The practice of listening to subtle, inner sounds during meditation to concentrate and elevate the mind has a long history in various religions around the world, including Islam, Christianity, Hinduism, Buddhism, Jainism, and Sikhism. Today there are a number of new religious movements that have made listening to the inner sound current a cornerstone of their teachings. These groups include the Radhasoamis, the Divine Light Mission, Eckankar, the Movement of Spiritual Inner Awareness (MSIA), MasterPath, the Sawan-Kirpal Mission, Quan Yin/Ching Hai, Manavta Mandir, ISHA, and a number of others. In this study we provide a historical and comprehensive overview of these movements and how they have incorporated listening to the inner sound as part of their spiritual discipline. We are particularly interested in the distinctive and nuanced ways that each group teaches how to listen to the inner sound current and how they interpret it in their own unique theologies.

The Sound Traditions: Studies in Ismaili Texts and Thought is a collection of Ismail K. Poonawala’s articles that examine the origins and development of Ismaili thought.

Sonic Liturgy: Ritual and Music in Hindu Tradition builds on the foundation of Guy L. Beck's earlier work, which described the theoretical role of sound in Hindu thought. Sonic Liturgy continues the discussion of sound into the realm of Hindu ritual and musical traditions of worship. Beginning with the chanting of the Sama-Veda alongside the fire sacrifices of the ancient Indo-Aryans and with the classical Gandharva music as outlined in the musicological texts of Bharata and Dattila, Beck establishes a historical foundation for an in-depth understanding of the role of music in the early Puja rituals and Indian theater in the vernacular poetry of the Bhakti movements in medieval temple worship of Siva and Vishnu in southern India, and later in the worship of Krishna in the northern Braj region. By surveying a multitude of worship traditions, Beck reveals a continuous template of interwoven ritual and music in Hindu tradition that he terms "sonic liturgy," a structure of religious worship and experience that incorporates sound and music on many levels. In developing the concept and methods for understanding the phenomenon of sonic liturgy, Beck draws from liturgical studies and ritual studies, broadening the dimensions of each, as well as from recent work in the fields of Indian religion and music. As he maps the evolution of sonic liturgy in Hindu culture, Beck shows how, parallel to the development of religious ritual from ancient times to the present, there is a less understood progression of musical form, beginning with Vedic chants of two to three notes to complicated genres of devotional temple music employing ragas with up to a dozen notes. Sonic liturgy in its maturity is manifest as a complex interactive worship experience of the Vaishnava sects, presented here in Beck's final chapters.

Listening to the inner sound to achieve higher states of consciousness has a long history and can be found in different religious traditions around the world (ranging from Gnostic Christianity to Islamic Sufism to Tibetan Buddhism). In this presentation we will explore the originations of shabd yoga and trace it over time (in its various manifestations) up until the present day. In so doing, we will want to see how listening to the inner sound is theologically interpreted in varying cultures on distinct continents. Who would have imagined that a relatively unknown spiritual master living in Agra, India, from 1818-1878, would eventually influence the lives of millions around the world? Shiv Dayal Singh, the founder of Radhasoami, has had an impact on a number of disparate fronts, including religion, literature, music, education, industry, philosophy, consciousness studies, and even culinary habits. This book provides a brief overview of the impact that Shiv Dayal Singh (honorifically called "Soamiji Maharaj") has had in the spread of shabd yoga worldwide, as well as his ethical influence in the sphere of vegetarianism.

In 1959, three writers - all intimately familiar with the Native American culture of their time and locale - collaborated to produce a study entitled 'Religious Customs of Modern Michigan Algonquians'. That study is reproduced here - for the first time in book form - along with a substantive editor's introduction.

This Element shows how New Religious Movements variously conceptualize science and provides readers with an overview of the scholarly conversation surrounding this phenomenon. The first section describes five movements that, in different ways, include relevant references to science in their doctrines: Dianetics/Scientology, the Raëlian Movement, Falun Gong, Stella Azzurra (an Italian Santo Daime group), and Bambini di Satana (an Italian Satanist group). The conceptualization of science within such movements is examined in reference to official beliefs conveyed by the writings and claims of their respective leaders, but ethnographic work among affiliates is included as well. The second section reconstructs academic contributions by scholars who identify notable trends in the conceptualization of science within new religious movements, or have developed typologies to describe that very understanding. The third section concludes the discussion of new religious movements and science by offering suggestions regarding novel directions that the study of their relationship may take.

Music Traditions, Cultures, and Contexts is a tribute to the ethnomusicologist Beverley Diamond in recognition of her outstanding scholarly accomplishments. The volume includes essays by leading ethnomusicologists and music scholars as well as a biographical introduction. The book’s contributors engage many of the critical themes in Diamond’s work, including musical historiography, musical composition in historical and contemporary frameworks, performance in diverse contexts, gender issues, music and politics, and how music is nested in and relates to broader issues in society. The essays raise important themes about knowing and understanding musical traditions and music itself as an agent of social, cultural, and political change. Music Traditions, Cultures, and Contexts will appeal to music scholars and students, as well as to a general audience interested in learning about how music functions as social process as well as sound.

Gnostic texts are filled with encounters of strange other worldly beings, journeys to visionary heavenly realms, and encounters with the presence and spirit of the divine. In Gnostic visions, author and Gnostic scholar Luke A. Myers presents evidence demonstrating how Gnostic visions were created and the connection these visions have to naturally occurring visionary compounds that are still in existence today. The culmination of more than ten years of research, Gnostic Visions advances the understanding of classical ethnobotany, Gnosticism, and the genesis of early Christian history. In this book the author discusses the prehistoric foundations of early human religion as well as the visionary religious traditions of the classical Greeks and Egyptians. Using these as a foundation, the book presents new and never before seen research explaining how Gnostic visions were created and what types of compounds were used by these ancient people to create them. Gnostic Visions presents evidence directly linking visionary Ayahuasca analogs with the creation of Gnostic and Hermetic visionary experiences. Gnostic Visions also describes the decline of Gnosticism, other visionary practices used in the Dark Ages and gives a brief tour of the visionary plants of the new world. In Gnostic visions, Myers tells of his personal experience with the divine and includes some of his own reflections of the importance of mankinds relationship to the natural world. He communicates that altered states of consciousness have been responsible for many of the most profound mystical religious experiences in human history.

The popularization of radio, television, and the Internet radically transformed musical practice in the Asia Pacific. These technologies bequeathed media broadcasters with a profound authority over the ways we engage with musical culture. Broadcasters use this power to promote distinct cultural traditions, popularize new music, and engage diverse audiences. They also deploy mediated musics as a vehicle for disseminating ideologies, educating the masses, shaping national borders, and promoting political alliances. With original contributions by leading scholars in anthropology, ethnomusicology, sound studies, and media and cultural studies, the 12 essays this book investigate the processes of broadcasting musical culture in the Asia Pacific. We shift our gaze to the mechanisms of cultural industries in eastern Asia and the Pacific islands to understand how oft-invisible producers, musicians, and technologies facilitate, frame, reproduce, and magnify the reach of local culture.