Shatner examines the televisions shows' fan conventions.

In 1771, Robert Burns, future national poet and folk hero of Scotland, has big problems.12-year-old Rab spends all of his time doing backbreaking work on his family's farm instead of attending school, but when he finds a hag stone in one of the fields, everything changes.Looking through its circular hole, he sees witches gathering in a coming storm, and they've set their sights on his family. Can Rab save his sisters from the clutches of the witches' coven before their Halloween ceremony in the old kirk?Filled with mystery and magic, Hag Storm is a spooky, historical adventure with a supernatural twist, based on the life of Robert Burns and one of his most famous and best-loved poems, Tam O'Shanter.

English Writers - A Bibliography with Vignettes

When James Warhola was a little boy, his father had a junk business that turned their yard into a wonderful play zone that his mother didn't fully appreciate! But whenever James and his family drove to New York City to visit Uncle Andy, they got to see how "junk" could become something truly amazing in an artist's hands.

A collection of recipes, memories, and stories inspired by the authors' grandmother, Laurina Ecobelli, whose family operated Ecobelli's Tam O'Shanter Inn on Route 50 in Ballston Spa for more than 40 successful years.

First published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer’s bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty’s The Bridge of Sighs and Claude Monet’s The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky’s Composition IV and C.R.W. Nevinson’s Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.