Illustrated largely in colour, 'The Secret Life of Textiles' offers brief catalogue summaries of 48 archive groups of textile pattern books that make up six regional holdings, and will be of interest to scholars, historians, and those with an interest in textiles, pattern design and local history.

THE SUNDAY TIMES BESTSELLER 'A mind-expanding tour of the world without leaving your paintbox. Every colour has a story, and here are some of the most alluring, alarming, and thought-provoking. Very hard painting the hallway magnolia after this inspiring primer.' Simon Garfield The Secret Lives of Colour tells the unusual stories of the 75 most fascinating shades, dyes and hues. From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso's blue period to the charcoal on the cave walls at Lascaux, acid yellow to kelly green, and from scarlet women to imperial purple, these surprising stories run like a bright thread throughout history. In this book Kassia St Clair has turned her lifelong obsession with colours and where they come from (whether Van Gogh's chrome yellow sunflowers or punk's fluorescent pink) into a unique study of human civilisation. Across fashion and politics, art and war, The Secret Lives of Colour tell the vivid story of our culture.

Wouldn't you like: - Products that don't damage the environment? - A better way of life without agonising about your 'footprint'? - To really know your stuff? Climate change? Biofuels? Nuclear power? Landfills? Recycling? Renewable energy? Environmental issues can feel overwhelming. But, in fact, it is simple; it all comes down to one thing - stuff. Our use of the Earth's resources - whether a crisp packet or a cargo ship, a T-shirt or a wind turbine - has an inescapable impact on our future. In The Secret Life of Stuff, Julie Hill uncovers the origins and the true cost of what we use. Her inventory of over-consumption may shock but it is the first step towards overcoming waste. The misuse of stuff is not your fault, it's a product of history. But it is only by understanding what has gone wrong, that everyone - politicians, business people and us as consumers - can create a new and better material world.

A magnificent work of original research that unravels history through textiles and cloth—how we make it, use it, and what it means to us. How is a handmade fabric helping save an ancient forest? Why is a famous fabric pattern from India best known by the name of a Scottish town? How is a Chinese dragon robe a diagram of the whole universe? What is the difference between how the Greek Fates and the Viking Norns used threads to tell our destiny? In Fabric, bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it, and made symbols out of it. And sometimes why they have fought for it. She beats the inner bark of trees into cloth in Papua New Guinea, fails to handspin cotton in Guatemala, visits tweed weavers at their homes in Harris, and has lessons in patchwork-making in Gee's Bend, Alabama - where in the 1930s, deprived of almost everything they owned, a community of women turned quilting into an art form. She began her research just after the deaths of both her parents —and entwined in the threads she found her personal story too. Fabric is not just a material history of our world, but Finlay's own journey through grief and recovery.

This second edition of Textile Conservation offers an up-to-date perspective on the role and practice of textile conservators, capturing the diversity of textile conservation work across the globe. The volume considers key factors that are integral to effective conservation decision-making. It achieves this by focusing on four major factors that have influenced development in textile conservation practice over the past decades: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical development. Features of the new edition include: Updated chapters that explain new techniques and recent developments in the field; New and updated international case studies that demonstrate conservation decision-making in practice, including assessments of the conservation of objects in some of the world’s major cultural institutions; Full-colour illustrations that demonstrate conservation in practice. Textile Conservation will be essential reading for conservators around the world. It will also be of great interest to academics and students engaged in the study of the conservation of textiles, as well as museum and heritage professionals.

A gorgeously illustrated exploration of the textile traditions of a culturally diverse region, from the late eighteenth century to the present day.

Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.

“Leads readers from the Stone Age to the twenty-first century, while weaving its story from strands of craft, history and anthropology, and science and culture. . . . An outstanding achievement.” —Library Journal There are few aspects of our lives—physical, emotional, spiritual—in which thread and fabrics do not play a notable part. Beverly Gordon reminds us memorably and movingly of the powerful significance of fabric throughout human history. Her expertise is enriched by her own hands-on experience: spinning silk from silkworm cocoons, weaving cloth, and creating natural dyes. In addition, she has studied thousands of textiles in a curatorial context; her familiarity includes the processing and handling of textiles as well as the making of them. The author bridges past and present, from the Stone Age—when humans first learned to make cordage and thread—to twenty-first-century “smart fabrics,” which can regulate body temperature or measure the wearer’s pulse. Her discussion integrates craft, art, science, history, and anthropology, and she draws on examples from around the globe. A dazzling array of illustrations includes paintings and photographs of historic and contemporary textiles plus a broad collection of textiles being created, worn, and lived with today.

From the local to the global, Yoruba people cherish textile consumption and fashion in everyday life. Central to this is the role of Yoruba women in the making of a fashion culture. As this book shows, textile commodities are entangled in global economic histories, yet the local consumption culture has created a fashion industry that portrays new ways of work and talent display beyond the twentieth century. This text is useful for researchers who wish to gain deeper insights into a critical, but often neglected, aspect of being Yoruba.

Book Authority • 36 Best Textile Design eBooks of All Time A briskly told, 30,000-year history of textiles that “will make you rethink your relationship with fabric” (Elle Decoration). From colorful threads found on the floor of an ancient Georgian cave to the Indian calicoes that fueled the Industrial Revolution, The Golden Thread illuminates the myriad and fascinating histories behind the cloths that came to define human civilization—the fabric, for example, that allowed mankind to shatter athletic records, and the textile technology that granted us the power to survive in space. Exploring the enduring association of textiles with “women’s work,” Kassia St. Clair “spins a rich social history . . . that also reflects the darker side of technology” (Rachel Newcomb, Washington Post).