Continuing in the tradition of Dr. Seuss, Stephen J. Hemenway created The Slouch In The Couch series of childrens learning books as a means of encouraging children to read while teaching them strong moral values. Using fun rhymes and brilliant illustrations, Hemenway has built an impressive world around the Slouch in his spare time, including a publication called, The Slouch Kids Club Newsletter; The Slouch In The Couch website which is updated frequently at: http://www.slouch.org; and The Slouch In The Couch Childrens Corner Band, which performs at local events such as City functions, picnics and amusement parks. You can also hear the bands original music for FREE at: www.slouch.org/slchband.htm.

An Instant New York Times Bestseller * An Instant Indie Bestseller * An Indie Next List Selection Feeling fried? Peel yourself on the couch and meet your new pal-tato! The winning fourth picture book from the #1 New York Times bestselling creators of The Bad Seed, The Good Egg, and The Cool Bean, Jory John and Pete Oswald, will get you and your kids moving! The Couch Potato has everything within reach and doesn't have to move from the sunken couch cushion. But when the electricity goes out, Couch Potato is forced to peel away from the comforts of the living room and venture outside. Could fresh air and sunshine possibly be better than the views on screen? Readers of all ages will laugh along as their new best spuddy learns that balancing screen time and playtime is the root to true happiness. Check out Jory John and Pete Oswald’s funny, bestselling books for kids 4-8 and anyone who wants a laugh: The Bad Seed The Good Egg The Cool Bean The Couch Potato The Good Egg Presents: The Great Eggscape! The Bad Seed Presents: The Good, the Bad, the Spooky! The Cool Bean Presents: As Cool as It Gets That’s What Dinosaurs Do

Hard Work Will Pay Off Later. Laziness Pays Off Now. Let's get one thing straight - Ivy Wilde is not a heroine. In fact, she's probably the last witch in the world who you'd call if you needed a magical helping hand. If it were down to Ivy, she'd spend all day every day on her sofa where she could watch TV, munch junk food and talk to her feline familiar to her heart's content. However, when a bureaucratic disaster ends up with Ivy as the victim of a case of mistaken identity, she's yanked very unwillingly into Arcane Branch, the investigative department of the Hallowed Order of Magical Enlightenment. Her problems are quadrupled when a valuable object is stolen right from under the Order's noses. It doesn't exactly help that she's been magically bound to Adeptus Exemptus Raphael Winter. He might have piercing sapphire eyes and a body which a cover model would be proud of but, as far as Ivy's concerned, he's a walking advertisement for the joyless perils of too much witch-work. And if he makes her go to the gym again, she's definitely going to turn him into a frog.

A story in rhymes describes what happens when an alligator comes to play and won't go away, and shows how to take charge when it's time for playmates to go home.

From the bestselling author of Love's Executioner and When Nietzsche Wept comes a provocative exploration of the unusual relationships three therapists form with their patients. Seymour is a therapist of the old school who blurs the boundary of sexual propriety with one of his clients. Marshal, who is haunted by his own obsessive-compulsive behaviors, is troubled by the role money plays in his dealings with his patients. Finally, there is Ernest Lash. Driven by his sincere desire to help and his faith in psychoanalysis, he invents a radically new approach to therapy -- a totally open and honest relationship with a patient that threatens to have devastating results. Exposing the many lies that are told on and off the psychoanalyst's couch, Lying on the Couch gives readers a tantalizing, almost illicit, glimpse at what their therapists might really be thinking during their sessions. Fascinating, engrossing and relentlessly intelligent, it ultimately moves readers with a denouement of surprising humanity and redemptive faith.

A RICH DISPLAY OF SOME OF THE BEST PROSE WRITTEN TODAY IN THE USA.

Lovesday, a day of love and gift giving is approaching. The problem each year for the Stinkells is that this day makes them physically sick. Stinkells hate all the love and gift giving, so Stinkell Boris DaMean, the mayor of Stankwell has decided Lovesday must not come. He comes up with a plan to stop the days love and gift giving which ends in disaster.

Most of us have encountered frustrating incidents in our lifetimes. For humor columnist Wolfgang Niesielski, one of his most exasperating moments involves an expensive hotel room, a faulty thermostat, and a patronizing front desk clerk only to be rescued by two gentlemen who, after conferring with each other in hushed tones, change their pleasant demeanor into the serious miens of surgeons before a heart transplant operation. In this compilation of his humor columns, Niesielski provides an amusing take on everyday experiences. See what it's like to have an evil cyber presence monopolize your e-mail account, understand the overwhelming differences between first class and tourist class on an airplane, and find out why it's important to choose the right gift for a loved one even if it is a Salad Shooter or an electric nail-file buffing system. From learning how unforgiving Mother Nature truly is when he forgets how to water the lawn to the moment when he discovers he is a procrastinator in the worst way, Niesielski illustrates what fun life can be when one learns to laugh at himself. The Alien in My E-Mail and Other Stories takes others on a delightful ride through one man's wacky life Salad Shooter and all.

For fans of The Giver, a futuristic thriller with a diverse cast. In Thalia's world, there is no more food and no need for food, as everyone takes medication to ward off hunger. Her parents both work for the company that developed the drugs society consumes to quell any food cravings, and they live a life of privilege as a result. When Thalia meets a boy who is part of an underground movement to bring food back, she realizes that there is an entire world outside her own. She also starts to feel hunger, and so does the boy. Are the meds no longer working? Together, they set out to find the only thing that will quell their hunger: real food. It's a journey that will change everything Thalia thought she knew. But can a "privy" like her ever truly be part of a revolution?

“The play nicely combines Pinterian menace with caustic political commentary.” –Time “Acerbic, elusive, poetic and chilling, the writing is demanding in a rarefied manner. Its implications are both affecting and disturbing.” –Los Angeles Times “In his exquisitely written dramatic lament for the decline of high culture. . . . [Shawn] offers a definition of the self that should rattle the defenses of intellectual snobs everywhere.” –The New York Times Writer and performer Wallace Shawn’s landmark 1996 play features three characters—a respected poet, his daughter, and her English-professor husband—suspected of subversion in a world where culture has come under the control of the ruling oligarchy. Told through three interwoven monologues, the Orwellian political story is recounted alongside the visceral dissolution of a marriage. The play debuted at the Royal National Theatre in London, in a production directed by David Hare, who also directed the film version, starring Mike Nichols and Miranda Richardson. The play’s subsequent New York premiere was staged in a long-abandoned men’s club in lower Manhattan, directed by Shawn’s longtime collaborator André Gregory. Wallace Shawn is the author of Our Late Night (OBIE Award for Best Play), Marie and Bruce, Aunt Dan and Lemon, The Fever, and the screenplay for My Dinner with André. His most recent play, Grasses of a Thousand Colors, premiered last year in London.