The Schlager Anthology of the American Revolution offers a modern, original sourcebook covering the movement for American independence. From the creators and publishers of Milestone Documents in American History, this new title is built on the principles of inclusivity and accessibility. Along with essential primary sources from the era, including Patrick Henry's "Give Me Liberty or Give Me Death," Thomas Paine's Common Sense, and Abigail Adams's "Remember the Ladies," this anthology also includes often-marginalized voices, from women to Native Americans to African Americans. These documents have been abridged and edited to make them more accessible to students of differing reading levels. Additionally, each source is followed by a series of questions that prompt readers to use their higher order thinking skills and engage with primary texts in a deep way. Edited by Jon Chandler (University College London lecturer and author of War, Patriotism and Identity in Revolutionary North America) and featuring contributions from numerous scholars, The Schlager Anthology of the American Revolution includes more than 80 textual and visual sources from this historical period. It marks the 2nd installment in the "Schlager Anthologies for Students" reference series.

This sourcebook covers Black history from the 1500s to the present. It is built on the principles of inclusivity and accessibility, presenting essential primary sources and emphasizing often-marginalized voices, from women to the LGBTQ community. Documents are abridged to remain brief and accessible, even to struggling readers (including ESL students), and include from basic to advanced activity questions. It covers hundreds of milestone sources from African American history.

This historical exploration of the Green Book offers “a fascinating [and] sweeping story of black travel within Jim Crow America across four decades” (The New York Times Book Review). Published from 1936 to 1966, the Green Book was hailed as the “black travel guide to America.” At that time, it was very dangerous and difficult for African-Americans to travel because they couldn’t eat, sleep, or buy gas at most white-owned businesses. The Green Book listed hotels, restaurants, gas stations, and other businesses that were safe for black travelers. It was a resourceful and innovative solution to a horrific problem. It took courage to be listed in the Green Book, and Overground Railroad celebrates the stories of those who put their names in the book and stood up against segregation. Author Candacy A. Taylor shows the history of the Green Book, how we arrived at our present historical moment, and how far we still have to go when it comes to race relations in America. A New York Times Notable Book of 2020

The Schlager Anthology of Early America offers an accessible, inclusive sourcebook covering a pivotal era in U.S. history. The set features carefully curated primary sources along with highly targeted activities to help students engage with and analyze primary documents, from the arrival of Spanish explorers and English settlers to the stirrings of revolutionary sentiment in the mid-18th century. Presenting marginalized voices, including women, African Americans, and Native Americans, this anthology represents a modern approach to historical reference. Document texts are abridged to remain brief and accessible, even to struggling readers (including ESL students), while activity questions range in difficulty from basic to more advanced. Edited by Christine Eisel (University of Memphis) and featuring the contributions of numerous scholars, The Schlager Anthology of Early America is an essential reference for students, researchers, and teachers of early American history.

For anyone who has ever felt like they don't belong, Sigh, Gone shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature. In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents. Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like Viet Thanh Nguyen's The Displaced and The Refugees, Sigh, Gone explores one man’s bewildering experiences of abuse, racism, and tragedy and reveals redemption and connection in books and punk rock. Against the hairspray-and-synthesizer backdrop of the ‘80s, he finds solace and kinship in the wisdom of classic literature, and in the subculture of punk rock, he finds affirmation and echoes of his disaffection. In his journey for self-discovery Tran ultimately finds refuge and inspiration in the art that shapes—and ultimately saves—him.

When Mao and the Chinese Communist Party won power in 1949, they were determined to create new, revolutionary human beings. Their most precise instrument of ideological transformation was a massive program of linguistic engineering. They taught everyone a new political vocabulary, gave old words new meanings, converted traditional terms to revolutionary purposes, suppressed words that expressed "incorrect" thought, and required the whole population to recite slogans, stock phrases, and scripts that gave "correct" linguistic form to "correct" thought. They assumed that constant repetition would cause the revolutionary formulae to penetrate people's minds, engendering revolutionary beliefs and values. In an introductory chapter, Dr. Ji assesses the potential of linguistic engineering by examining research on the relationship between language and thought. In subsequent chapters, she traces the origins of linguistic engineering in China, describes its development during the early years of communist rule, then explores in detail the unprecedented manipulation of language during the Cultural Revolution of 1966–1976. Along the way, she analyzes the forms of linguistic engineering associated with land reform, class struggle, personal relationships, the Great Leap Forward, Mao-worship, Red Guard activism, revolutionary violence, Public Criticism Meetings, the model revolutionary operas, and foreign language teaching. She also reinterprets Mao’s strategy during the early stages of the Cultural Revolution, showing how he manipulated exegetical principles and contexts of judgment to "frame" his alleged opponents. The work concludes with an assessment of the successes and failures of linguistic engineering and an account of how the Chinese Communist Party relaxed its control of language after Mao's death.

SELECTED AS A BOOK OF THE YEAR IN THE TELEGRAPH AND EVENING STANDARD '[The] centenary will prompt a raft of books on the Russian Revolution. They will be hard pushed to better this highly original, exhaustively researched and superbly constructed account.' Saul David, Daily Telegraph 'A gripping, vivid, deeply researched chronicle of the Russian Revolution told through the eyes of a surprising, flamboyant cast of foreigners in Petrograd, superbly narrated by Helen Rappaport.' Simon Sebag Montefiore, author of The Romanovs Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil. Foreign visitors who filled hotels, bars and embassies were acutely aware of the chaos breaking out on their doorsteps. Among them were journalists, diplomats, businessmen, governesses and volunteer nurses. Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareava. Drawing upon a rich trove of material and through eye-witness accounts left by foreign nationals who saw the drama unfold, Helen Rappaport takes us right up to the action – to see, feel and hear the Revolution as it happened.

