The story of the Vijayanagara Empire is one of triumph, cultural richness, and eventual decline. Its legacy continues to inspire and intrigue, offering valuable insights into a significant period of Indian history. Through Nayona’s camera lens of Hampi, we glimpse the architectural and cultural zenith of an empire that once dominated South India and traded precious gems with other major civilizations of the world. The journey of an Indian teenaged girl through the ruins of Hampi serve as a powerful reminder to the young and vibrant generation of Millennials and GenZ of the empire's achievements and its lasting impact on Indian heritage. Her interactions with the multitude of tourists, visitors, historians and archaeologists who thronged the place, only pointed to the fact that Hampi is not only of interest for its historical prestige and magnificent ruins, its remarkable landscapes, mythological and religious associations and ongoing archaeological investigations, but its contributions to World History, restoration work and the reclamation of a Lost Kingdom make it an outstanding destination of international significance.

Hampi is one of the greatest heritage sites in India. It has not merely temples or palaces but the remains of a complete medieval city-the magnificent Vijayanagar. There is an exquisite collection of monuments that lie scattered across a picturesque landscape. Founded in the 14th century, the kingdom of Vijayanagar thrived for three hundred years. Hampi is one of the greatest heritage sites in India. It has not merely temples or palaces but the remains of a complete medieval city-the magnificent Vijayanagar. There is an exquisite collection of monuments that lie

Hampi, the ancient Hindu Kingdom of Vijayanagara, is a spectacular UNESCO world heritage site in Southern India. This lavishly illustrated book celebrates its unique landscape and monuments in the context of a ground breaking interactive art installation PLACE-Hampi, which elevates this vibrant contemporary pilgrimage centre into an embodied theatre of participation. The highly original feature of PLACE-Hampi is its interactive projection system, invented by Jeffrey Shaw in 1995, and which for the first time is now using stereoscopic 3D projection.

Written About A.D. 1520 To 1522 And A.D. 1535 To 1537 Respectively.

The first survey of the political, economic, religious and cultural landscapes of medieval India.

To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.

A provocative contribution to the history of early modern Euro-Asian interactions that provides new perspectives on the encounter between Catholicism and Hinduism in India