Following the successful The Sound of Music Companion, comes The South Pacific Companion, the essential guide and history for the discerning musical lover and SP fanatic. 2008 marks the 50th anniversary of this wonderful film. This fascinating book covers the history of the stage show and its historical context. World War II was fresh in the world's minds when this show first opened on Broadway - only 4 years after the end of the war - and this gave the film an immensely poignant immediacy. Deservedly, both the novel and the musical of South Pacific won the Pulitzer Prize. South Pacific returns to the UK stage in summer 2007 with a 10 month tour, starring Helena Blackman (from How Do You Solve A Problem Like Maria) and Dave Willetts. In 2008 the musical's first ever Broadway revival is to open at the Lincoln Center in April. With extensive images from the film, plus many never seen before photographs from the original stage show, this is a beautiful and indispensable guide to South Pacific. Wordcount: 35,000 words Other Companion titles: Andrew Lloyd-Webber's Phantom of the Opera Companion 9781862057630 The Sound of Music Companion 9781862057500 The Sound of Music Companion Collection with CD 9781862057777 !-- bullets -- 2008 sees the first US revival on Broadway 50th anniversary of the much loved film Places the story in the wider context of a world at war Many great images from the ever popular film

Rodgers and Hammerstein's Tony and Pulitzer Prize-winning musical "South Pacific" has remained a mainstay of the American musical theater since it opened in 1949, and its powerful message about racial intolerance continues to resonate with twenty-first century audiences. Drawing on extensive research in the Rodgers and the Hammerstein papers, including Hammerstein's personal notes on James A. Michener's Tales of the South Pacific, Jim Lovensheimer offers a fascinating reading of "South Pacific" that explores the show's complex messages and demonstrates how the presentation of those messages changed throughout the creative process. Indeed, the author shows how Rodgers and especially Hammerstein continually refined and softened the theme of racial intolerance until it was more acceptable to mainstream Broadway audiences. Likewise, Lovensheimer describes the treatment of gender and colonialism in the musical, tracing how it both reflected and challenged early Cold War Era American norms. The book also offers valuable background to the writing of "South Pacific," exploring the earlier careers of both Rodgers and Hammerstein, showing how they frequently explored serious social issues in their other works, and discussing their involvement in the political movements of their day, such as Hammerstein's founding membership in the Hollywood Anti-Nazi League. Finally, the book features many wonderful appendices, including two that compare the original draft and final form of the classic songs "I'm Gonna Wash That Man Right Out-a My Hair" and "I'm In Love With a Wonderful Guy." Thoroughly researched and compellingly written, this superb book offers a rich, intriguing portrait of a Broadway masterpiece and the era in which it was created.

This Companion documents and celebrates artistic journeys within the framework of rich and complex cultural heritages and traditional dance practices of the Asia-Pacific region. It presents various dance forms from Australia, Cambodia, China, Hong Kong, India, Indonesia, Malaysia, the Philippines, Singapore, Taiwan, Thailand, and the South Pacific. Drawing on extensive research and decades of performative experience as artists, choreographers, producers, teachers, and critics, the authors approach issues of dance and cultural diversity from a theoretical perspective while at the same time exploring change, process, and transformation through dance. The book discusses themes such as tradition, contemporization, interdisciplinarity, dance education, youth dance, dance networks, curatorial practices, and evolving performative practices of dance companies and independents. It also looks at regional networking, curating dance festivals and spaces that foster collaboration, regional cooperation, and cultural exchange, which are essential features of dance in Asia and the Pacific. This collection will be of interest to students and researchers of pedagogy, choreography, community dance practice, theatre and performance studies, social and cultural studies, aesthetics, interdisciplinary arts, and more. It will be an invaluable resource for artists and practitioners working in dance schools and communities.

