An illustrated, humorous introduction to the basic fields of science.

October Suite

Humorous illustrated look at various aspects of science.

DEADLY DISEASES coughs up the disgusting details of the sicknesses that mankind has suffered from. Find out which brave nurse drank diarrhoea, which scientist used eyeballs as food for bacteria and why deadly cholera makes your skin turn blue. Redesigned in a bold, funky new look for the next generation of HORRIBLE SCIENCE fans.

"This book explains the science behind all the machines, gadgets, systems, and processes we take for granted. The perfect book for techies--young or old, male or female--who read Popular Science and Wired or watch "How It Works" and "How It's Made."

Mack looks at five ways the universe could end, and the lessons each scenario reveals about the most important concepts in cosmology. --From publisher description.

In Molecules, bestselling author Theodore Gray demonstrates, through stunning, never-before-seen images and illustrations, how the elements of the periodic table combine to form the molecules that make up our world. Everything physical is made up of the elements and the infinite variety of molecules they form when they combine with each other. In Molecules, Theodore Gray takes the next step in the story that began with the periodic table in his best-selling book, The Elements: A Visual Exploration of Every Known Atom in the Universe. Here, he explores, through fascinating stories and trademark stunning photography, the most interesting, essential, useful, and beautiful of the millions of chemical structures that make up every material in the world. Gray begins with an explanation of how atoms bond to form molecules and compounds, as well as the difference between organic and inorganic chemistry. He then goes on to explore the vast array of materials molecules can create, including: soaps and solvents; goops and oils; rocks and ores; ropes and fibers; painkillers and dangerous drugs; sweeteners; perfumes and stink bombs; colors and pigments; and controversial compounds including asbestos, CFCs, and thimerosal. Big, gorgeous photographs, as well as diagrams of the compounds and their chemical bonds, rendered with never before seen beauty, fill the pages and capture molecules in their various states. As he did in The Elements, Gray shows us molecules as we've never seen them before. It's the perfect book for his loyal fans who've been eager for more and for anyone fascinated with the mysteries of the material world.

Designed for public librarians, school media specialists, teachers, and anyone with an interest in supporting teen literacy, this book features 133 nonfiction booktalks to use with both voracious and reluctant teen readers. These booktalks cover a wide and varied range of nonfiction genres, including science, nature, history, biography, graphic novels, true crime, art, and much more. Each includes a set of discussion questions and sample project ideas which could be easily expanded into a classroom lesson plan or full library program. Also included are several guidelines for classroom integration, tips for making booktalks more interactive and interesting, and selections for further reading.

The relationship between science and its publics has concerned commentators since science itself began. Yet in recent years, questions of how—and how should—science and society interact have come to particular prominence. A field of practice, initially dubbed ‘public understanding of science’ and later rebranded as ‘public engagement with science and technology’, has blossomed. But although academic studies have informed the development of this practical field, to date there has been little opportunity to take stock of the full breadth and variety of academic analyses of science communication. In an attempt to reveal the richness of the nascent field of science communication studies, this volume presents critical interdisciplinary analyses of some of the many ways in which science intersects with its publics. From children’s science books to computer advertising, news media to lab talk, public engagement to science fiction—the sites, modes and meanings of public science are explored. Contributions draw on historical, cultural, science and media studies. All, however, follow science through popular culture, taking critical science studies out of the lab and into society.