The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynistic and macho. And, looking at music made by female artists, the authors ask: must it always be this way?

Lust for Liberty challenges long-standing views of popular medieval revolts. Comparing rebellions in northern and southern Europe over two centuries, Samuel Cohn analyzes their causes and forms, their leadership, the role of women, and the suppression or success of these revolts. Popular revolts were remarkably common--not the last resort of desperate people. Leaders were largely workers, artisans, and peasants. Over 90 percent of the uprisings pitted ordinary people against the state and were fought over political rights--regarding citizenship, governmental offices, the barriers of ancient hierarchies--rather than rents, food prices, or working conditions. After the Black Death, the connection of the word liberty with revolts increased fivefold, and its meaning became more closely tied with notions of equality instead of privilege. The book offers a new interpretation of the Black Death and the increase of and change in popular revolt from the mid-1350s to the early fifteenth century. Instead of structural explanations based on economic, demographic, and political models, this book turns to the actors themselves--peasants, artisans, and bourgeois--finding that the plagues wrought a new urgency for social and political change and a new self- and class-confidence in the efficacy of collective action.

How insurgencies—enabled by digital devices and a vast information sphere—have mobilized millions of ordinary people around the world. In the words of economist and scholar Arnold Kling, Martin Gurri saw it coming. Technology has categorically reversed the information balance of power between the public and the elites who manage the great hierarchical institutions of the industrial age: government, political parties, the media. The Revolt of the Public tells the story of how insurgencies, enabled by digital devices and a vast information sphere, have mobilized millions of ordinary people around the world. Originally published in 2014, The Revolt of the Public is now available in an updated edition, which includes an extensive analysis of Donald Trump’s improbable rise to the presidency and the electoral triumphs of Brexit. The book concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.

The study of its literature is a useful guide to the degree of sexual security existing in a culture. ' When a future historian comes to treat of the social taboos of the nineteenth and twentieth centuries in a fourteen-volume life-work, his theories of the existence of an enormous secret language of bawdry and an immense oral literature of obscene stories and rhymes known, in various degrees of initiation, to every man and woman in the country, yet never consigned to writing or openly admitted as existing, will be treated as a chimerical notion by the enlightened age in which he writes. ' If I were asked to name some characteristics typical of the mid-20th century, I would put first the uncritical worship of money, the spread of nationalism, the tyranny of the orgasm, the homosexual protest and the apotheosis of snobbery. Money, sex, and social climbing motivate society. " The English are, on the whole, an inhibited people. They have a basic prudery and gaucheness in sex matters which sets them apart from almost every other nation in Europe . . . . In England, the realisation that many of the restraints and taboos of Victorian times are unnatural and even psychologically harmful, combined with the decline of organized religion, has led to a considerable laxity in sex matters, particularly since World War II! 1.

A Best Book of 2021 by NPR and The Washington Post Part graphic novel, part memoir, Wake is an imaginative tour de force that tells the “powerful” (The New York Times Book Review) story of women-led slave revolts and chronicles scholar Rebecca Hall’s efforts to uncover the truth about these women warriors who, until now, have been left out of the historical record. Women warriors planned and led revolts on slave ships during the Middle Passage. They fought their enslavers throughout the Americas. And then they were erased from history. Wake tells the “riveting” (Angela Y. Davis) story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat. But Rebecca decides to look deeper, and her journey takes her through old court records, slave ship captain’s logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the “negro burying ground” uncovered in Manhattan. She finds women warriors everywhere. Using a “remarkable blend of passion and fact, action and reflection” (NPR), Rebecca constructs the likely pasts of Adono and Alele, women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in Colonial New York. We also follow Rebecca’s own story as the legacy of slavery shapes her life, both during her time as a successful attorney and later as a historian seeking the past that haunts her. Illustrated beautifully in black and white, Wake will take its place alongside classics of the graphic novel genre, like Marjane Satrapi’s Persepolis and Art Spiegelman’s Maus. This story of a personal and national legacy is a powerful reminder that while the past is gone, we still live in its wake.

