A lyrical, intelligent, authentic and necessary look at the intersection of race and class in Chicago, a Great American City.Mayors Richard M. Daley and Rahm Emanuel have touted Chicago as a "world-class city." The skyscrapers kissing the clouds, the billion-dollar Millennium Park, Michelin-rated restaurants, pristine lake views, fabulous shopping, vibrant theater scene, downtown flower beds and stellar architecture tell one story. Yet swept under the rug is another story: the stench of segregation that permeates and compromises Chicago. Though other cities - including Cleveland, Los Angeles, and Baltimore - can fight over that mantle, it's clear that segregation defines Chicago. And unlike many other major U.S. cities, no particular race dominates; Chicago is divided equally into black, white and Latino, each group clustered in its various turfs.In this intelligent and highly important narrative, Chicago native Natalie Moore shines a light on contemporary segregation in the city's South Side; her reported essays showcase the lives of these communities through the stories of her family and the people who reside there. The South Side highlights the impact of Chicago's historic segregation - and the ongoing policies that keep the system intact.

Building the South Side explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago’s public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its culture and promote civic interaction. Bachin highlights how the creation of a local terrain of civic culture was a contested process, with the battle for cultural authority transforming urban politics and blurring the line between private and public space. In the process, universities, parks and playgrounds, and commercial entertainment districts emerged as alternative arenas of civic engagement. “Bachin incisively charts the development of key urban institutions and landscapes that helped constitute the messy vitality of Chicago’s late nineteenth- and early twentieth-century public realm.”—Daniel Bluestone, Journal of American History "This is an ambitious book filled with important insights about issues of public space and its use by urban residents. . . . It is thoughtful, very well written, and should be read and appreciated by anyone interested in Chicago or cities generally. It is also a gentle reminder that people are as important as structures and spaces in trying to understand urban development." —Maureen A. Flanagan, American Historical Review

Chicago's poor black "South Side" in the post-war years is brilliantly illuminated in this collection of images snapped by a Navy combat photographer upon returning home from World War II.

Southern Exposure is the definitive guide to the often overlooked architectural riches of Chicago's South Side by architecture expert and former Chicago Sun-Times architecture writer Lee Bey.

The award-winning creators of National Public Radio's "Ghetto Life 101" and "Remorse: The 14 Stories of Eric Morse" combine talents with a young photographer to show what life is like in one of the country's darkest places: Chicago's Ida B. Wells housing project. Photos.

She knew trouble when she saw it, and he was definitely trouble. After spending years dealing with her flighty mother, a café on the edge of ruin, a misbehaving backyard fountain, and tea that may or may not be increasing the libido of her elderly neighbors, Fiona Campbell has had enough. She’s ready to move out, get away from her mother and all the craziness that accompanies her, and start a life of her own. The last thing she needs is another complication, especially one like Matthew Monroe. When he walks through their door with a guitar on his back and a sexy gleam in his eyes, Fiona knows she should stay away. She doesn’t trust him, or his motives, but there is something about Matthew that draws her close, against her better judgment. And when disaster strikes, it seems he’s the only one she can turn to for help. But Matthew represents all the things she’s spent a lifetime trying to escape. She has her future mapped out in detail, including what kind of man she should date. She wants safety and predictability, but could it be that the best thing that ever happened to her is the one thing she never planned on?

The South Side is a quietly powerful story of how a white, middle-class, and largely Jewish neighborhood, built from prairie on Chicago’s far South Side in the optimistic years after World War II, rapidly and dramatically changed to a middle-class black community in the 1960s. It is a tale of two communities that collided almost by accident at a moment in America’s history when race relations were starting to explode, and the profound impact this wrenching collision had on the lives of families and individuals on both sides of the event; a tale of how dreams were both realized and shattered in the confrontation between moral courage, spiritual ethics, and personal fears. The story is told in memoir and oral narrative by fifteen composite characters—two generations of former and current residents of the community, both Jewish and African American. Louis Rosen has made nothing up: the memories, thoughts, and feelings of the characters reflect exactly what was spoken during his extensive interviews. The names are fictional, but The South Side is essentially a work of nonfiction. It speaks to universal concerns: what it is like to grow up as part of a group that is outside the mainstream of American life; why the search for home is so difficult in late-twentieth-century America. The South Side is a story without obvious heroes or villains. It transcends the boundaries of specific individuals, place, and time to offer a vivid description of a struggle that is still very much a part of American life, and one that is likely to be with us for some time to come.

A New York Times Book Review Notable Book of 2020 Winner of the Ernest J. Gaines Award for Literary Excellence “A comically dark coming-of-age story about growing up on the South Side of Chicago, but it’s also social commentary at its finest, woven seamlessly into the work . . . Bump’s meditation on belonging and not belonging, where or with whom, how love is a way home no matter where you are, is handled so beautifully that you don’t know he’s hypnotized you until he’s done.” —Tommy Orange, The New York Times Book Review In this alternately witty and heartbreaking debut novel, Gabriel Bump gives us an unforgettable protagonist, Claude McKay Love. Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home. Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America. Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.

In South Side Girls Marcia Chatelain recasts Chicago's Great Migration through the lens of black girls. Focusing on the years between 1910 and 1940, when Chicago's black population quintupled, Chatelain describes how Chicago's black social scientists, urban reformers, journalists and activists formulated a vulnerable image of urban black girlhood that needed protecting. She argues that the construction and meaning of black girlhood shifted in response to major economic, social, and cultural changes and crises, and that it reflected parents' and community leaders' anxieties about urbanization and its meaning for racial progress. Girls shouldered much of the burden of black aspiration, as adults often scrutinized their choices and behavior, and their well-being symbolized the community's moral health. Yet these adults were not alone in thinking about the Great Migration, as girls expressed their views as well. Referencing girls' letters and interviews, Chatelain uses their powerful stories of hope, anticipation and disappointment to highlight their feelings and thoughts, and in so doing, she helps restore the experiences of an understudied population to the Great Migration's complex narrative.

In the South Side, there lived a tactless TV guy who had a way of getting tossed out of everything on camera, from the old VP Fair to Bill Clinton’s 1996 local re-election victory party. On the South Side, there dwelt a collector of ancient vacuum cleaners, none of which worked when he demonstrated them before millions of guffawing viewers watching on national television. And on the South Side, a beer baron tried to fight off Prohibition with a high-class, three-sided beer hall. It’s all in the second edition of Hoosiers and Scrubby Dutch: St. Louis’s South Side. The first edition captured the essence of the South St. Louis, with its tales of women scrubbing steps ever Saturday, the yummy brain sandwich, and a nationally known gospel performer who ran a furniture store in the Cherokee neighborhood. These stories, along with the new ones that fill the second edition, convey what gives a truly unique place its rough but charming personality. The result—Holy Hoosiers!—is an edition that’s even better than the first!