A lyrical prose poem with whimsical, hide-and-seek illustrations, The Snow Knows introduces readers of all ages to animals both domestic (a tabby cat by the wood stove) and wild (a slinking lynx; a choir of coyotes), celebrating wilderness and outdoor play.

Here's the newest twist on the familiar tale of There Was an Old Lady Who Swallowed A Fly.There was a cold lady who swallowed some snow.I don't know why she swallowed some snow.Perhaps you know.This time, the old lady is swallowing everything from snow to a pipe, some coal, a hat, and more! With rollicking, rhyming text and funny illustrations, this lively version will appeal to young readers with every turn of the page. And this time, there's a surprise at the end no reader will be able to guess!

The oceans stopped working before Willo was born, so the world of ice and snow is all he's ever known. He lives with his family deep in the wilderness, far from the government's controlling grasp. Willo's survival skills are put to the test when he arrives home one day to find his family gone. It could be the government; it could be scavengers--all Willo knows is he has to find refuge and his family. It is a journey that will take him into the city he's always avoided, with a girl who needs his help more than he knows. S.D. Crockett on narrative voice and an especially cold winter: What was your inspiration for After the Snow? Well, apart from the unbelievably cold winter during which I was writing—in an unheated house, chopping logs and digging my car out of the snow; I think much of the inspiration for the settings in After the Snow came from my various travels. In my twenties I worked as a timber buyer in the Caucasus Mountains of southern Russia, and that work led to travels in Eastern Europe and Armenia. As soon as I step off the plane in those places it smells like home. It may sound strange to say, when After the Snow is set in Wales, but really the practical dilemmas in the book come directly from places I've been, people I've lived with, and the hardships I've seen endured with grace and capability. I was in Russia not long after the Soviet Union collapsed and I've seen society in freefall. Without realizing it at the time I think those experiences led me to dive into After the Snow with real passion. What would western civilization look like with a few tumbles under its belt? What would happen if the things we took for granted disappeared? I wanted to write a gripping story about that scenario, but hardly felt that I was straying into fantasy in the detail. What do you want readers to most remember about After the Snow? We all have the capacity to survive, but in what manner? What do we turn to in those times of trouble? Those are the questions I would like people to contemplate after reading After the Snow. How did Willo's unique voice come to you? Willo's voice appeared in those crucial first few paragraphs. After that it just grew along with his world and the terrible situations that arise. I think his voice is in all of us. We don't understand, we try to make good—maybe we find ourselves. How did you stay warm while writing this novel? I banked up the fire—and was warmed by hopes of spring.

The complete collection of what Jon Snow Knows, as recorded by Ygritte (the Wildling). "You know nothing, Jon Snow." As any Game of Thrones fan would guess, this book is, of course, completely blank inside. This is a comprehensive collection of what the Lord Commander of the Night Watch knows from: Thrones season 1 GOT 2 Thrones season 3 GOT4 Ygritte dies in Jon Snow's arms during the Battle of Castle Black. "The Watchers on the Wall" is the ninth episode of the fourth season of the best-selling TV series.

The new Adam Roberts novel is a story of global apocalypse, old hatreds and new beginnings. It is his best novel to date. And this is how the world will end ... 'The snow started falling on the sixth of September, soft noiseless flakes filling the sky like a swarm of white moths, or like static interference on your TV screen - whichever metaphor, nature or technology, you find the more evocative. Snow everywhere, all through the air, with that distinctive sense of hurrying that a vigorous snowfall brings with it. Everything in a rush, busy-busy snowflakes. And, simultaneously, paradoxically, everything is hushed, calm, as quiet as cancer, as white as death. And at the beginning people were happy.' But the snow doesn't stop. It falls and falls and falls. Until it lies three miles thick across the whole of the earth. Six billion people have died. Perhaps 150,000 survive. But those 150,000 need help, they need support, they need organising, governing. And so the lies begin. Lies about how the snow started. Lies about who is to blame. Lies about who is left. Lies about what really lies beneath.

Ann Beattie, Joyce Carol Oates, Richard Bausch, and twenty-one other celebrated American writers contribute to this moving anthology of fiction, compiled by the editors of the Glimmer Train literary quarterly. In the ten-plus years since Susan Burmeister-Brown and Linda B. Swanson-Davies founded Glimmer Train, they have introduced an astonishing array of talented and innovative authors to a growing readership hungry for inspiring fiction. The stunning stories in this anthology -- many of which have never appeared anywhere except in Glimmer Train Stories -- explore one of the most complex emotional and psychological ties of all: motherhood, and its many facets. The writers in Mother Knows include established authors as well as up-and-coming talents like Junot DÍaz and award-winning writers like Robin Bradford, Nancy Reisman, Lee Martin, and Doug Crandell. Their stories demonstrate that motherhood is more than toilet training and tantrum control, as they portray the full, fierce, joyous, and frightening range of experience that marks this state of being. Mother Knows is a thoughtful and powerful exploration of the most mysterious bond in life.

A great samurai and a beautiful poet fall in love in this novel of medieval Japan that examines a renewed love that's fraught by the Japanese concept of "mono no aware"--life's ephemeral nature--that weighs on the lovers.