Giovanni Gentile was one of the most important and controversial thinkers of twentieth-century Italy. His philosophy and fascist ideas reflect the defining characteristics of the Italian romantic rebellion against European and English enlightenment thinking. The Ariadne's thread, which runs through and unifies all of Gentile's thought, originates accordingly from his neo-Hegelian reaction to the philosophy of Kant and of Kant's immediate predecessors. The range of Gentile's ideas on pedagogy, logic, metaphysics, political theory, and aesthetics; the original way in which he developed and adapted the thoughts of Hegel, Fichte, and Marx; and finally, his description of himself as the philosopher of fascism all encourage us to revisit and re-evaluate his system. This book reveals how Gentile came to advocate his «actual idealism» and evaluates his systematic philosophy by making explicit inconsistencies that arise from within his system and by questioning his idealist assumptions.

Bibliography of the Writing of Irving Louis Horowitz 1951-1984

This text provides a clear and systematic introduction to the development of social and political theory in modern Italy. It gives particular attention to relating the main traditions of Italian thought to the history of the country since unification. The work concentrates on six major thinkers, examining how their theoretical ideas influenced their analysis of political behaviour. The thinkers concerned are Pareto, Mosca, Labriola, Croce, Gentile and Gramsci. In discussing the respective theories of each author, the book situates them within the intellectual and social contexts to which they were addressed. The concluding chapter focuses on the recent debates between Bobbio, della Volpe and others about the validity of the Italian road to socialism and its compatibility with the liberal values and institutions of Western democracies.

Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.

Focusing on both ritual and mass-visual representations of history in 1920s and 1930s Italy, The Historic Imaginary unveils how Italian Fascism sought to institutionalize a modernist culture of history. The study takes a new historicist and microhistorical approach to cultural-intellectual history, integrating theoretical tools of analysis acquired from visual-cultural studies, art history, linguistics, and reception theory in a sophisticated examination of visual modes of historical representation - from commemorations to monuments to exhibitions and mass-media - spanning the entire period of the Italian-fascist regime. Claudio Fogu argues that the fascist historic imaginary was intellectually rooted in the actualist philosophy of history elaborated by Giovanni Gentile, culturally grounded in Latin-Catholic rhetorical codes, and aimed at overcoming both Marxist and liberal conceptions of the relationship between historical agency, representation, and consciousness. The book further proposes that this modernist vision of history was a core element of fascist ideology, encapsulated by the famous Mussolinian motto that "fascism makes history rather than writing it," and that its institutionalization constituted a key point of intersection between the fascist aesthetization and sacralization of politics. The author finally claims that his study of fascist historic culture opens the way to an understanding and re-evaluation of the historical relationship between the modernist critique of historical consciousness and the rise of post-modernist forms of temporality.

The long tradition of Kierkegaard studies has made it impossible for individual scholars to have a complete overview of the vast field of Kierkegaard research. The large and ever increasing number of publications on Kierkegaard in the languages of the world can be simply bewildering even for experienced scholars. The present work constitutes a systematic bibliography which aims to help students and researchers navigate the seemingly endless mass of publications. The goal has been to create the most exhaustive bibliography of Kierkegaard literature possible, and thus the bibliography is not limited to any specific time period but instead spans the entire history of Kierkegaard studies.