A much-anticipated debut collection from one of Canada’s most promising emerging poets Pebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures. The poems in this collection also trace the experiences of a young poet who left home at seventeen to pursue writing; the result is a series of city poetry infused with memory, the small joys of Vancouver’s everyday, environmental politics, grief and notions of home. While the poetics of response are abundant in the collection—with poems written to Natalie Lim and Ashley Hynd—the last section of the book, "Thirteen Ghazals and Anti-Ghazals after Phyllis Webb," forges a continued response to Phyllis Webb on Salt Spring Island, and innovates within the possibilities of the experimental ghazal form.

The finest ghazals of Mir Taqi Mir, the most accomplished of Urdu poets. The prolific Mir Taqi Mir (1723–1810), widely regarded as the most accomplished poet in Urdu, composed his ghazals—a poetic form of rhyming couplets—in a distinctive Indian style arising from the Persian ghazal tradition. Here, the lover and beloved live in a world of extremes: the outsider is the hero, prosperity is poverty, and death would be preferable to the indifference of the beloved. Ghazals offers a comprehensive collection of Mir’s finest work, translated by a renowned expert on Urdu poetry.

Including the complete collaborative poems of Sheila E. Murphy and the late Michelle Greenblatt; three free-verse poems and 59 American ghazals. With a Foreword by Vincent A. Cellucci.

The second volume in this series presents the reader with an extensive study of some major genres of Persian poetry from the first centuries after the rise of Islam to the end of the Timurid era and the inauguration of Safavid rule in the beginning of the sixteenth century. The authors explore the development of poetic genres, from the panegyric (qaside), to short lyrical poems (ghazal), and the quatrains (roba'i), tracing the stylistic evolution of Persian poetry up to 1500 and examine the vital role of these poetic forms within the rich landscape of Persian literature.

In this vibrant debut, Ellie Sawatzky rustles the underbrush of identity, seeking clarity on the nature of ownership and belonging. Haunted and inspired by old boyfriends, girls named Emily, ancestral ghosts, polar bears and mythic horses, None of This Belongs to Me plots a young woman’s coming of age in a time of environmental and socio-economic peril. From rural Ontario to Kitsilano to Burning Man, Sawatzky inquires into childhood learning, girlhood learning, what is inherited, what is acquired, what begins to take form in the iridescent space between innocence and experience (“The body’s crystal arithmetic”). Superimposing dreamscapes on realities, history on pop culture and everyday sorrows, this collection is a hymn for the broken-hearted, a plea for connection in the information age, and a call to question the ways in which we both nurture and harm one another and our environment. None of This Belongs to Me is pertinent now more than ever, as Sawatzky’s generation comes of age in a tumultuous time, forced to consider all of that which does not—and may never—belong to them. These poems invite readers to explore our inner and outer worlds, to question the ways we inhabit them, to infuse our modern lives with our potent histories.

This book is a companion volume to author's earlier book, "Masterpieces of Urdu Ghazal" which contained English translations of 108 ghazals selected from nine major poets. The present volume contains 129 ghazals representing 20 outstanding Urdu poets. Thus, this anthology, taken together with The Masterpieces, may rightly claim to be a fully representative collection of Urdu ghazals in English translation. The ghazals are carefully selected and explained in English for the average readers as well as Urdu Connoisseurs. The book contains brief biographical notes and introductory essays on the ghazals.

I.B.Tauris in association with the Iran Heritage Foundation