A 19th century romantic fantasy in which orphan Sarah Cunningham wakes up from an accident to find everyone believes she is the Marchioness of Roxbury. The novel describes the way Sarah copes with her new persona.

Sequel to The Shadow of Albion (1999), Sarah, the Duchess of Wessex, settled into her new life among the English nobility, "is suddenly yanked back to her home in America. Confronted with her old life, her old loves, familiar places, and rough-and-ready frontier life, Sarah must also face a political and religious conspiracy that challenges her every belief."--Jacket.

In the first book in the epic Lamb among the Stars series, author Chris Walley weaves the worlds of science and the spirit, technology and supernatural into something unique in science fiction. Twelve thousand years into the future, the human race has spread across the galaxy to hundreds of terraformed worlds. The effects of the Fall have been diminished by the Great Intervention, and peace and contentment reign under the gentle rule of the Assembly. But suddenly, almost imperceptibly, things begin to change. On the remotest planet of Farholme, Forester Merral D’Avanos hears one simple . . . lie. Slowly a handful of men and women begin to realize that evil has returned and must be fought. What will this mean for a people to whom war and evil are ancient history? Thus begins the epic that has been described as “If C. S. Lewis and Tolkien had written Star Wars.” The Shadow and Night was previously published in two volumes: The Shadow at Evening and The Power of the Night.

Experience the dazzling brilliance of a world like ours—yet infinitely bolder and brighter: a place of kings and warriors, bards and battles, feats of glory and honour. It is a place you will forever wish to be. It is Albion. "When I opened my eyes, I was no longer in the world I knew." Lewis Gillies is an American graduate student in Oxford who should be getting on with his life. Yet for some reason, he finds himself speeding north with his roommate Simon on a lark—half-heartedly searching for a long-extinct creature allegedly spotted in a misty glen in Scotland. Expecting little more than a weekend diversion, Lewis accidently crosses through a mystical gateway where two worlds meet: into the time-between-times, as the ancient Celts called it. And into the heart of a collision between good and evil that's been raging since long before Lewis was born. First published more than twenty years ago, The Song of Albion Trilogy has become a modern classic that continues to attract passionate new readers. Part of The Song of Albion trilogy: Book One: The Paradise War Book Two: The Silver Hand Book Three: The Endless Knot Epic historical fantasy Book length: 138,000 words Includes additional insights from the author in “Albion Forever!” and an interview

Bestselling author Stephen R. Lawhead's Song of Albion Trilogy now available in one volume! The Paradise War Lewis Gillies is an American graduate student in Oxford who should be getting on with his life. Yet for some reason, he finds himself speeding north with his roommate Simon on a larkùhalf-heartedly searching for a long-extinct creature allegedly spotted in a misty glen in Scotland. Expecting little more than a weekend diversion, Lewis accidently crosses through a mystical gateway where two worlds meet: into the time-between-times, as the ancient Celts called it. And into the heart of a collision between good and evil that's been raging since long before Lewis was born. The Silver Hand The great king is dead and his kingdom lies in ruins. Treachery and brutality rule the land, and Albion is the scene of an epic struggle for the throne. Lewis is now known as Llew in this Otherworld and has become a threat to the usurper Meldron. Exiled and driven from the clan, he must seek the meaning behind a mysterious prophecyùthe making of a true king and the revealing of a long-awaited champion: Silver Hand. The Endless Knot Fires rage in Albion: strange, hidden, dark-flamed, invisible to the eye. In the midst of it, Llew must journey to the Foul Land to redeem his greatest treasure. As the last battle begins, the myths, passions, and heroism of an ancient people come to life . . . and Llew Silver Hand will face a challenge that will test his very soul.

1588: The London of Elizabeth I is rocked by news of a daring raid on the Tower. The truth is known only to a select few: that, for twenty years, a legendary doomsday device, its power fabled for millennia, has been kept secret and safe in the Tower.

"Huon of the Horn is the story of the young knight, Huon of Bordeaux, who through treachery was banished from the court of the legendary Charlemagne until he could fulfill an almost impossible quest in Babylon. In it courage, swordplay, romance and the magic of medieval witchcraft combine in a novel that will thrill modern readers as much as it did their ancestors in the days of knights, fire-breathing dragons, and damsels in distress."--Pg. [1].

In Imagining Nature Kevin Hutchings combines insights garnered from literary history, poststructuralist theory, and the emerging field of ecological literary studies. He considers William Blake's illuminated poetry in the context of the eighteenth-century model of "nature's economy,' a conceptual paradigm that prefigured modern-day ecological insights, describing all earthly entities as integrated parts of a dynamic, interactive system. Hutchings details Blake's sympathy for – and important suspicions concerning – the burgeoning contemporary fascination with such things as environmental ethics, animal rights, and the various fields of scientific naturalism. By focusing on Blake's concern for the relationship between nature and ideology (including the politics of class, gender, and religion) Hutchings avoids the sentimentalism and misanthropic pitfalls all too often associated with environmental commentary. He articulates a distinctively Blakean perspective on current debates in literary theory and eco-criticism and argues that while Blake's peculiar humanism and profound emphasis upon spiritual concerns have led the majority of his readers to regard his work as patently anti-natural, such a view distorts the central political and aesthetic concerns of Blake's corpus. By showing that Blake's apparent hostility toward the natural world is actually a key aspect of his famous critique of institutionalized authority, Hutchings presents Blake's work as an example of "green Romanticism" in its most sophisticated and socially responsive form.

Move over Jason Bourne. Here from Andy McDermott, the New York Times bestselling author who “raises the bar to please adventure junkies who prefer to mainline their action” (Publishers Weekly, starred review), is the high-octane start to a new series starring American agent Adam Gray. Filled with intrigue, adventure, and non-stop action, The Shadow Protocol is perfect for fans of Robert Ludlum and James Rollins. NO ONE CAN KNOW HIM. NO ONE SHOULD TRUST HIM. AND AMERICA WON’T SURVIVE WITHOUT HIM. Adam Gray is a cipher, a disciplined loner conditioned not to betray a single emotion. Part of an elite team spearheaded by a brilliant neuroscientist, Gray is a covert agent armed with PERSONA, a device that allows him to copy the brain patterns of the terrorists and operatives he meets in the field. For twenty-four hours he can recall their memories. He can know every detail of their plans. He can be America’s worst enemy—before he’s back to being Adam Gray again. Now Gray and his team are racing to stop a plot to release a radioactive isotope that could kill millions. And in a nerve-racking clandestine meeting, Gray senses that his cover is cracked and that the mission—not to mention his life—may be in grave danger. But as they fight this violent conspiracy around the globe, another threat has emerged. This one has the perfect cover, the most unlikely double agent, and the most terrifying power of all. For a beautiful young scientist has discovered an unforeseen weakness in PERSONA: Adam Gray’s own past. Praise for the novels of Andy McDermott “[McDermott] raises the bar . . . nonstop high-octane action.”—Publishers Weekly “Easily competes with the works of Dan Brown and James Rollins.”—Bookgasm “True Indiana Jones stuff with terrific pace.”—The Bookseller “Adventure stories don’t get much more epic than this.”—Daily Mirror (U.K.) “A writer of rare, almost cinematic talent. Where others’ action scenes limp along unconvincingly, his explode off the page in Technicolor.”—Daily Express (Scotland)