It is 1958, and as Laika, the Sputnik dog is launched into space, Golly Murray, the Cullymore barber's wife, finds herself oddly obsessing about the canine cosmonaut. Meanwhile, Fonsey 'Teddy' O'Neill, is returning, like the prodigal son, from overseas, with brylcream in his hair, and a Cuban-heeled swagger to his step, having experienced his coming-of-age in Butlin's, Skegness. Father Augustus Hand is working on a bold new theatrical production for Easter, which he, for one, knows will put Cullymore on the map. And, as the Manchester United football team prepare to take off from Munich airport, James A Reilly sits in his hovel by the lake outside town, with his pet fox and his father's gun, feeling the weight of an insidious and inscrutable presence pressing down upon him.From the closed terraces and back lanes of rural Ireland to the information highway and global separations of our own time, The Stray Sod Country is at once an homage to what we think we may have lost and a chilling reminder that the past has never really passed.With echoes of Peyton Place, and Fellinni's Amarcord, and with a sinister, diabolical narrator at its heart, this is at once a story of a small town - with its secrets, fears, friendships and betrayals - and a sweeping, grand guignol of theatrical extravagance from one of the finest writers of his generation.

Now entering his sixty-seventh year, Chris McCool can confidently call himself a member of the Happy Club: he has an attractive and exceedingly accommodating Croatian girlfriend and has been told he bears more than a passing resemblance to Roger Moore. As he looks back on the glory days of his youth, he recalls the swinging sixties of rural Ireland: a decade in which the cool cats sang along to Lulu and drove around in Ford Cortinas, when swinging meant wearing velvet trousers and shirts with frills, and where Dolores McCausland - Dolly Mixtures to those who knew her best - danced on the tops of tables and set the pulses of every man in small-town Cullymore racing. Chris McCool had it all back then. He had the moves, he had the car, and he had Dolly, a woman who purred suggestive songs and tugged gently at her skin-tight dresses, a Protestant femme fatale who was glamorous, transgressive and who called him her very own 'Mr Wonderful'. She was, in short, the answer to this bastard son of a Catholic farmer's prayers. Except that there was another Mr Wonderful in town, a certain Marcus Otoyo - a young Nigerian with glossy curls and a dazzling devoutness that was all but irresistible. Although Chris, of course, was interested in Marcus only because of their shared religious fervour and mutual appreciation of the finer things. That was all. Besides, Mr McCool was always a hopeless romantic - some even described him as excessively so - but is there anything wrong with that? Spiked with macabre humour and disquieting revelations, The Holy City is a brilliant, disturbing and compelling novel from one of Ireland's most original contemporary writers.

A swirling, psychedelic, bleakly funny fugue by the Booker-shortlisted author of The Butcher Boy and Breakfast on Pluto. Una Fogarty, suffering from dementia in a seaside nursing home, would be all alone without her brother Dan, whose epic free-verse monologue tells their family story. Exile from Ireland and immigrant life in England. Their mother’s trials as a call girl. Young Una’s search for love in a seemingly haunted hippie squat, and the two-timing Scottish stoner poet she’ll never get over. Now she sits outside in the sun as her memories unspool from Dan’s mouth and his own role in the tale grows ever stranger— and more sinister. A swirling, psychedelic, bleakly funny fugue, Patrick McCabe’s epic reinvention of the verse novel combines Modernist fragmentation and Beat spontaneity with Irish folklore, then douses it in whiskey and sets it on fire. Drinking song and punk libretto, ancient as myth and wholly original, Poguemahone is the devastating telling of one family’s history—and the forces, seen and unseen, that make their fate.

Where is Ireland's soul? This is the question that surface time and again in Ireland Unhinged, a searching, sometimes scathing, often hilarious journey through a country that in the space of a few years has fallen from the dizzy heights of the 'bouncy-castle' boom to the bewildering depths of the crash. Ireland Unhinged is a story of reverse emigration to Cork City and then rural Waterford, from cosy US confines to the true Wild West of these last years. David Monagan's sharp eye pinpoints the excesses and absurdities of modern Ireland. But his real search is for the enduring essence of his adopted country, as revealed in his meetings with literary legends, with witches and monks, with property developers and gnomic farmers. Itis a riveting memoir of a family adapting to a strange land, and an unflinching portrait of Ireland today.

A novel describing an Irish boy who lives with his abusive parents.

