A genre-defying page turner that fuses thriller and speculative fiction with dark fantasy in a hidden world in the heart of Cold War Europe. THE TRUE COLD WAR IS FOUGHT ON THE BORDERS OF THIS WORLD, AT THE EDGES OF THE LIGHT. It's 1965 and Christopher Winter is trying to carve a new life, a new identity, beyond his days in British Intelligence. Recruited by London's gangland he now finds himself on the wrong side of the law - and about to discover that the secret service has a way of claiming back its own. Who is the fatally alluring succubus working honeytraps for foreign paymasters? What is the true secret of the Shadowless, a fabled criminal cabal deadlier than the Mafia? And why do both parties covet long- buried caskets said to hold the hearts of kings? Winter must confront the buried knowledge of his own past to survive - but is he ready to embrace the magic that created the darkness waiting there?

Most often a pupil's difficulty is not because of technic deficiency but is due to weak note recognition. Consistent use of these drills will help your student to become a good note reader.

A genre-defying page turner that fuses thriller and speculative fiction with dark fantasy in a hidden world in the heart of Cold War Europe. Europe. 1963. And the true Cold War is fought on the borders of this world, at the edges of the light. When the assassination of a traitor trading with the enemy goes terribly wrong, British Intelligence agent Christopher Winter must flee London. In a tense alliance with a lethal, mysterious woman named Karina Lazarova, he's caught in a quest for hidden knowledge from centuries before, an occult secret written in a language of fire. A secret that will give supremacy to the nation that possesses it. Racing against the Russians, the chase takes them from the demon-haunted Hungarian border to treasure-laden tunnels beneath Berlin, from an impossible house in Vienna to a bomb-blasted ruin in Bavaria where something unholy waits, born of the power of white fire and black glass . . . It's a world of treachery, blood and magic. A world at war in the dark.

The Official Spider Test. What do you do when you see a spider? a. Lay on a BIG spidey smoocheroo. b. Smile, but back away slowly. c. Grab the closest object, wind up, and let it fly. d. Run away screaming. If you chose b, c, or d, then this book is for you! (If you chose a, you might be crazy.) I’m Trying to Love Spiders will help you see these amazing arachnids in a whole new light, from their awesomely excessive eight eyes, to the seventy-five pounds of bugs a spider can eat in a single year! And you’re sure to feel better knowing you have a better chance of being struck by lightning than being fatally bit by a spider. Comforting, right? No? Either way, there’s heaps more information in here to help you forget your fears . . . or at least laugh a lot!

Joe is a friendly spider who would rather dance than spin webs. It reinforces the idea that it is okay to be different and giving to others brings happiness.

Clickity! Clickity! Long green feet! Who is dancing that clickity beat? Lizard is dancing on clickity feet. Clickity! Clickity! Happy feet! Introducing a get-up-and-dance toddler book-so catchy and rhythmic, you'll almost want to sing it. Lindsey Craig's rollicking text features funny sound words (Tippity! Creepity! Stompity! Thumpity!), dancing animals, a singsong beat, and a guessing element just easy enough for preschoolers to anticipate. Marc Brown's artwork is bright, textured, and joyful, a collage of simple shapes for kids to find and name. So grab a partner and tap your feet to this read-aloud picture-book treat.

Misfit dancer finds a place for her art in zero g.

A young zombie gives a haunting performance in her first ballet dance recital.

This book with online video (111 min.) will introduce the reader to the tambourine and folk dance tradition of Southern Italy, the Tarantella. Students will learn the techniques of Tarantella tambourine playing as well as the history of this ancient tradition. This book reflects 25 years of field research and performance by the author, Alessandra Belloni

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.