Written in magic realism, this novel finds Sheila OConor, an Irish American woman experiencing mysterious events at an ancient hillfort in Northern Ireland. A series of coincidences include meeting a small girl within the Shee or faerymound, some faery folk, and a folklore professor who encourages her to accept an invitation to the mythical land of Tir-na-nOg. Overcoming her doubts and fears, she eventually voyages to this magical land and experiences wonders. Then she meets her high school sweetheart and the three companions voyage together to Tir-na-nOg for more wondrous surprises. After a series of "Rememberings", Sheila recalls her childhood and marriage and receives insight into her life. The fascinating setting at Emain Macha or Navan for, home of the mytholigcal Red Branch Kings, inspired the Navan Interpretive Center in Armagh, visited by people form all over the world for its literary and archeological importance.

Photographer Sean McCullain and writer Liz Cannon are marooned in a cottage on the west of Ireland during a storm. Nearby, some archaeologists have unwittingly uncovered an ancient site, the home of the Shee, the goddess of destruction, who has the power to assume any shape.

In Our Last Blue Moon, dancer Kris O'Shee, widow of Alan Cheuse, the novelist, beloved teacher, and literary commentator known as the "voice of books" on NPR's All Things Considered for over thirty years, tells the story of the loss of her husband after he sustained injuries in a car crash in the summer of 2015. O'Shee chronicles the days in the Northern California hospital, the bedside vigil after Cheuse lapsed into a coma, and ultimately, his death. In her publishing debut, O'Shee writes in engaging and honest prose, in a memoir that is deeply personal and self-aware, without any self-pity or cliché. This is a story vivid in language, awash in love, and honest in reflecting on twenty-five happily shared years with the love of O'Shee's life. Reeling from Cheuse's death, O'Shee was thrust into widowhood. Rattled by grief, she eventually wrote her way to a new stage of life. "...written with grace, charm, wit, and mischief." - Molly Giles "This is a story of ultimate grace, told with ... elegant precision." - Ana Menendez "Her grief and joy will stay with me for a long time." - Matt Klam

2023 IPPY Awards - Poetry Gold 2023 IBPA Awards - Poetry Silver 2023 Publishing Triangle Awards Audre Lorde Award for Lesbian Poetry - Finalist Urbanshee is Siaara Freeman's retelling of fairy tales and mythological stories through a modern and urban lens. This collection discusses the weight of being Black in America, Freeman's relationships to lovers and family, and how the physical place you grew up can become part of your identity. Urbanshee expertly combines humor, fantasy, and raw emotion to create this astonishing reinvention of classic fables. Freeman's poems are ventrously unique and are sure to enchant anyone who reads them.

Excavation of seven turf buildings at Lair in Glen Shee confirms the introduction of Pitcarmick buildings to the hills of north-east Perth and Kinross in the early 7th century AD. Clusters of these at Lair, and elsewhere in the hills, are interpreted as integrated, spatially organised farm complexes comprising byre-houses and outbuildings.

A story about many different sheep, and one that seems to be missing.