How the law harms sex workers—and what they want instead Do you have to endorse prostitution in order to support sex worker rights? Should clients be criminalized, and can the police deliver justice? In Revolting Prostitutes, sex workers Juno Mac and Molly Smith bring a fresh perspective to questions that have long been contentious. Speaking from a growing global sex worker rights movement, and situating their argument firmly within wider questions of migration, work, feminism, and resistance to white supremacy, they make it clear that anyone committed to working towards justice and freedom should be in support of the sex worker rights movement.

Mixing analysis with interviews, this study of rock music celebrates the underground music that has challenged consensual notions of what makes rock legitimate. Topics discussed include the rise of feminine consciousness in rock and the continuing allure of apocalyptic heavy metal.

Revolt Against Maturity is a study of Biblical psychology. Biblical psychology contrasts sharply with a science of the mind based on the religious presuppositions of humanism, which regards man as having no constant nature. A science of the mind based on humanism views the mind as a clean slate, and man's nature as plastic to be molded by men and institutions in the image of man for the new order he will establish. The Biblical view sees Psychology as a branch of theology; theology is a study of all that the Scriptures declare about God. Theology is essential not only to the study of psychology, but to ethics, anthropology, soteriology, eschatology, etc. Biblical Psychology assumes that man is created in the image of God directly, and not indirectly through theistic- or any other kind of evolution. Being created directly by God, man is not in the process of defining or determining his ontological qualities. Man has already been determined and defined by God. Thus it is God who has established the limits and nature of the mind. The mind of regenerate man experiences radically different motives and presuppositions from those of unregenerate man. The author sees the central task of Christian Psychology as that of discerning the mind and soul differences that exist between the regenerate and unregenerate. Pastoral counseling should first seek to establish whether or not a person is truly regenerate, and then aid the regenerate to further growth in sanctification. Work was to have provided the joy of fulfillment in God's goal of maturity for man, but because of the curse man is often subject to the frustration of meaningless and degrading work. True work is the exercise of dominion over the creation under God. When man's work is separated from dominion of the created world, he is often subject to moral and religious paralysis and becomes a sick soul. Man suffers similarly when he abstracts God from reality. Since God created everything, nothing can be interpreted apart from God. When man attempts this impossibility, he suffers psychologically. True knowledge of anything is revelational of God. Thus, an aspect of man's revolt against maturity and against life is his revolt against knowledge. Psychological damaging is inevitable for those in revolt against the maturity which the God of all life and all knowledge has purposed for man. The certain and true guilt which the human personality suffers because of sin can be alleviated only when God effects regeneration through the atoning blood of Christ. Thus having laid aside the old self with its evil practices, the new self is being renewed to a true knowledge according to the image of the One who created him in righteousness and holiness of the truth. (Col. 3:10; Eph. 4:24) In the general or wider sense, the image of God in man means that man like God is a personality. The author notes that "in the redeemed man, this means that man becomes progressively more and more a person, self-conscious in his growth and character (as opposed to being unconscious of his nature), and steadily manifesting more and more the image of God in knowledge, righteousness, holiness, and dominion." Sanctification is unto holiness by which man realizes his chief end: to glorify God and enjoy Him forever: But because of his revolt against maturity man continues to suffer psychological damage both personally and collectively through the chaotic condition of his mind and his culture.

Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s. England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon. Read on, and learn why is nitrous oxide is called “hippy crack.”

Julia Kristeva, herself a product of the famous May '68 Paris student uprising, has long been fascinated by the concept of rebellion and revolution. Psychoanalysts believe that rebellion guarantees our independence and creative capacities, but is revolution still possible? Confronted with the culture of entertainment, can we build and nurture a culture of revolt, in the etymological and Proustian sense of the word: an unveiling, a return, a displacement, a reconstruction of the past, of memory, of meaning? In the first part of the book, Kristeva examines the manner in which three of the most unsettling modern writers--Aragon, Sartre, and Barthes--affirm their personal rebellion. In the second part of the book, Kristeva ponders the future of rebellion. She maintains that the "new world order" is not favorable to revolt. "What can we revolt against if power is vacant and values corrupt?" she asks. Not only is political revolt mired in compromise among parties whose differences are less and less obvious, but an essential component of European culture--a culture of doubt and criticism--is losing its moral and aesthetic impact.