THE SELLAMILLION is NOT a parody of Tolkien's THE SILMARILLION. That would be pointless because although all Tolkien fans have a copy, only three of them have read past page 40. It is, however, a parody of all that Tolkien created as he worked on LORD OF THE RINGS. The history of the elderly days. Early missing drafts of LORD OF THE RINGS. A correspondence between the author and publisher on whether it should be a Bellybutton Stud of Doom rather than a Ring of Power. An experimental version of LOTR as if written by Dr Seuss. That sort of thing. It'll be funny. Possibly hilarious. The author's told us it will be. Promised even. And he did write THE SODDIT. And that was quite funny.

A detailed work of reference and scholarship, this one volume Encyclopedia includes discussions of all the fundamental issues in Tolkien scholarship written by the leading scholars in the field. Coverage not only presents the most recent scholarship on J.R.R. Tolkien, but also introduces and explores the author and scholar's life and work within their historical and cultural contexts. Tolkien's fiction and his sources of influence are examined along with his artistic and academic achievements - including his translations of medieval texts - teaching posts, linguistic works, and the languages he created. The 550 alphabetically arranged entries fall within the following categories of topics: adaptations art and illustrations characters in Tolkien's work critical history and scholarship influence of Tolkien languages biography literary sources literature creatures and peoples of Middle-earth objects in Tolkien's work places in Tolkien's work reception of Tolkien medieval scholars scholarship by Tolkien medieval literature stylistic elements themes in Tolkien's works theological/ philosophical concepts and philosophers Tolkien's contemporary history and culture works of literature

THE SELLAMILLION is NOT a parody of Tolkien's THE SILMARILLION. That would be pointless because although all Tolkien fans have a copy, only three of them have read past page 40. It is, however, a parody of all that Tolkien created as he worked on LORD OF THE RINGS. The history of the elderly days. Early missing drafts of LORD OF THE RINGS. A correspondence between the author and publisher on whether it should be a Bellybutton Stud of Doom rather than a Ring of Power. An experimental version of LOTR as if written by Dr Seuss. That sort of thing. It'll be funny. Possibly hilarious. The author's told us it will be. Promised even. And he did write THE SODDIT. And that was quite funny.

Includes a new "boreword" by the author.

Known for his journalism, biographies and novels, A. N. Wilson turns a merciless searchlight on his own early life, his experience of sexual abuse, his catastrophic mistakes in love (sacred and profane) and his life in Grub Street – as a prolific writer. Before he came to London, as one of the “Best of Young British” novelists, and Literary Editor of the Spectator, we meet another A. N. Wilson. We meet his father, the Managing Director of Wedgwood, the grotesque teachers at his first boarding school, and the dons of Oxford – one of whom, at the age of just 20, he married, Katherine Duncan-Jones, the renowned Shakespearean scholar. The book begins with his heart-torn present-day visits to Katherine, now for decades his ex-wife, who has slithered into the torments of dementia. At every turn of this reminiscence, Wilson is baffled by his earlier self – whether he is flirting with unsuitable lovers or with the idea of the priesthood. His chapter on the High Camp seminary which he attended in Oxford is among the funniest in the book. We follow his unsuccessful attempts to become an academic, his aspirations to be a Man of Letters, and his eventual encounters with the famous, including some memorable meetings with royalty. The princesses, dons, paedophiles and journos who cross the pages are as sharply drawn as figures in Wilson's early comic fiction. But there is also a tenderness here, in his evocation of those whom he has loved, and hurt, the most.

A long time ago in galaxy far, far away a really quite good SF film, a sort of western in space, was launched. The special effects were pretty shoddy but it did have some quite good actors in it. And Mark Hammill. A second and third film that were actually the fifth and sixth films followed and they weren't quite so good but they were still quite fun (especially when the teddies got blasted by the Imperial stormtroopers). Then, the first, second and third films followed and they were actually fairly dreadful though by now the special effects were much better. And the actors were still better than average too. And Mark Hammill was too old to be in it plus his character hadn't been born yet so that was OK. A Gollancz parody was inevitable. And here it is. An epic told in six chapters. An epic of good versus evil. Of dark versus light. Of hairy co-pilots and green gurus. Of bizarre hair styles, steel bras and camp robots. An epic that starts in the middle. And that's the original!

The hilarious autobiography of the legendary hero of The Soddit. Adam Roberts' The Soddit was a bestseller and sold 150,000 copies. But what happened to the Soddit after his adventures, and after his account of them was published. . .

Cult Film as a Guide to Life investigates the world and experience of cult films, from well-loved classics to the worst movies ever made. Including comprehensive studies of cult phenomena such as trash films, exploitation versions, cult adaptations, and case studies of movies as different as Showgirls, Room 237 and The Lord of the G-Strings, this lively, provocative and original book shows why cult films may just be the perfect guide to making sense of the contemporary world. Using his expertise in two fields, I.Q. Hunter also explores the important overlap between cult film and adaptation studies. He argues that adaptation studies could learn a great deal from cult and fan studies about the importance of audiences' emotional investment not only in texts but also in the relationships between them, and how such bonds of caring are structured over time. The book's emergent theme is cult film as lived experience. With reference mostly to American cinema, Hunter explores how cultists, with their powerful emotional investment in films, care for them over time and across numerous intertexts in relationships of memory, nostalgia and anticipation.

"A collection of more than twenty original tales donated in support of the Save The Children Tsunami Relief Fund."--NoveList.

Bringing together leading scholars in the fields of media and film studies to explore the various strategies and implications underlying the global presence of 'Lord of the Rings', this book covers different national contexts and presents a lively and diverse combination of textual, historical and empirical study.