Profile of the Singing Pines This is a fictional story of the removal of white pine logs in the Parry Sound District during the years after World War I. It tells of life in the rugged, primitive logging camps of this early time and of the hardships the loggers dealt with to remove these mighty trees. There are many trials and difficulties that the people become involved with during the removal of the pine. The story deals with accidental death, seduction, natural and man-made tragedies. It has murder, sickness, and changes made to the district as the towns and villages grew and prospered during the 1920s. It focuses on Fran Killworthy, a young widow who struggles to have her son, Abner, grow into manhood.

Includes recipes for Indian dishes, and information about the Indian tribe that lived in Michigan before the white men.

Providing the first comprehensive history of Canada’s songwriting legacy, this guide traces a distinctly Canadian musical identity from the 1930s to the end of the 1970s. The discussion shows how Canadian musicians have always struggled to create work that reflects their own environment while simultaneously connecting with mass audiences in other countries, particularly the United States. While nearly all songwriters who successfully crossed this divide did so by immersing themselves in the American and British forms of blues, folk, country, and rock 'n' roll, this guide reveals that Canadian sensibilities were never far beneath the surface. Canadian innovators featured include The Band, Ian & Sylvia, Hank Snow, Gordon Lightfoot, Leonard Cohen, and superstars Neil Young and Joni Mitchell. Lively anecdotes and interviews round out the history, but the emphasis is always on the essential music—how and where it originated and its impact on the artists' subsequent work and the wider musical world.

A bold and strikingly original new work from one of America's greatest living poets Alice Notley is considered by many to be among the most outstanding of living American poets. Notley's work has always been highly narrative, and her new book mixes short lyrics with long, expansive lines of poetry that often take the form of prose sentences, in an effort "to change writing completely." The title piece, a folksong-like lament, makes a unified tale out of many stories of many people; the middle section, "The Black Trailor," is a compilation of noir fictions and reflections; while the shorter poems of "Hemostatic" range from tough lyrics to sung dramas. Full of curative power, music, and the possibility of transformation, In the Pines is a genre- bending book from one of our most innovative writers.