“Our domestic Sherlock brims with excitement” (Roger Lowenstein, Wall Street Journal) in this erudite romp through the smoke-stained, coal-fired houses of Victorian England. “The queen of living history” (Lucy Worsley) dazzles anglophiles and history lovers alike with this immersive account of how English women sparked a worldwide revolution—from their own kitchens. Wielding the same wit and passion as seen in How to Be a Victorian, Ruth Goodman shows that the hot coal stove provided so much more than morning tea. As Goodman traces the amazing shift from wood to coal in mid-sixteenth century England, a pattern of innovation emerges as the women stoking these fires also stoked new global industries: from better soap to clean smudges to new ingredients for cooking. Laced with irresistibly charming anecdotes of Goodman’s own experience managing a coal-fired household, The Domestic Revolution shines a hot light on the power of domestic necessity.

The Schlager Anthology of Black America offers a modern, original sourcebook covering Black history from the 1500s to the present. From the creators and publishers of Milestone Documents in American History, this new three-volume set is built on the principles of inclusivity and accessibility. While presenting the essential primary sources from Black history, from iconic figures such as Frederick Douglass, W.E.B. Du Bois, and Martin Luther King Jr., this anthology also emphasizes often-marginalized voices, from women to those in the LGBTQ community. In addition, document texts are abridged to remain brief and accessible, even to struggling readers (including ESL students), while activity questions range in difficulty from basic to more advanced. Edited by Dan Royles (To Make the Wounded Whole) and featuring the contributions of numerous scholars, The Schlager Anthology of Black America covers more than 250 milestone sources from African American history. An Inclusive Approach The Schlager Anthology of Black America includes all of the classic documents from African American history, while also emphasizing a wide spectrum of voices and perspectives. In Unit 1 ("Many Thousands Gone: Black Experiences in Colonial America"), the set opens with the little-known 1540s narrative of Estevanico el Negro, possibly the first African-born person to set foot in what would later become the continental United States. From there, students and researchers will find slave codes from colonies like Virginia and Louisiana as well as early anti-slavery tracts from John Woolman and slave narratives from Olaudah Equiano and Venture. As the anthology moves through the American Revolution and Early Republic periods, it covers important pieces from Phillis Wheatley, Prince Hall, and Peter Williams; critical legislation such as the Missouri Compromise; and the intersection of Black slavery and Native American life. The middle units explore the decades before, during, and after the Civil War, as African Americans fought to achieve emancipation and some semblance of civil rights. In the wake of the war''s triumph--the eradication of slavery--came "The Betrayal of the Negro" (Unit 7), as Black advances during Reconstruction were wiped out with the advent of Jim Crow laws and Black codes. Critical voices such as Frederick Douglass, Anna Julia Cooper, Mary Church Terrell, and Ida B. Wells are featured in this unit, along with important court cases such as Pace v. Alabama and Plessy v. Ferguson. As the anthology moves through the twentieth century, it guides students through the important documents and events of each decade, from World War I and race riots in Texas and Oklahoma to the upheaval of the Great Depression and World War II. The flowering of Black cultural life and Black economic struggles during the 1920s and 1930s are seen in sources from Alain Locke and Helene Johnson to Robert Clifton Weaver and Mary McLeod Bethune. The Civil Rights Movement of the 1950s and 1960s is covered via iconic activists like Martin Luther King Jr., Bayard Rustin, Ella Baker, Malcolm X, and Fannie Lou Hamer. The final units cover Black feminism, gender, and sexuality, Black politics in the 70s, 80s, and 90s, and the election of Barack Obama, before ending with the creation of the Black Lives Matter movement and platform. A Focus on Accessibility The Schlager Anthology of Black America features carefully curated primary sources along with highly targeted activities to help students engage with and analyze primary documents from all periods of African American history, from the 1500s to the present. Document texts are carefully abridged to remain brief and accessible, even to struggling readers (including ESL students), both at the high school as well as early college levels. The commentary that accompanies each document is simple and straightforward. First, a fact box contains the key information about the source: document title, author name, date, document type, and a brief statement of the document''s significance. Next, each document includes a concise overview section that places the source in its proper historical context. Following the document text is a list of activity questions that prompt students to think more deeply about the source and its meaning and impact. Other Features In addition to the 250 sources and accompanying commentary, The Schlager Anthology of Black America includes unit introductions and Further Readings sections for each of the sixteen units in the set. The set also features a comprehensive subject index and an appendix of document categories. The Schlager Anthology of Black America represents a modern approach to historical reference. It is an essential resource for students, researchers, and teachers of Black history and is appropriate for high school, academic, and public libraries.

The Schlager Anthology of Westward Expansion offers an accessible, inclusive sourcebook covering a pivotal era in U.S. history. The set features carefully curated primary sources along with highly targeted activities to help students engage with and analyze primary documents. Presenting marginalized voices, including women, African Americans, Native Americans, and immigrants, this anthology represents a modern approach to historical reference. Document texts are abridged to remain brief and accessible, even to struggling readers (including ESL students), while activity questions range in difficulty from basic to more advanced. Edited by Jennifer Koshatka Seman (Borderlands Curanderos: The Worlds of Santa Teresa Urrea and Don Pedrito Jaramillo) and featuring the contributions of numerous scholars, The Schlager Anthology of Westward Expansion is an essential reference for students, researchers, and teachers of American history.