This is the story of two people living one life. Arthur and Waldo Brown were born twins and destined never to to grow away from each other. They spent their childhood together. Their youth together. Middle-age together. Retirement together. They even shared the same girl. They shared everything - except their view of things. Waldo, with his intelligence, saw everything and understood little. Arthur was the fool who didn't bother to look. He understood.

Patrick White's brilliant 1961 novel, set in an Australian suburb, intertwines four deeply different lives. An Aborigine artist, a Holocaust survivor, a beatific washerwoman, and a childlike heiress are each blessed—and stricken—with visionary experiences that may or may not allow them to transcend the machinations of their fellow men. Tender and lacerating, pure and profane, subtle and sweeping, Riders in the Chariot is one of the Nobel Prize winner's boldest books.

Lloyd Jones' new novel is set mainly in a small village on Bougainville, a country torn apart by civil war. Matilda attends the school set up by Mr Watts, the only white man on the island. By his own admission he's not much of a teacher and proceeds to educate the children by reading them Great Expectations. Matilda falls in love with the novel, strongly identifying with Pip. The promise of the next chapter is what keeps her going; Pip's story protects her from the horror of what is happening around her - helicopters menacing the skies above the village and rebel raids on the ground. When the rebels visit the village searching for any remaining men to join their cause, they discover the name Pip written in the sand and instigate a search for him. When Pip can't be found the soldiers destroy the book. Mr Watts then encourages the children to retell the story from their memories. Then when the rebels invade the village, the teacher tells them a story which lasts seven nights, about a boy named Pip, and a convict . . .

With refreshing depth, distinct literary merit, and highly original poetic phrasings that spill from the pages like paint, Colorado Mandala is poet Brian Heffron's debut work of literary fiction. It mines the complex landscape of post-Vietnam America to unearth the deep connections that bind individuals together, and also ferociously rip them asunder. Illustrative, luscious, seductive, and engaging, this rare piece of craftsmanship will stir the senses of any one who thirsts for artistic expression, or who longs for an era in our country now utterly, irretrievably gone. In the heady, hippie backdrop of Pike's Peak, Colorado, in the tumultuous 1970s, three souls swirl together in an explosive supernova. Michael is the flinty-eyed, volatile former Green Beret, whose tour in Vietnam has left unbridgeable chasms in his psyche and secrets that can never find light. Sarah is his fair-haired paramour, the ethereal Earth Mother widow of a fallen soldier and single mother to a ten-year-old son Stuart. Paul is a young wanderer, who is drawn in by Michael and soon bears the mantle of both minister and scourge. As they are drawn together, and torn apart, each is changed forever. And our hearts race along with them, through the rocky, raw Colorado terrain amidst the blood sport of man and beast. Laying bare the loss and acceptance of a pioneering age, Colorado Mandala shines revelatory light on the crazy, glorious, and romantic notion that each generation conceives anew: that love can be a spiritual gift shared openly rather than coveted, or hidden, or hoarded. If you wish to go barefoot again and climb an unspoiled Colorado trail, look no further. If you long for something to wake you up in simple, clean language, a shimmering story awaits. Awaken to what you have always known: simple truths show you the way home. With his gripping and unforgettable Colorado Mandala, it is clear that Brian Heffron knows the way. Simply follow his trail.