From Pulitzer Prize–nominated New York Times reporter Sarah Maslin Nir, the author of the memoir Horse Crazy: The Story of a Woman in Love with an Animal, comes the third book in her Once Upon a Horse series of middle-grade novels inspired by real horses and the people who love them Lights . . . Camera . . . Giddyap? Billy is a Norwegian Fjord horse—short as horses go, but with the natural star power of a Hollywood celebrity. Lori Allegria is a horse-loving seventh grader as awkward as she is tall for her age, who finds refuge from her shyness on her family farm with her best friend: Billy, the Fjord. Their peace is shattered when Billy is “discovered” by Marlowe Narang, superstar kid actor, and given the opportunity of a horsey lifetime—to star in a film! And with that, the chance for Lori and her mom to save their struggling stables. Lori tearfully agrees to send her horse to a new life across the country on the set of Marlowe’s newest Hollywood production, a Western set in a real ghost town. But Billy’s star turn is cut short when a mountain lion stalks the desert set and sends him fleeing into the Mojave. When word gets back to Lori, she runs away too—to find her Billy! Lost in the endless desert, as horse and girl make their way to each other, Lori and Billy both find they are not alone. Joined in their search by a cast of characters including wild donkeys, a sassy teenage cowgirl, a plucky service dog, and even the world’s biggest kid actor himself, The Star Horse is a story about finding your herd—human and horse—and along the way, finding your voice. Once Upon a Horse series The Flying Horse (#1) The Jockey & Her Horse (#2), written with Raymond White Jr. The Star Horse (#3)

There are over seven million horses in America -- even more than when they were the only means of transportation. Nir began riding horses when she was just two years old and hasn't stopped since. This is her funny, moving love letter to these graceful animals and the people who are obsessed with them. She takes us into the lesser-known corners of the riding world and profiles some of its most captivating figures, and speaks candidly of how horses have helped her overcome heartbreak and loss.

Lisa love being a member of the Saddle Club. But lately, Stevie and Carole haven't had time for her or their friendship. And if she can'tconvince her friends that their club is just as important, she may have to find new members to replace them. . . .

Several children who live on a ranch in Montana spend the summer playing with a gentle old horse which had been left in their yard.

Indiana schoolteacher Develyn Worrell is ready to savor summer's end in a cozy Wyoming town from her childhood. Then a series of random troublesome events resets the pace.

“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds. As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers. Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion. Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan. By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.

A comedy that focuses on a man who discovers he has a talent for choosing the winning horse in a race as long as he never places a bet himself.

The mission seems simple: head south, collect the bride promised six years earlier, and ensure that nothing odd is going on among the nomadic Tatars. Ogodai anticipates no problems. In fact, he looks forward to the chance to break free of his father and establish himself in a horde of his own. But Ogodai's betrothed seems wary at best, his half-brother has competing plans for both the girl and the horde, and even the briefest investigation shows that indeed, something very odd is going on in the nomadic camp. Before long, Ogodai realizes that the contest threatens his own life and his betrothed's happiness. But can he persuade his unwilling would-be queen that an alliance with him offers more than the traditional role of chief wife?

A sculpted three-dimensional model of the anatomy of a horse will help children learn all about this amazing animal.

In the "Best in Show" tradition come tales of the horses and personalities, the riders and trainers, owners and judges, the big names and big money that make up the national horse show circuit.