Katerina inherits a scented, wooden spice box after her grandmother Mariam dies. It contains letters and a diary, written in Armenian. As she pieces together her family story, Katerina learns that Mariam's childhood was shattered by the Armenian tragedy of 1915. Mariam was exiled from her home in Turkey and separated from her beloved brother, Gabriel, her life marred by grief and the loss of her first love. Dissatisfied and restless, Katerina tries to find resolution in her own life as she completes Mariam's story – on a journey that takes her across Cyprus and then half a world away to New York. Miracles, it seems, can happen—for those trapped by the past, and for Katerina herself.

" Katerina longs to know why her late grandmother, Miriam, refused to talk about the past, especially when she inherits a journal and handwritten letters stashed in a wooden spice box, cryptic treasures written in Armenian, Miriam's mother tongue. On vacation in Cyprus, Katerina finds the key to unlocking her grandmother's secrets and discovers a family legacy of exile and loss. Aged seven, Miriam was expelled from her home in Eastern Turkey and witnessed the death of her beloved brother Gabriel, or so she believed. Katerina sets out on a fact-finding mission across the island and solves a mystery that changes her life and lays the ghosts of her grandmother's turbulent past to rest. My Big Fat Greek Wedding meets Sarah's Key in this gripping family saga, set during the tragic start of the Armenian genocide in 1915 Turkey, spanning the ups and downs of a family separated by the devastating aftermath in 1985 Greece. "--

The New Spice Box includes short fiction, personal essays, and poetry by Jewish writers from a broad range of cultural backgrounds. Fresh and relevant, profound and lasting, this anthology features works by acclaimed short story writers David Bezmozgis, Mireille Silcoff, and Ayelet Tsabari; groundbreaking memoirists Bernice Eisenstein and Alison Pick; and award-winning poets Isa Milman, Jacob Scheier, and Adam Sol. The driving force behind The New Spice Box is the desire to uncover the twin touchstones of original expression and writerly craft, and to balance the representation of genres, styles, and authorial perspectives. Here, authors summon the past as they probe their cultural inheritance and move forward into the future. The New Spice Box shows that Jewish literary tradition, Jewish experience, and Jewish identity can be expressed in innumerable ways.

Perfect for fans of Morgan Matson and Ruta Sepetys, this sweet, summery romance set in Nantucket follows seventeen-year-old Abby Schoenberg as she uncovers a secret about her grandmother's life during WWII. Seventeen-year-old Abby Schoenberg isn't exactly looking forward to the summer before her senior year. She's just broken up with her first boyfriend and her friends are all off in different, exciting directions for the next three months. Abby needs a plan—an adventure of her own. Enter: the letters. They show up one rainy day along with the rest of Abby's recently deceased grandmother's possessions. And these aren't any old letters; they're love letters. Love letters from a mystery man named Edward. Love letters from a mansion on Nantucket. Abby doesn't know much about her grandmother's past. She knows she was born in Germany and moved to the US when she was five, fleeing the Holocaust. But the details are either hazy or nonexistent, and these letters depict a life that is a bit different than the quiet one Abby knows about. So Abby heads to Nantucket for the summer to learn more about her grandmother and the secrets she kept. But when she meets Edward's handsome grandson, who wants to stop her from investigating, things get complicated. As Abby and Noah grow closer, the mysteries in their families deepen, and they discover that they both have to accept the burdens of their pasts if they want the kinds of futures they've always imagined. Cover may vary.

The Renaissance of Letters traces the multiplication of letter-writing practices between the fourteenth and seventeenth centuries in the Italian peninsula and beyond to explore the importance of letters as a crucial document for understanding the Italian Renaissance. This edited collection contains case studies, ranging from the late medieval re-emergence of letter-writing to the mid-seventeenth century, that offer a comprehensive analysis of the different dimensions of late medieval and Renaissance letters—literary, commercial, political, religious, cultural, social, and military—which transformed them into powerful early modern tools. The Renaissance was an era that put letters into the hands of many kinds of people, inspiring them to see reading, writing, receiving, and sending letters as an essential feature of their identity. The authors take a fresh look at the correspondence of some of the most important humanists of the Italian Renaissance, including Niccolò Machiavelli and Isabella d'Este, and consider the use of letters for others such as merchants and physicians. This book is essential reading for scholars and students of Early Modern History and Literature, Renaissance Studies, and Italian Studies. The engagement with essential primary sources renders this book an indispensable tool for those teaching seminars on Renaissance history and literature.

This blackly comic story of a Greek Cypriot family living on a council estate in 1980s Nottingham is told through the eyes of Anna, a first generation teenager who works in the family fish and chip shop. Anna feels frustrated and isolated, and is struggling to break with tradition and escape a life behind the counter but her formidable, extremely protective yet hilarious mother Tina thinks that education is wasted on a girl - all Anna needs to do is to cook well, wear terrible frilly blouses and keep out of trouble so that she attracts a nice, suitable Greek-Cypriot husband. wise grandmother, Yiaya, who reads coffee cups and practices rudimentary magic, much to Tina's disapproval. Through Yiaya's storytelling, Anna learns about the turbulent history of her ancestral island, her grandfather who went missing in the war of 1974 and finally discovers the secrets that have shaped her family. delicacies) and sadness (the family have to cope with the cruel bigotry of those around them). But is not until tragedy strikes that Anna begins to take control of her own destiny instead of complying with her loveable but domineering mother, who is all too willing to map out her daughter's life for her.

The 309 letters in this volume, more than half never before published, capture the events in Mark Twain's life in 1872 and 1873 with detailed intimacy. Thoroughly annotated and indexed, they include genealogical charts, transcription of journals, book contracts, photographs, and, of course, all known letters written between 1865 and 1871. This volume is fifth in a series about the renowned author/humorist. 80 illus.

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Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.