The Song of the Loom

“More completely than any author before him, Richard Amory explores the tormented world of love for man by man . . . a happy amalgam of James Fenimore Cooper, Jean Genet and Hudson’s Green Mansions.”—from the cover copy of the 1969 edition Published well ahead of its time, in 1966 by Greenleaf Classics, Song of the Loon is a romantic novel that tells the story of Ephraim MacIver and his travels through the wilderness. Along his journey, he meets a number of characters who share with him stories, wisdom and homosexual encounters. The most popular erotic gay book of the 1960s and 1970s, Song of the Loon was the inspiration for two sequels, a 1970 film of the same name, at least one porn movie and a parody novel called Fruit of the Loon. Unique among pulp novels of the time, the gay characters in Song of the Loon are strong and romantically drawn, which has earned the book a place in the canon of gay American literature. With an introduction by Michael Bronski, editor of Pulp Friction and author of The Pleasure Principle. Little Sister’s Classics is a new series of books from Arsenal Pulp Press, reviving lost and out-of-print gay and lesbian classic books, both fiction and nonfiction. The books in the series are produced in conjunction with Little Sister’s Book and Art Emporium, the heroic Vancouver bookstore well-known for its anti-censorship efforts.

The poems in The Empty Loom weave together a figure--lover, wife, mother, muse--which takes shape before us, fully present in what Samuel Beckett calls "the time of the body." Set firmly within the resonance of the natural world and glimpsed in paintings, fabrics, snatches of song, the poems revolve around her, fulfilling their "injunction to savor / The folds of light which fall / On the perishable world." Now joyful, now elegiac in tone, Gibb's love and its loss are rendered in the quiet elegance of image and line characteristic of his poems, their focus shifting like the sun as it tracks its passage across a room, a life.

Textile imagery is pervasive in classical literature. An awareness of the craft and technology of weaving and spinning, of the production and consumption of clothing items, and of the social and religious significance of garments is key to the appreciation of how textile and cloth metaphors work as literary devices, their suitability to conceptualise human activities and represent cosmic realities, and their potential to evoke symbolic associations and generic expectations. Spanning mainly Greek and Latin poetic genres, yet encompassing comparative evidence from other Indo-European languages and literatures, these 18 chapters draw a various yet consistent picture of the literary exploitation of the imagery, concepts and symbolism of ancient textiles and clothing. Topics include refreshing readings of tragic instances of deadly peploi and fatal fabrics situate them within a Near Eastern tradition of curse as garment, explore female agency in the narrative of their production, and argue for broader symbolic implications of textile-making within the sphere of natural wealth The concepts and technological principles of ancient weaving emerge as cognitive patterns that, by means of analogy rather than metaphor, are reflected in early Greek mathematic and logical thinking, and in archaic poetics. The significance of weaving technology in early philosophical conceptions of cosmic order is revived by Lucretius' account of atomic compound structure, where he makes extensive use of textile imagery, whilst clothing imagery is at the centre of the sustained intertextual strategy built by Statius in his epic poem, where recurrent cloaks activate a multi-layered poetic memory.

Fiction. Corporate espionage in modern day Los Angeles. Satire.

Here is an informative introduction to language: its origins in the past, its growth through history, and its present use for communication between peoples. It is at the same time a history of language, a guide to foreign tongues, and a method for learning them. It shows, through basic vocabularies, family resemblances of languages -- Teutonic, Romance, Greek -- helpful tricks of translation, key combinations of roots and phonetic patterns. It presents by common-sense methods the most helpful approach to the mastery of many languages; it condenses vocabulary to a minimum of essential words; it simplifies grammar in an entirely new way; and it teaches a language as it is actually used in everyday life.

Award-winning illustrator Duncan Tonatiuh brings to life debut author Gloria Amescua's lyrical biography of an indigenous Nahua woman from Mexico who taught and preserved her people's culture through modeling for famous artists She was Luz Jiménez, child of the flower-song people, the powerful Aztec, who called themselves Nahua— who lost their land but who did not disappear. As a young Nahua girl in Mexico during the early 1900s, Luz learned how to grind corn in a metate, to twist yarn with her toes, and to weave on a loom. By the fire at night, she listened to stories of her community’s joys, suffering, and survival, and wove them into her heart. But when the Mexican Revolution came to her village, Luz and her family were forced to flee and start a new life. In Mexico City, Luz became a model for painters, sculptors, and photographers such as Diego Rivera, Jean Charlot, and Tina Modotti. These artists were interested in showing the true face of Mexico and not a European version. Through her work, Luz found a way to preserve her people's culture by sharing her native language, stories, and traditions. Soon, scholars came to learn from her. This moving, beautifully illustrated biography tells the remarkable story of how model and teacher Luz Jiménez became “the soul of Mexico”—a living link between the indigenous Nahua and the rest of the world. Through her deep pride in her roots and her unshakeable spirit, the world came to recognize the beauty and strength of her people. The book includes an author’s note, timeline, glossary, and bibliography.

Embracing an improbable stretch of sobriety, unlicensed P.I. Duck Darley has proven himself stronger than the temptations that loom in the shadows of New York City. But the familiar pull of self-destruction lingers like garbage in July when Layla Soto, a sharp-tongued Park Avenue teenager with a family as screwed up as his own, presents a twisted missing-persons case he can’t refuse . . . Layla saw video evidence of her billionaire father being abducted from their home—at the top of the tallest residential tower on earth. She suspects her grandmother, a Chinese social climber on husband number three, orchestrated the act to silence her only son. Duck agrees to investigate the hedge funder’s disappearance, if only for the rush of a new thrill—and an excuse to reconcile with Cass Kimball, his leather-clad sometime partner who nearly got him killed . . . As the unlikely duo become immersed in a high-stakes ransom linked to the international drug trade and the delicate relations between the two most powerful nations on earth, survival means trusting no one. Because when confronting absolute power, certain forces will stop at nothing to bury the truth.

Ari lost everything she once loved when the Five Guilds' resistance fell to the Dragon King. Now, she uses her gift for clockwork machinery to earn a living on the black market. Cvareh would do anything to see his sister usurp the Dragon King's place on the throne, and the Alchemist Guild on Loom might hold the key. When Ari stumbles across a wounded Cvareh, she sees an opportunity to slaughter an enemy and make a profit. He sees an opportunity to navigate Loom with the best person to get him where he wants to go. He offers Ari the one thing she can't refuse: a wish of her greatest desire, if she brings him to the Alchemists of Loom. --

The only thing that could compare to the Dragons' beauty is their brutality. Cvareh returns home to his sky world of Nova with the genius crafter Arianna as his temperamental guest. The mercurial inventor possesses all the Xin family needs to turn the tides of a centuries-old power struggle, but the secrets she harbors must be earned with trust - hard to come by for Ari, especially when it comes to Dragons. Up on the sky islands of Nova, Ari finds herself closer to exacting vengeance against the traitor who killed everything and everyone she once loved. But before Ari can complete her campaign of revenge, a secret from her past is exposed. One that will change the world. While Nova is embroiled in blood sport and political games, the Fenthri on Loom prepare for an all-out assault on their Dragon oppressors. Florence unexpectedly finds herself at the forefront of the new rebellion, as her unique blend of skills, and quick-shooting accuracy, make her a force to be reckoned with. For the future of her world, she vows vengeance against the Dragons. But freedom comes with a steep cost. Before the rebellion can rise, the Guilds of Loom must fall. The second book in the Loom Saga expands on its divided world, exploring the brutal and bloodthirsty sky islands of Nova. The Loom Saga is perfect for readers of gaslamp fantasy looking for deep worldbuilding and something truly unique.