and their important work organizing against racial discrimination in the years before the modern civil rights movement.

Traces the rise and fall of Caribbean sugar dynasties, discussing the Britain's dependence on colony wealth, the role of slavery in sugar plantation culture, and the North American colonial opposition to sugar policy in London.

Women in North India are socialized to care for others, so what do they do when they get a disease like diabetes that requires intensive self-care? In Sugar and Tension, Lesley Jo Weaver uses women’s experiences with diabetes in New Delhi as a lens to explore how gendered roles and expectations are taking shape in contemporary India. Weaver argues that although women’s domestic care of others may be at odds with the self-care mandates of biomedically-managed diabetes, these roles nevertheless do important cultural work that may buffer women’s mental and physical health by fostering social belonging. Weaver describes how women negotiate the many responsibilities in their lives when chronic disease is at stake. As women weigh their options, the choices they make raise questions about whose priorities should count in domestic, health, and family worlds. The varied experiences of women illustrate that there are many routes to living well or poorly with diabetes, and these are not always the ones canonized in biomedical models of diabetes management.

Winner, 2020 Herbert H. Lehman Prize for Distinguished Scholarship in New York history Honorable Mention, 2019 CASA Literary Prize for Studies on Latinos in the United States, given by La Casa de las Américas The dramatic story of the origins of the Cuban community in nineteenth-century New York. More than one hundred years before the Cuban Revolution of 1959 sparked an exodus that created today’s prominent Cuban American presence, Cubans were settling in New York City in what became largest community of Latin Americans in the nineteenth-century Northeast. This book brings this community to vivid life, tracing its formation and how it was shaped by both the sugar trade and the long struggle for independence from Spain. New York City’s refineries bought vast quantities of raw sugar from Cuba, ultimately creating an important center of commerce for Cuban émigrés as the island tumbled into the tumultuous decades that would close out the century and define Cuban nationhood and identity. New York became the primary destination for Cuban émigrés in search of an education, opportunity, wealth, to start a new life or forget an old one, to evade royal authority, plot a revolution, experience freedom, or to buy and sell goods. While many of their stories ended tragically, others were steeped in heroism and sacrifice, and still others in opportunism and mendacity. Lisandro Pérez beautifully weaves together all these stories, showing the rise of a vibrant and influential community. Historically rich and engrossing, Sugar, Cigars, and Revolution immerses the reader in the riveting drama of Cuban New York. Lisandro Pérez analyzes the major forces that shaped the community, but also tells the stories of individuals and families that made up the fabric of a little-known immigrant world that represents the origins of New York City's dynamic Latino presence.

Framed in a lucid discussion of the intellectual issues surrounding the postmodern movement, the essays in this book re-examine the course of twentieth-century art through the work of twenty-five major sculptors. McEvilley masterfully traces the evolution of modern sculpture from the readymades of Marcel Duchamp to the anti-painting statements of the 1960s to the spiritualism and conceptualism of the 1980s and 1990s. This is a groundbreaking work in the field of art criticism and a fundamental text for anyone interested in the history of current art and culture. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

This book is an inside look at the day to day activities in Leeton during the 1940‘s including the newspapers, letters from those who served in the military and personal accounts of those who remained at home. Numerous photographs are included that provide a visual made by the soldiers‘ and families‘ on their own cameras as they sought to deal with those frightening times. The story of World War II is presented from a unique perspective and will surprise many. It is enlightening to see a dedicated people committed to doing every thing they could to support the huge number of sons and daughters that volunteered and left to fight the War.