A unique chronicle of the war from the perspective of a sensitive twenty-four-year-old sergeant who wrote for the Army's in-house paper, Yank, the Army Weekly and a tale of the South Pacific that will not soon be forgotten. Correspondent Mack Morriss reluctantly left his diary in the Honolulu Yank office in July 1943. "Here is contained an account of the past eight and one-half months," he wrote in his last entry, "a period which I shall never forget." The next morning he was on a plane headed back to the South Pacific and the New Georgia battleground. Morriss was working out of the press camp at Spa, Belgium, in January 1945, when he learned that the diary he had kept in the South Pacific had arrived in a plain brown wrapper at the New York office. He was so happy "to know that this impossible thing had happened," he wrote to his wife, that he helped two friends "murder a quart of scotch." What was preserved and appears in print here for the first time is a unique chronicle of the war in the South Pacific from the perspective of a sensitive twenty-four-year-old sergeant. This is an intensely personal account, reporting the war from the ridge known as the Sea Horse on Guadalcanal, from the bars and dance halls of Auckland to a B-17 flying through the moonlit night to bomb Japanese installations on Bougainville. Morriss thought deeply and wrote movingly about everything connected with the war: the sordiness and heroism, the competence and ineptitude of leaders, the strange mixture of constant complaint and steady courage of ordinary GIs, friendships formed under combat stress, and, above all, what he perceived to be his own indecisiveness and weaknesses. Ronnie Day introduces Morriss's diary and illuminates the work with extensive notes based on private papers, government documents, travel in the Solomon Islands, and the recollections of men mentioned in the diary.

Recounts the history of the Von Trapp family, traces the evolution of the popular musical from stage to screen, and describes the contributions of its composers, writers, and performers.

For all those who journey to J.R.R. Tolkien's Middle Earth, here is the complete guide to its lands, legends, histories, languages, and people. The Complete Tolkien Companion explains, translates, and links every single reference - names, dates, places, facts, famous weapons, even food and drink - to be found in Tolkien's world, which includes not only The Hobbit and The Lord of the Rings but also The Simarillion and many other posthumously published works. A detailed explanation of the various Elvish writing systems, together with maps, charts, and genealogical tables, bring the remarkable genius of Tolkien and the unforgettable world and wonder of Middle Earth to life with focus and accuracy. Presented in alphabetical order for quick and easy reference, this is an indispensable accompaniment for anyone who embarks on the reading journey of a lifetime. First published in 1976, this edition has been fully revised and updated for a new century of Tolkien lovers.

This is an essential companion to the process of decolonization – perhaps one of the most important historical processes of the twentieth century. Examining decolonization in Africa, Asia, the Caribbean and the Pacific, the Companion includes: thematic chapters a detailed chronology and thorough glossary biographies of key figures maps. Providing comprehensive coverage of a broad and complex subject area, the guide explores: the global context for decolonization nationalism and the rise of resistance movements resistance by white settlers and moves towards independence Hong Kong and Macau, and decolonization in the late twentieth century debates surrounding neo-colonialism, and the rise of ‘development’ projects and aid the legacy of colonialism in law, education, administration and the military. With suggestions for further reading, and a guide to sources, this is an invaluable resource for students and scholars of the colonial and post-colonial eras, and is an indispensable guide to the reshaping of the world in the twentieth century.

TO HELL AND BACK For the U.S., Guadalcanal was a bloody seven-month struggle under brutal conditions against crack Japanese troops deeply entrenched and determined to fight to the death. For Charles Walker, this horrific jungle battle–one that claimed the lives of 1,600 Americans and more than 23,000 Japanese–was just the beginning. On the eve of battle, 2nd Lt. Walker was ordered back to the States for medical reasons. But there was a war to be won, and he had no intention of missing it. In this devastatingly powerful memoir, Walker captures the conflict in all its horror, chaos, and heroism: the hunger, the heat, the deafening explosions and stench of death, the constant fear broken by moments of sheer terror. This is the gripping tale of the brave young American men who fought with tremendous courage in appalling conditions, willing to sacrifice everything for their country. Look for these books about Americans who fought World War II: VISIONS FROM A FOXHOLE A Rifleman in Patton’s Ghost Corps by William A. Foley Jr. BEHIND HITLER’S LINES The True Story of the Only Soldier to Fight for Both America and the Soviet Union in World War II by Thomas H. Taylor NO BENDED KNEE The Battle for Guadalcanal by Gen. Merrill B. Twining, USMC (Ret.) ALL THE WAY TO BERLIN A Paratrooper at War in Europe by James Megellas