The 2000s proved a turning point for the skateboard and its relationship to art. Previously restricted to practical use, the skate deck left the pavement to appear on the walls of galleries and auction houses. Such was the advent of an entirely new contemporary art movement, laconically baptised Skate Art. From silk-screening to Posca markers, from repurposing and twisted shapes to upcycling broken boards, this volume provides an overview of the most significant techniques and decks of the last two decades. Artists from the realm of Street Art have long had a close relationship with Skate culture, and figures like Shepard Fairey, D*Face and ROA are among the first to have applied their art to this support

Accompanying DVDs (directed by Ted Newsome; produced by 2HeadedHorse) contain interviews, biomentary, and skate videos.

Long time skateboard artist Sean Cliver has put together this staggering survey of over 1000 skateboard graphics from the early 80s to the start of the 00s, creating an indispensable insiders history as he did so. Alongside his own history, Sean has assembled a wealth of recollections and stories from prominent artists and skateboarders such as Andy Howell, Barry McGee, Ed Templeton, Steve Caballero, and Tony Hawk. The end result is a fascinating historical account of art in the skateboard subculture, as told by those directly involved with shaping its legendary creative face. Now, 10 years after its first printing, the graphics and stories within are as provocative as they day they were first conceived.

"This collection of graphic art covers 40 years of Jim Phillips' free-lance and fine art, and contains hundreds of samples of posters, ads, logos, labels, cartoons, and other art forms that have entertained many and provided cultural identity for others. The story weaves history and insight into Jim's images, revealing the life and works of this California artist. ..."--Back cover.

Skateboarding originated in California, and early board designs were simple. By the 1980s, skateboarding had reached all corners of the country and was becoming popular worldwide, as kids adopted the culture and took over public spaces to practice the sport. This book highlights the work of forty-four artists who exemplify the seemingly boundless evolution of skateboard design.

Profiles the art of twenty-nine skateboarders who are also artists, displaying a wide range of works from decorative boards and abstract canvases to graffiti and other guerrilla street art.

"It's rad what I do." -Mike Blabac Blabac Photo: The Art of Skateboarding Photography is astunning chronicle of a youth movement as seen throughthe lens of Mike Blabac, a man who is as dedicated to hiscraft as he is to the skateboarding lifestyle that inspired it.For millions of people around the world, skateboarding ismore than a mere hobby or a sport-it's a way of life thathas shaped everything from fashion and music, to videogames and art. Blabac Photo proves that point with 300awe-inspiring images that communicate the stories andexploits of some of the most creative athletes to ever stepon a skateboard including Eric Koston, Stevie Williams,Colin McKay, Rob Dyrdek, and Danny Way. As skateboardingevolved over time, from a hobby for kids on the Veniceboardwalk into a global culture, skate legends were born,records were broken, titans of industry materialized-andMike Blabac was there to document the history of themovement as it developed before his eyes.

The skateboard decks documented in this special collection are immaculately photographed and laid-out for maximum graphic glory. In "The Bible", the visuals take center stage, but the fascinating vignettes and recollections provided by an A-list of skateboarding personalities from Tony Hawk to Mike Vallely, Mark Gonzales to Stacy Peralta bring context to the aesthetic mayhem. The board graphics within The Disposable Skateboard Bible are broken down by decade: (beginning in 1960) documenting some of the earliest deck designs; through the 70s and the game-changing advent of urethane wheels; the 80s with its ups and downs, big decks and mass-market popularity; finally, the graphic chaos of the 90s through the turn of the millennium. This book is a blue chip, must-have reference for any graphics library.

More than a celebration of skateboard graphics or photography and videos, more than a personal memoir of one life on four wheels, this book argues that riding a skateboard is an art form of the same kind and stature as the traditional visual and performance arts. Like a paintbrush or a musical instrument, the skateboard has become a tool of limitless creative possibilities. Not a sport, often a crime, and for many a broader lifestyle, skateboarding transforms mundane travel and neglected spaces into extraordinary experiences and spectacles. Mullen, Gonzales, Hawk, and others count among its Masters.