An orphan with a tragic background resorts to petty theft in order to survive. She is found guilty in a juvenile court who arrange for her to be fostered out to a remote farm in the Lake District. Life still has its ups and downs but the girl learns to love her new environment.

Don't mess with the creepy new girl Ryan Devlin, a predator with a past, has been forced to take a job as a handyman at an exclusive private school, Crossley College. He's losing his battle to suppress his growing fascination with a new girl who seems to have a strange effect on the children around her. Tara Marais fills her empty days by volunteering at Crossley's library. Tara is desperate, but unable, to have a baby of her own, so she makes Reborns - eerily lifelike newborn dolls. She's delighted when she receives a commission from the mysterious 'Vader Batiss', but horrified when she sees the photograph of the baby she's been asked to create. Still, she agrees to Batiss's strange contract, unaware of the consequences if she fails to deliver the doll on time. Both Tara and Ryan are being drawn into a terrifying scheme - one that will have an impact on every pupil at Crossley College...

This history-mystery series continues with another fine display of brains and bravery from the Wollstonecraft Girls—Ada Bryon Lovelace and Mary Shelley. Inspired fun for middle grade readers and fans of The Mysterious Benedict Society and Lemony Snicket! The Wollstonecraft Detective Agency was supposed to be a secret constabulary, but after the success of their first case, all of London knows that Lady Ada and Mary are the girls to go to if you have a problem. Their new case is a puzzle indeed. It involves a horrible hospital, a missing will, a hasty engagement, and a suspiciously slippery servant. But Mary’s stumbled onto a mystery of her own. She spotted a ghostly girl in a grey gown dashing through the park. A girl who is the spitting image of their new client. The two cases must be linked . . . or else there’s a perfectly supernatural explanation.

In the second book of the Wild Magic trilogy, courageous young Mup and her family are trying to heal and restore the kingdom when they uncover an ancient and powerful anger. The old queen and her raggedy witches have fled Witches Borough, and Mup’s family has moved into the cold, newly empty castle. But the queen’s legacy lingers in the fear and mistrust of her former subjects and in the memories that live in the castle’s very walls. While Mup’s mam tries to restore balance to a formerly oppressed world, Mup herself tries to settle into her strange new home with her dad, Tipper, and Crow. When an enchanted snow blankets the castle, Mup’s family is cut off from the rest of the kingdom, and the painful memories of the old queen’s victims begin to take form, thanks to a ghost whose power may be too much for even Mup and Mam to handle. Celine Kiernan weaves a timely and essential truth into the second book of her trilogy: that dismantling oppression means honoring the pains of the past, and perhaps the most potent magic of all is encouraging joy and hope wherever possible.

The much-anticipated sequel to the book Danielle Page, author of Dorothy Must Die, says is "inventive, gorgeous, and epic--Grey dazzles." Everything in Echo's life changed in a blinding flash when she learned the startling truth: she is the firebird, the creature of light that is said to bring peace. The firebird has come into the world, but it has not come alone. Every action has an equal and opposite reaction, and Echo can feel a great and terrible darkness rising in the distance. Cosmic forces threaten to tear the world apart. Echo has already lost her home, her family, and her boyfriend. Now, as the firebird, her path is filled with even greater dangers than the ones she's already overcome. She knows the Dragon Prince will not fall without a fight. Echo must decide: can she wield the power of her true nature--or will it prove too strong for her, and burn what's left of her world to the ground? Welcome to the shadow hour. Praise for the Girl at Midnight Series: “A stunning debut. . . . Equal parts atmosphere and adventure, Melissa Grey’s The Girl at Midnight is positively divine.” —Victoria Schwab, author of A Darker Shade of Magic “An action- and angst-packed installment reminiscent of Buffy and Neil Gaiman’s Neverwhere.” —Kirkus Reviews “Catnip for fans of Cassandra Clare.” —BookPage.com “A must-read.” —Paste magazine “You are going to love Echo.” —Bustle.com “Sparks fly. . . . Will please fans of Cassandra Clare and Game of Thrones watchers with its remarkable world building; richly developed characters; and themes of family, power, loyalty, and romance.” —Booklist, Starred “A feisty heroine, fun supporting characters, a mission to save the world, and some seriously spicy romance.” —SLJ “Fast-paced, action-packed, and full of laughs.” —Nerdist.com “Enthralling and pure magic, Grey’s debut is delightful!” —Romantic Times “A page-turner—I was hooked from start to finish.” —Latina Magazine

