What came to be known as the World s Columbian Exposition was planned to commemorate the 400th anniversary of Christopher Columbus s 1492 landfall in the New World. Chicago beat out New York City, St. Louis, Missouri, and Washington, DC, in its bid as host a coup for the Windy City. The site finally selected for the fair was Jackson Park, originally designed by Frederick Law Olmsted and Calvert Vaux, a marshy area covered with dense, wild vegetation. Daniel H. Burnham and John W. Root were selected as chief architects, creating the famous White City. The fair featured several different thematic areas: the Great Buildings, Foreign Buildings, State Buildings, and the Midway Plaisance, a nearly mile-long area that featured exotic exhibits. The exposition also showcased the world s first Ferris Wheel and introduced fairgoers to new sensations like Cracker Jack, Pabst Beer, and ragtime music. The World s Columbian Exposition, covering 633 acres, opened on May 1, 1893. Admission prices were 50cents for adults, 25cents for children under 12 years of age, and free for children under six. Unfortunately, by 1896, most of the fair s buildings had been removed or destroyed, but this collection takes readers on a tour of the grounds as they looked in 1893."

As Down East Books celebrates 50 years of great book publishing, it seems appropriate to reflect upon the contributions Maine has made that have had significant cultural and historical impacts on both the United States and the World. Did you know that the caterpillar tread, common on bulldozers and tanks, originated from the design of Lombard’s steam log hauler; or that the dry plate photographic process was created by the Stanley brothers, who also invented a speed-record setting steam powered car and whose sister, Chansonetta, was a well-known photographer in her own right? Maxim’s machine gun forever changed the practice of warfare. The humble peavey is a simple tool well-known to any forester or lumberjack. The ubiquitous lobster boat, the microwave oven, earmuffs, and Monopoly—all came from the minds of Mainers. This book is a celebration of Maine’s creative ingenuity—from the very large, such as Portland Head Light and the Penobscot Narrows Bridge to the very small, such as the toothpick and the Bean boot.

It was called "the dirtiest campaign in American history."

A classic work on farm buildings made by nineteenth-century New Englanders refreshed with a new introduction. Big House, Little House, Back House, Barn portrays the four essential components of the stately and beautiful connected farm buildings made by nineteenth-century New Englanders that stand today as a living expression of a rural culture, offering insights into the people who made them and their agricultural way of life. A visual delight as well as an engaging tribute to our nineteenth-century forebears, this book, first published nearly forty years ago, has become one of the standard works on regional farmsteads in America. This new edition features a new preface by the author.