International Bestseller Winner of the Edgar Award for Best Novel "This lively whodunit keeps you guessing until the end." —People Death lies between the lines when the events of a dark story start coming true in this haunting modern Gothic mystery, perfect for fans of Magpie Murders and The Lake House. Clare Cassidy is no stranger to murder. A high school teacher specializing in the Gothic writer R. M. Holland, she even teaches a course on him. But when one of Clare’s colleagues is found dead, with a line from Holland’s iconic story “The Stranger” left by her body, Clare is horrified to see her life collide with her favorite literature. The police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her diary, the only outlet for her suspicions and fears. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: Hallo Clare. You don’t know me. Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

"First published in Great Britain in 2020 by Quercus"--Copyright page.

"A National Book Award-finalist biographer tells the story of how a young man in his 20s who had never written a novel turned out a masterpiece that still grips readers more than 70 years later and is considered a rite of passage for readers around the world, "--NoveList.

"From the author of the beloved Ruth Galloway series, a modern gothic mystery for fans of Magpie Murders and The Lake House"--

Forensic archaeologist Ruth Galloway changed her life—until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind. Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer north Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried—but only if Ruth will do the digging. Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths. Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?

A USA Today Bestseller There’s nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst—and into the crosshairs of a string of murders circling ever closer. Ruth is back as head of archaeology at the University of North Norfolk when a group of local metal detectorists—the so-called Night Hawks—uncovers Bronze Age artifacts on the beach, alongside a recently deceased body, just washed ashore. Not long after, the same detectorists uncover a murder-suicide—a scientist and his wife found at their farmhouse, long thought to be haunted by the Black Shuck, a humongous black dog, a harbinger of death. The further DCI Nelson probes into both cases, the more intertwined they become, and the closer they circle to David Brown, the new lecturer Ruth has recently hired, who seems always to turn up wherever Ruth goes.

In this delightfully creepy mystery, Ruth Galloway—whom #1 New York Times bestselling author Louise Penny calls “a captivating amateur sleuth”—is haunted by a ghost from her past, just as her future lands on shaky ground. ¶ “Its patented combination of mysterious circumstances, police procedure, and agonizing relationship problems will keep you reading, and feeling, all night.” —Kirkus Reviews (starred review) ¶ Ruth’s partner in crime, DCI Nelson, has been receiving threatening letters. They are anonymous, yet reminiscent of ones he has received in the past, from the person who drew him into a case that’s haunted him for years. At the same time, Ruth receives a letter purporting to be from that very same person—her former mentor, and the reason she first started working with Nelson. But the author of those letters is dead. Or is he? The past is reaching out for Ruth and Nelson, and its grip is deadly.

Curl up with this cozy mystery perfect for autumn The Brighton police force is on the hunt for another killer, but this time they have some competition—a newly formed all-women’s private eye firm, led by none other than the police chief’s wife. Newly minted PI Emma Holmes and her partner Sam Collins are just settling into their business when they’re chosen for a high-profile case: retired music-hall star Verity Malone hires them to find out who poisoned her husband, a theater impresario. Verity herself has been accused of the crime. The only hitch—the Brighton police are already on the case, putting Emma in direct competition with her husband, police superintendent Edgar Stephens. Soon Emma realizes that Verity’s life intersects closely with her own—most notably in their mutual connection, Max Mephisto, who has returned to England from America with his children and famous wife, Hollywood star Lydia Lamont. Lydia, desperately bored in the countryside, catches wind of what Emma and Sam are up to and offers her services. What secret does Lydia know about Verity’s past? The team of female PIs circle closer to the killer, with the Brighton police hot on their tail. The clues suggest they’re looking for a criminal targeting the old music-hall crew. How long will it be before that trail leads straight back to Max?

From the brilliant and incisive author of Mislaid—"a writer of extraordinary talent and range" (Jonathan Franzen) whose "capacity for inventions is immense" (BookForum)—comes a new collection of her earliest work: two wildly funny novellas (Sailing Towards the Sunset by Avner Shats and European Story for Avner Shats) available in one compact volume. Years ago, Nell Zink resolved to write a book for her friend, the Israeli novelist Avner Shats, that would mirror his remarkable style. Unable to read his Hebrew, she was forced to start from scratch. Now, this tongue-in-cheek homage is available to Nell’s growing readership for the first time, accompanied by a second dazzling and imaginative work that breathes—at Shats’s request—the perfumed air of the Old Europe and stars a figure very much like Shats. Sailing Towards the Sunset by Avner Shats is Zink’s faux-translation of Shats’s 1998 novel Lashut El Hashkia ("Sailing Towards the Sunset"). It flows with a narrative spin only the singular Zink could pull off—including both authentic and fictional versions of characters from Shats’s life and work such as the author herself. A fast-moving portrait of expat artists, authors, and academics on fellowships at the Villa Romana in Florence, European Story for Avner Shats centers on a trio of three indelible characters: an Israeli writer vaguely reminiscent of Shats, a German specialist in ancient lint, and a beautiful and fraudulent Russian performance artist. Demonstrating the hallmarks of Zink’s unique talent, Private Novelist is an intimate look into this acclaimed novelist’s early work that will please her coterie of admirers and further burnish her lustrous reputation.