Although his audacious, erotic, and satirical verses survived the Middle Ages in only a single copy, Catullus has in our time become a standard author in the college Latin curriculum, ranking with Virgil, Horace, and Ovid. In this third edition, thoroughly revised, Daniel H. Garrison makes these famous poems more accessible than ever to students of Latin. A standard college textbook as well as a comprehensive reference, the book includes a brief introduction about the poet's life and the character of his poems, a fresh recension of all 113 poems, and a commentary in English on each poem, explaining difficult points of Latin and features of Catullus' artistry, and providing background information. Additional aids to the reader are a Who's Who of the most important people in Catullus' poems, an introduction to Catullan meters, a glossary of literary terms used in the commentary, a complete Latin-English Catullan vocabulary, and six maps.

This book is an attempt to read the poems of Gaius Valerius Catullus in his own context; to look at the poet and his works against the cultural realities of the first century BC as recent advances in historical research allow us to understand them. Catullus' own social background, the circumstances of the literary life of his time, the true extent of his works and the variety of audiences he addressed - these and other questions are explored by Professor Wiseman with new and startling results. Contemporary high society and politics are illustrated through Clodia and Caelius Rufus, considered not as mere adjuncts to Catullus' story but as significant historical personalities in their own right. A final chapter on nineteenth- and twentieth-century interpretations of Catullus' world shows how anachronistic preconceptions have prevented a proper understanding of it, and made this radical reappraisal necessary. Anyone with a serious interest in Latin literature or Roman history will want to read this book. Students in the upper levels of school or at university will find it essential background reading to their work on Catullus and Cicero's Pro Caelio.

The great merit of this textbook resides in its sensitivity to the problems of the intermediate student, for whom Catullus will represent a first exposure to 'real Latin.'...Overall, this is a very responsible textbook....

Both passionate and artful, learned and bawdy, Catullus is one of the best-known and critically significant poets from classical antiquity. An intriguing aspect of his poetry that has been neglected by scholars is his interest in silence, from the pauses that shape everyday conversation to linguistic taboos and cultural suppressions and the absolute silence of death. In Silence in Catullus, Benjamin Eldon Stevens offers fresh readings of this Roman poet's most important works, focusing on his purposeful evocations of silence. This deep and varied "poetics of silence" takes on many forms in Catullus's poetic corpus: underscoring the lyricism of his poetry; highlighting themes of desire, immortality-in-culture, and decay; accenting its structures and rhythms; and, Stevens suggests, even articulating underlying philosophies. Combining classical philological methods, contemporary approaches to silence in modern literature, and the most recent Catullan scholarship, this imaginative examination of Catullus offers a new interpretation of one of the ancient world's most influential and inimitable voices.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

This book applies comparative cultural and literary models to a reading of Catullus' poems as social performances of a 'poetics of manhood': a competitively, often outrageously, self-allusive bid for recognition and admiration. Earlier readings of Catullus, based on Romantic and Modernist notions of 'lyric' poetry, have tended to focus on the relationship with Lesbia and to ignore the majority of the shorter poems, which are instead directed at other men. Professor Wray approaches these poems in the light of more recent models for understanding male social interaction in the premodern Mediterranean, placing them in their specifically Roman historical context while bringing out their strikingly 'postmodern' qualities. The result is an alternative way of reading the fiercely aggressive and delicately refined agonism performed in Catullus' shorter poems. All Latin and Greek quoted is supplied with an English translation.

Volume 33 in the Oklahoma Series in Classical Culture, this title provides primary sources on Clodia Metelli, the Roman woman who influenced Cicero, Catullus, and countless others. Hejduk (classics, Baylor U.) provides accessible translations in entirety of the majority of the primary sources, including all classical texts that mention Clodia. The book is presented in three sections; the first gives the context of the woman and the time in which she lived; the second presents sources from Cicero, Catullus, Sallust, Quintilian, and Plutarch; the final offers the legacy of Clodia through Propertius, Tibullus, Ovid, and Martial. This publication contains a helpful glossary of persons and places from the classical world though does not include the original Latin of the primary sources. It is intended for advanced high school or undergraduate students.

Catullus, who lived from about 84 to 54 BC, was one of ancient Rome's most gifted, versatile and passionate poets. Living at a time of radical social change at the end of the Roman Republic, he belonged to a group of young poets who embraced Hellenistic forms to forge a new literary style, the so-called 'neoterics'. This comprehensive edition includes the complete, unabridged and unbowdlerised poems and is the definitive student edition of Catullus' work. The extensive introduction covers topics including the role of Catullus' literary paramour Lesbia, the few biographical certainties known about Catullus' life and other figures from the contemporary political scene. In addition to this, there is a brief overview of the poems' textual history, discussion of Catullus' style across the collection and linguistic discussions of morphology, vocabulary, syntax and metre. The commentary notes include individual introductions and bibliographies to each poem, as well as line by line notes which translate difficult phrases and gloss obscure words. In addition to this, more detailed explanations of poetic, structural and contextual points are also provided.

Comprehensive coverage, accessible to students and non-specialists, of one of the most popular poets of classical antiquity.