"A collection of essays on individual artists drawn from Sculpture magazine"--T.p. verso.

Acknowledgments 3Chapter 1 • Tullio 's Critical Fortune 5Chapter 2 • Inscriptions, Documents, and Sources 16Chapter 3 • The Style of Tullio's Sculpture and His Early Works 34Chapter 4 • The Tomb of Doge Andrea Vendramin 46Chapter 5 • ln the Wake of the Vendramin Tomb: Tullio's Sculpture at the End of the Fifteenth and the Beginning of the Sixteenth Century 67Chapter 6 • Tullio's Late Works 93Chapter 7 • Conclusion 122Bibliography 129List of illustrations 143Illustrations 151Index 447.

The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.

Bringing together works from across Asawa's career, this expansive and beautifully illustrated volume examines her output both as an artist and as a passionate advocate for arts education.

Part memoir, part secrets of the sculptors craft, part celebration of Canadian culture and talent Life and Bronze is the story behind Ruth Abernethys rich and varied artistic career. The author describes each of her sculpting projects from opening discussion to creation to installation and public unveiling.We discover what the public chooses to commemorate, how a sculptor resolves clear expressions of character, and how the entire process fits into a full family life. We become privy to Ruths unique methods, which are greatly influenced by her years of stagecraft at the Stratford Festival and across Canada. We meet prime ministers, musicians, doctors, athletes, and a huge Manitoba black bear named Duke. Ruths Canadian commissions include Glenn Gould at CBC Toronto, Oscar Peterson and Mario Bernardi at the National Arts Centre Ottawa, military Physician and poet John McCrae (In Flanders Fields) at Ottawa and Guelph, and Sir John A. Macdonald in both Picton and Baden, Ontario. Ruths bronze installations honour outstanding theatre artists in Stratford, Waterloo and Winnipeg and exceptional scientists and engineers in Kentville, Wolfville and in Vancouver. Life and Bronze is a lavishly illustrated record of bronze portraits created in the privacy of Ruths studio and let loose to lie on the streetscapes of Canada.

The Necessity of Sculpture brings together a selection of articles on sculpture and sculptors from Eric Gibson’s nearly four-decade career as an art critic. It covers subjects as diverse as Mesopotamian cylinder seals, war memorials, and the art of the American West; stylistic periods such as the Hellenistic in Ancient Greece and Kamakura in medieval Japan; Michelangelo, Gian Lorenzo Bernini, Augustus Saint-Gaudens, and other historical figures; modernists like Auguste Rodin, Pablo Picasso, and Alberto Giacometti; and contemporary artists including Richard Serra, Rachel Whiteread, and Jeff Koons. Organized chronologically by artist and period, this collection is as much a synoptic history of sculpture as it is an art chronicle. At the same time, it is an illuminating introduction to the subject for anyone coming to it for the first time.

Michael Anton Budd's THE SCULPTURE MACHINE traces the tension between the modern world and the classical interpretation of physicality as influenced by technological forces of industry and revolution. This insightful work illustrates how ideas about bodies influence the building of identities in concert with the construction of a larger consumer culture. Illustrations. Copyright © Libri GmbH. All rights reserved.