From the Nobel Prize-winning Icelandic author: a magnificent novel that recalls Iceland's medieval epics and classics, set in the early twentieth century starring an ordinary sheep farmer and his heroic determination to achieve independence. • "A strange story, vibrant and alive…. There is a rare beauty in its telling." —Atlantic Monthly If Bjartur of Summerhouses, the book's protagonist, is an ordinary sheep farmer, his flinty determination to free himself is genuinely heroic and, at the same time, terrifying and bleakly comic. Having spent eighteen years in humiliating servitude, Bjartur wants nothing more than to raise his flocks unbeholden to any man. But Bjartur's spirited daughter wants to live unbeholden to him. What ensues is a battle of wills that is by turns harsh and touching, elemental in its emotional intensity and intimate in its homely detail. Vast in scope and deeply rewarding, Independent People is a masterpiece.

Irish Book of the Year Finalist An Amazon “Best Books of the Year So Far” An Irish Times Book Club Selection An eccentric young woman searches for friendship, understanding, and belonging as she roams Dublin in this “wildly funny” debut from an exciting voice in Irish literature (New York Times Book Review) Vivian doesn't feel like she fits in—and never has. As a child, she was so whimsical that her parents told her she was “left by fairies.” Now, living alone in Dublin, she finds herself without a friend in the world. So, she decides it’s time to change her life: She begins by advertising for a friend. Not just any friend. She wants one named Penelope. Meanwhile, Vivian roams the city, mapping out a new neighborhood every day, seeking her escape route to a better world, the other world her parents told her she came from. And then one day someone named Penelope answers her ad for a friend. And from that moment on, Vivian's life begins to change. Debut author Caitriona Lally offers readers an exhilaratingly fresh take on the Irish love for lyricism, humor, and inventive wordplay in a book that is, in itself, deeply charming, and deeply moving.

Winner of the Whitbread Prize for Best Novel of the Year: “Gardam’s portrait of an insanely imaginative woman in an elusive midlife crisis is impeccably drawn” (The Seattle Times). With prose that is vibrant and witty, The Queen of the Tambourine traces the emotional breakdown—and eventual restoration—of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. The letters Eliza writes to her neighbor, a woman whom she hardly knows, reveal her self-propelled descent into madness. Eliza must reach the depths of her downward spiral before she can once again find health and serenity. This story of a woman’s confrontation with the realities of sanity will delight readers who enjoy the works of Anita Brookner, Sybille Bedford, Muriel Spark, and Sylvia Plath. “Excellently done . . . Manic delusions have never been so persuasive . . . Very moving when it is not being exceedingly funny.” —Anita Brookner, award-winning author of The Debut “British author Gardam, who won the Whitbread Award for this jigsaw puzzle of a novel, keeps up the suspense to the end, writing like a sorceress in the meantime.” —The Seattle Times “Brilliant.” —The Sunday Times “An ingenious, funny, satirical, sad story . . . Vivid and poignant.” —The Independent on Sunday “Wickedly comic . . . masterly and hugely enjoyable.” —Daily Mail “Marvelously subtle and moving.” —The Times (London)

Pub Walks in Underhill Country by Nat Segnit is a cunning, hilarious and heartbreaking novel that takes the form of a guide for walkers but is really a whole lot more . . . 'Start by turning right out of the main entrance of Malvern Link railway station . . .' So begins Graham Underhill's guide to rambling in the West Midlands. But it is not many yards before Graham has gone completely off track, all but abandoning the route ahead to exult in his love for his beautiful if headstrong wife Sunita. Along the way Graham treats us to his intemperate views on mountain bikers, litter louts, landscape photographers, and the Highways Agency, who are intent on building a bypass through his home. At least he has Sunita. Or does he? With each walk it becomes clearer that the paths of Underhill Country lead into treacherous terrain. 'If Vladimir Nabokov had written episodes of The Archers (with a little script advice from W G Sebald), then he might just have struck a note that chimed with the peculiar music of this beguiling first novel' Independent 'A metafictional escapade . . . has both Nabokov and Alan Partridge as its forebears' Daily Telegraph 'Has echoes of Mike Leigh's best films and Paul Torday's smash debut, Salmon Fishing in the Yemen' Daily Mail Nat Segnit lives in London. His journalism and stories have appeared in several national newspapers, and his play, Dolphin Therapy, and two co-written comedy series, Strangers on Trains and Beautiful Dreamers, were broadcast on Radio 4. Pub Walks in Underhill Country is his first novel.