A story of a little boy who searches for mangos to help his mother recover from her illness.

The jolly and exciting tale of the little boy who lost his red coat and his blue trousers and his purple shoes but who was saved from the tigers to eat 169 pancakes for his supper, has been universally loved by generations of children. First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play.

Helen Bannerman, who was born in Edinburgh in 1863, lived in India for thirty years. As a gift for her two little girls, she wrote and illustrated The Story of Little Black Sambo (1899), a story that clearly takes place in India (with its tigers and "ghi," or melted butter), even though the names she gave her characters belie that setting. For this new edition of Bannerman's much beloved tale, the little boy, his mother, and his father have all been give authentic Indian names: Babaji, Mamaji, and Papaji. And Fred Marcellino's high-spirited illustrations lovingly, memorably transform this old favorite. He gives a classic story new life.

Exposes and explores the prevalence of racist restaurant branding in the United States Aunt Jemima is the face of pancake mix. Uncle Ben sells rice. Chef Rastus shills for Cream of Wheat. Stereotyped Black faces and bodies have long promoted retail food products that are household names. Much less visible to the public are the numerous restaurants that deploy unapologetically racist logos, themes, and architecture. These marketing concepts, which center nostalgia for a racist past and commemoration of our racist present, reveal the deeply entrenched American investment in anti-blackness. Drawing on wide-ranging sources from the late 1800s to the present, Burgers in Blackface gives a powerful account, and rebuke, of historical and contemporary racism in restaurant branding. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

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The Story of Little Black Sambo is a children's book written and illustrated by Scottish author Helen Bannerman, and first published by Grant Richards in October 1899 as one in a series of small-format books called The Dumpy Books for Children. The story was a children's favorite for more than half a century but would become a victim of allegations of racism in the mid-20th century. Critics of the time observed that Bannerman presents one of the first black heroes in children's literature and regarded the book as positively portraying black characters in both the text and pictures, especially in comparison to the more negative books of that era that depicted blacks as simple and uncivilized. Both text and illustrations have undergone considerable revision since.

Every year, trolls knock down Kyri's door and gobble up her Christmas feast. But this year, the trolls are in for a surprise: a boy and his pet ice bear on their way to Oslo have come in from the cold. And once the ice bear is finished with the trolls, you can bet they won't come knocking next Christmas Eve! Once again, Jan Brett creates an original Christmas story full of warmth and magic. Featuring beautiful borders, intricate illustrations, and a stunning display of the Northern Lights, Who's That Knocking on Christmas Eve? will rightfully take its place among Jan's Christmas favorites with the whole family.

Drawing from historical, cultural and socio-political perspectives, this new edition provides scholars and students with insights into anti-Black racial formations, colonial power structures and critical theories, enriching discussions on race, identity and decolonisation across academic disciplines.

Invites young readers to learn the alphabet using simple rhyming text and whimsical drawings illustrating each letter.