When witches kidnap her dad, Mup is swept up in a wild tide of magic that carries her to another world. Can she reunite her family and find her way back? On the night that Aunty dies, the raggedy witches come for Mup’s family. Pale, cold, and relentless, the witches will do anything for the tyrannical queen who has outlawed most magic and enforces her laws with terror and cruelty — and who happens to be Mup’s grandmother. When witches carry off her dad, Mup and her mam leave the mundane world to rescue him. But everything is odd in the strange, glittering Witches Borough, even Mam. Even Mup herself. In a world of rhyming crows, talking cats, and golden forests, it’s all Mup can do to keep her wits about her. And even if she can save her dad, Mup’s not sure if anything will ever be the same again. First in a new trilogy by Irish author Celine Kiernan, this tale of family and forbidden magic charts a fresh path through the landscape of beloved fantasy tradition — and promises to bewitch any reader in search of stories to love.

With the chick flick arguably in decline, film scholars may well ask: what has become of the woman’s film? Little attention has been paid to the proliferation of films, often from the independent sector, that do not sit comfortably in either the category of popular culture or that of high art––films that are perhaps the corollary of the middle-brow novel, or "smart-chick flicks". This book seeks to fill this void by focusing on the steady stream of films about and for women that emerge out of independent American and European cinema, and that are designed to address an international female audience. The new woman's film as a genre includes narratives with strong ties to the woman’s film of classical Hollywood while constituting a new distinctive cycle of female-centered films that in many ways continue the project of second-wave feminism, albeit in a modified form. Topics addressed include: The Bridges of Madison County (Clint Eastwood, 1995); the feature-length films of Nicole Holofcener, 1996-2013; the film roles of Tilda Swinton; Rachel Getting Married (Jonathan Demme, 2008); Blue Jasmine (Woody Allen, 2013); Frances Ha (Noah Baumbach, 2012), Belle (Amma Asante, 2013), Fifty Shades of Grey (Sam Taylor-Johnson, 2015) and Jane Campion’s Top of the Lake (Sundance Channel, 2013-).

In the 1930s a band of smart and able young men, some still in their twenties, helped Franklin D. Roosevelt transform an American nation in crisis. They were the junior officers of the New Deal. Thomas G. Corcoran, Benjamin V. Cohen, William O. Douglas, Abe Fortas, and James Rowe helped FDR build the modern Democratic Party into a progressive coalition whose command over power and ideas during the next three decades seemed politically invincible. This is the first book about this group of Rooseveltians and their linkage to Lyndon Johnson's Great Society and the Vietnam War debacle. Michael Janeway grew up inside this world. His father, Eliot Janeway, business editor of Time and a star writer for Fortune and Life magazines, was part of this circle, strategizing and practicing politics as well as reporting on these men. Drawing on his intimate knowledge of events and previously unavailable private letters and other documents, Janeway crafts a riveting account of the exercise of power during the New Deal and its aftermath. He shows how these men were at the nexus of reform impulses at the electoral level with reform thinking in the social sciences and the law and explains how this potent fusion helped build the contemporary American state. Since that time efforts to reinvent government by "brains trust" have largely failed in the U.S. In the last quarter of the twentieth century American politics ceased to function as a blend of broad coalition building and reform agenda setting, rooted in a consensus of belief in the efficacy of modern government. Can a progressive coalition of ideas and power come together again? The Fall of the House of Roosevelt makes such a prospect both alluring and daunting.