Autobiography by the singer and creative force of 70s rock group The Stranglers.

This book is, quite simply, remarkable journalism, and remarkable writing. --Robert B. Parker An infamous murder spree. A monstrous hoax. The definitive book--updated with new evidence. "DeSalvo Is the Strangler!" declared the headlines after handyman Albert DeSalvo confessed to eleven brutal rape/murders that terrorized Boston from 1962 to 1964. The repeat sex offender boasted he had raped an additional 2,000 women. His story became the subject of a bestselling book and major Hollywood movie. But DeSalvo was not The Boston Strangler. Author Susan Kelly's detailed investigation shows us the true DeSalvo--a pathological liar whose hunger for celebrity drove him to false confessions--and indicates that the stranglings were committed by more than one killer. In an eye-opening update that explores stunning DNA findings, a shocking re-autopsy, and expert profiling evidence, she shows why this savage, unsolved case continues to fascinate and haunt us. With 16 Pages Of Powerful Photos "Taut with suspense. . .crackles like a bestselling novel." --Barry Reed, author of The Verdict "Prodigious research." --Publishers Weekly

The Stranglers have outlasted and outsold virtually every other band of their era, recording ten hit albums and releasing 21 Top 40 singles. Their list of hits, including Golden Brown, were written against a background of spectacular success, dismal failure, drug dependency, financial ruin, infighting and misfortune. As a response to David Buckley's one-sided biography of the band ("No Mercy" Hodder & Stoughton, 1997) and the band’s reticence to reveal the true meaning behind their songs, Hugh Cornwell, founding member and songwriter, sets the record straight, displaces the myths and for the first time explains the real stories behind The Stranglers, his departure and the origins of their songs.

Based largely on new material, this book examines thuggee as a type of banditry, emerging in a specific socio-economic and geographic context. The British usually described the thugs as fanatic assassins and Kali-worshippers, yet Wagner argues that the history of thuggee need no longer be limited to the study of its representation.

They are trees of life and trees of knowledge. They are wish-fulfillers rainforest royalty more precious than gold. They are the fig trees, and they have affected humanity in profound but little-known ways. Gods, Wasps, and Stranglers tells their amazing story.

A biography of The Stranglers. First formed in 1974, they have remained an active group, influencing a range of Britpop bands. Exploring the band's career, the book looks at albums, their commercial high point in the '80s, the departure of the lead vocalist in 1990 and the band's recent career.

The life and times of The Stranglers, by their former front man.

The Stranglers were at the vanguard of punk and new wave whilst never really being accepted as 'proper' punks. Still going to this day, but without original guitarist Hugh Cornwell, the classic line up is Cornwell, Jean Jacques Burnel, Dave Greenfield and Jett Black. This is the line-up covered in this book which goes from the band's conception to Cornwell's departure in 1990.

For The Stranglers, 1977 was a vital year. Not quite punk, certainly not pop and often at odds with live audiences and the music press alike, their approach was such that nothing could stop them. With hits like 'Peaches', 'No More Heroes' and 'Something Better Change', there was everything to play for despite a variety of confrontations and controversies. With two commercially and musically strong albums - Rattus Norvegicus (their debut) and No More Heroes - released within just months of each other, the story of The Stranglers in 1977 is one that needs to be told. With vintage interviews and reviews in abundance, this book comprehensively documents it all with immense detail.