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History of Old Age is the first major study of the ways in which old age has been perceived in western culture throughout history. Georges Minois paints a vast fresco, starting with the first old man to relate his own story—an Egyptian scribe some 4500 years ago—and ending with the deaths of Elizabeth I and Henry IV in the sixteenth century. Tracing the changing conceptions of the nature, value, and burden of the old, Minois argues that western history during this period is marked by great fluctuation in the social and political role of the aged. Minois shows how, in ancient Greece, the cult of youth and beauty on the one hand, and the reverence for the figure of the Homeric sage, on the other, created an ambivalent attitude toward the aged. This ambiguity appears again in the contrast between the active role that older citizens played in Roman politics and their depiction in satirical literature of the period. Christian literature in the Middle Ages also played a large part in defining society's perception of the old, both in the image of the revered holy sage and in the total condemnation of the aged sinner. Drawing on literary texts throughout, Minois considers the interrelation of literary, religious, medical, and political factors in determining the social fate of the elderly and their relationship to society. This book will be of great interest to social and cultural historians, as well as to general readers interested in the subject of the aged in society today.

Autumn Alcott Ridenour offers a Christian theological discussion on the meaning of aging toward death with purpose, identity, and communal significance. Drawing from both explicit claims and constructive interpretations of St. Augustine's and Karl Barth's understanding of death and aging, this volume describes moral virtue as participation in Christ across generations, culminating in preparation for Sabbath rest during the aging stage of life. Addressing the inevitability of aging, the prospect of mortality, the importance of contemplative action and expanding upon the virtues of growing older, Ridenour analyzes how locating moral agency as union with Christ results in virtuous practices for aging individuals and their surrounding communities. By responding with constructive theology to challenges from transhumanist, bioethical and medical arenas, the volume highlights implications not only for virtue ethics, but also for the goals of medicine.

Welcome to the world's most unique and dynamic textbook on aging!Widely praised and adopted in previous editions, the Fifth Edition of Aging once again presents key issues in an engaging and accessible fashion. Organized unlike any other traditional textbook, author Harry R. Moody presents basic concepts followed by controversies, supported by carefully chosen adapted readings. The result is the most captivating introduction to gerontology available today.

The phenomenon of medieval women's middle age is a stage in the lifecycle that has been frequently overlooked in preference for the examination of female youth and old age. The essays collected here draw variously from literary studies, history, law, art and theology in order to address this lacuna.

The Seventh Age of Man: Issues, Challenges, and Paradoxes is a collection of academic essays on Old Age. The contributors come from a wide range of fields of expertise, which accounts for the originality of the book. Depending on their respective disciplines, the authors resort to various methodological approaches, from sociological case studies to discourse analysis, and from historical and political theories to media criticism, but they often address similar questions – when are people to be considered as old, what does it mean to be old, how do we deal with ageing – and reach similar conclusions about the paradoxical representations of the elderly, whether in Renaissance Europe or in contemporary China. Although men and women are sometimes treated differently, in most societies, the older generation is alternately perceived as a threat and a burden, or as financial and moral support. If they are often criticized or ridiculed, especially when they try to retain their youthful looks long after their prime, the elderly also trigger a feeling of nostalgia as representatives of a past usually seen as more desirable than the present. Their resilience and independence are regularly emphasized, as well as their wisdom, as a result of their long experience, which helps them to contemplate their ends more serenely and which might turn them into models for their contemporaries.

After an extensive introduction that takes stock of the relevant research literature on Old Age in the Middle Ages and the early modern age, the contributors discuss the phenomenon of old age in many different fields of late antique, medieval, and early modern literature, history, and art history. Both Beowulf and the Hildebrandslied, both Wolfram von Eschenbach's Parzival and Titurel, both the figure of Merlin and the trans-European tradition of Perceval/Peredur/Parzival, then the figure of the vetula in a variety of medieval French, English, and Spanish texts, and of the Old Man in The Stricker's Daniel, both the treatment of old age in Langland's Piers the Plowman and in Jean Gerson's sermons are dealt with. Other aspects involve late-antique epistolary literature, early modern French farce in light of Disability Studies, the social role of old, impotent men in sixteenth- and seventeenth-century Netherlandish paintings, and the scientific discourse of old age and health since the 1500s. The discourse of Old Age proves to have been of central importance throughout the ages, so the critical examination of the issues involved sheds intriguing light on the cultural history from late antiquity to the seventeenth century.