Analyzes the transformation of German-language pastoral from a portrayal of the idyllic lives of herdsmen into a vehicle for the concerns and aspirations of the middle class.

A Stage for Debate presents a detailed analysis of the repertoire of the leading German-language stage of the nineteenth century, Vienna’s Burgtheater. The book explores the extent to which the Burgtheater repertoire contributed to important political and cultural debates on individual liberty, the role of women in society, and the understanding of national and regional identity. The relevance of the Burgtheater as a forum for political debate is assessed not by the degree to which the performed plays transgressed established norms, but by the range of positions that were voiced on a given topic. Martin Wagner investigates the roughly 1,000 plays from across Europe that were introduced to the Burgtheater’s repertoire between 1814 and 1867 by combining a general overview with detailed interpretations of especially successful plays. Wagner reveals that the Burgtheater was significantly more involved in contemporary debates than the stereotype of this stage as an artistically refined but apolitical institution suggests. Drawing from theatre studies and German and Austrian studies more broadly, A Stage for Debate revises the history of one of Europe’s leading theatres.

Das Lessing Yearbook, offizielles Organ der Lessing Society mit Sitz in Cincinnati, Ohio, ist ein weltweit anerkanntes, wichtiges Forum für alle Wissenschaftler, die sich – in englischer und deutscher Sprache – mit Literatur, Kultur und Gedankengut Deutschlands im 18. Jahrhundert beschäftigen. Guy Stern zum 100. Geburtstag. Mit Beiträgen von Tilman Venzl zum Manuskript und zur Dramaturgie der Minna von Barnhelm; Susan Morrow über Bilder und Illusionen in Lessings Laokoon; Joseph Haydt über Ironie und Wahrheit in Lessings theologischen Schriften; Till Kinzel über Jaspers und Lessing; Katherine Goodman über Luise Gottscheds Panthea und die Freidenker; Gabriel Cooper über anti-jüdische Stereotype im 18. Jahrhundert; Stefanie Stockhorst und Sotirios Agrofylax über Zeitschriften als aufklärerische Praxis; Hamilton Beck zur Rezeption Hippels im 19. Jahrhundert, und ein Forum zu Intersektionalität und Aufklärungsforschung.

In Interrogations of Evolutionism in German Literature 1859-2011 Nicholas Saul offers the first representative account of German literary responses to Darwinian evolutionism from from Raabe and Jensen via Ernst Jünger and Botho Strauß to Dietmar Dath.

"Taking the Hard Road" is an engaging history of growing up in working-class families in France and Germany during the Industrial Revolution. Based on a reading of ninety autobiographical accounts of childhood and adolescence, the book explores the far-re

This is a practical, thoughtful analysis of U.S. policy in Central America. The authors explain the interests of each major actor in the region, with key chapters on the Soviet Union, Cuba, and Nicaragua, and they examine the Contadora peace proposal by Mexico, Columbia, Panama, and Venezuela. They conclude that East-West conflict is secondary to Central American policy and that diplomacy is the key solution to peace. ISBN 0-394-74453-5 (pbk.): $12.95.

One of the longest-lived communal societies in North America, the Hutterites have developed multifaceted communitarian perspectives on everything from conflict resolution and decision-making practices to standards of living and care for the elderly. This compellingly written book offers a glimpse into the complex and varied lives of the nearly 500 North American Hutterite communities. North American Hutterites today number around 50,000 and have common roots with and beliefs akin to the Amish and other Old Order Christians. This historical analysis and anthropological investigation draws on existing research, primary sources, and over 25 years of the authors' interaction with Hutterite communities to recount the group's physical and spiritual journey from its 16th-century founding in Eastern Europe and its near disappearance in Transylvania in the 1760s to its late 19th-century transplantation to North America and into the modern era. It explains how the Hutterites found creative ways to manage social and economic changes over more than five centuries while holding to the principles and cultural values embedded in their faith. Religious scholars, anthropologists, and historians of America and the Anabaptist faiths will find this objective-yet-appreciative account of the Hutterites' distinct North American culture to be a valuable and fascinating study both of the religion and of a viable alternative to modern-day capitalism.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.