"Skylarks are the heralds of our countryside. Their music is the quintessential sound of spring. The spirit of English pastoralism, they inspire poets, composers and farmers alike. In the trenches of World War I they were a reminder of the chattering meadows of home. Perhaps you were up with the lark, or as happy as one. History has seen us poeticise and musicise the bird, but also capture and eat them. We watch as they climb the sky, delight in their joyful singing, and yet we harm them too. The Soaring life of the Lark explores the music and poetry; the breath-taking heights and struggle to survive of one of Britain's most iconic songbirds"--Publisher's description.

Inventors in the age of the Enlightenment created lifelike androids capable of playing music on real instruments. Music and the Forms of Life examines the link between such simulated life and music, which began in the era's scientific literature and extended into a series of famous musical works by Haydn, Mozart, and Beethoven. Music invented auditory metaphors for the scientific elements of life (drive, pulse, sensibility, irritability, even metabolism), investigated the affinities and antagonisms between life and mechanism, and explored questions of whether and how mechanisms can come to life. The resulting changes in the conceptions of both life and music had wide cultural resonance at the time, and those concepts continued to evolve long after. A critical part of that evolution was a nineteenth-century shift in focus from moving androids to the projection of life in motion, culminating in the invention of cinema. Weaving together cultural and musical practices, Lawrence Kramer traces these developments through a collection of case studies ranging from classical symphonies to modernist projections of waltzing specters by Mahler and Ravel to a novel linking Bach's Goldberg Variations to the genetic code. The publisher gratefully acknowledges the generous support of the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

Helen Davenport, governess for a wealthy London household, spots an advertisement seeking young women to marry New Zealand's honorable bachelors and begins correspondence with a gentleman farmer. When her church offers to pay her travels under an unusual arrangement, she jumps at the opportunity. On the ship, she meets Gwyneira Silkham, traveling to meet a New Zealand baron who won her in a game of blackjack. When their new husbands turn out to be very different than expected, the women must help one another find the life they'd hoped for.

FAR FROM HOME Marko is a young Russian who was suddenly teleported to the Bureau of End Management, an organization responsible for keeping space operating smoothly. Frustrated by being forcibly selected as staff, Marko attempts to escape back to Earth where his partner awaits but fails spectacularly. As Marko decides to make the best of his new “mission,” his heart is swayed by encounters with planets and aliens beyond imagination.

"Mother Ocean Daughter Sea Strength Unchanging Strengthen Me" The Shari'a are an ancient race. They are un-warlike and they are ruled by their shamanic witches. The Allemanii are more recently arrived in their locale and are both awed and made fearful by the magical powers of the witches. After generations of peaceful coexistence, a cataclysm occurred out of nowhere and the Allemanii turned on their neighbors and hosts, slaughtered most of them and scattered the survivors. Suddenly, to be a Shari'a is proscribed and to be caught practicing their magic is to be hunted to the death. In MOTHER OCEAN, DAUGHTER SEA, Brierly was a secret healer who was betrayed by someone she had trusted. In SEA LARK'S SONG, exposed as a Shari'a healer, on the run and now aware of a secret truth about what had happened to her people--and in love with one who may put her life at risk even more--Brierly must hide in the mountains and sort her way through a tangle of secrets as she attempts to bring her lost people, and their magical, healing power, back into the world. Her true love faces an almost overwhelming challenge: he must struggle against centuries of fear, hatred, secrecy and conspiracy to turn his own people away from the commitment to destruction. If he does not, not only will Brierly and her people's survival be at risk but his own people may end up facing a similar fate, as destructive as the one they had wrought upon the Shari'a.

"We're so alike, you and I. It's no wonder we kept finding each other." September 11, 1973: Eleven-year-old Alejandro Penda watches from his apartment window as Santiago, Chile falls to a military coup, destroying his family and his childhood. Arriving alone in America, he’s taken in by the Larks: a prominent family in the town of Guelisten. Though burdened by unresolved grief for his disappeared parents, he becomes fiercely loyal to the Larks, eventually marrying one of their daughters, Valerie. September 11, 2001: Javier Landes watches from his apartment window as New York City falls to terrorism. As one of Manhattan’s top-paid male escorts, this professional lover has never lacked for company and is loyal only to himself. But in the wake of 9/11, Jav is named guardian for an orphaned nephew in Guelisten and must open his carefully-guarded heart to pain he's long suppressed. Alex, Valerie and Jav meet first in their twenties, with a sudden attraction each finds strange and compelling. When they meet again in their forties, they discover not only is their bond still strong, but their life experiences are strangely similar. All have been shaped by separate 9/11's, and their unfinished business from the past will change everything they know about love, loyalty and friendship. "Life has rules. You cannot come in the middle of the night and take what we agreed isn't yours." Across three decades and two continents, Suanne Laqueur's fifth novel explores the unpredictability of sexual attraction, how family ties are forged, torn and mended, and how love's downfall can turn to exaltation.

The Skylark is one of Britain's most popular and inspirational birds, and in recent years it has also been one of the most newsworthy. The species' population has plummeted as a consequence of changes in farming practice, and the RSPB has launched a major research and fund-raising campaign to save the 'blithe spirit' from further decline. This book looks at all aspects of the life of the Skylark, from its biology, migratory patterns, breeding behaviour and habitat requirements, to its role in legend and folklore. It also discusses its recent rapid decline which has led to the species being placed on the top-priority 'red list' of Birds of Conservation Concern by the leading governmental and non-governmental conservation organisations in the UK. Three closely related species, Oriental and Japanese Skylarks and the enigmatic Raso Lark are also discussed.

THE PERFECT GIFT FOR NATURE LOVERS ‘To see a hare sit still as stone, to watch a hare boxing on a frosty March morning, to witness a hare bolt . . . these are great things. Every field should have a hare.’ The hare, a night creature and country-dweller, is a rare sight for most people. We know them only from legends and stories. They are shape-shifters, witches’ familiars and symbols of fertility. They are arrogant, as in Aesop’s The Hare and the Tortoise, and absurd, as in Lewis Carroll’s Mad March Hare. In the absence of observed facts, speculation and fantasy have flourished. But real hares? What are they like? In The Private Life of the Hare, John Lewis-Stempel explores myths, history and the reality of the hare. And in vivid, elegant prose he celebrates how, in an age when television cameras have revealed so much in our landscape, the hare remains as elusive and magical as ever.