The Satapatha Brahmana
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Author |
: Willem Caland |
Publisher |
: Motilal Banarsidass Publ. |
Total Pages |
: 132 |
Release |
: 1998 |
ISBN-10 |
: 8120812859 |
ISBN-13 |
: 9788120812857 |
Rating |
: 4/5 (59 Downloads) |
Synopsis The Satapatha Brahmana in the Kanviya recension by : Willem Caland
Classical work on Vedic sacrifices according to the Kāṇva recension of the Yajurveda.
Author |
: Julius Eggeling |
Publisher |
: |
Total Pages |
: 554 |
Release |
: 1882 |
ISBN-10 |
: STANFORD:36105008440278 |
ISBN-13 |
: |
Rating |
: 4/5 (78 Downloads) |
Synopsis The Satapatha-brâhmana by : Julius Eggeling
Author |
: Naama Drury |
Publisher |
: Motilal Banarsidass Publishe |
Total Pages |
: 166 |
Release |
: 1981 |
ISBN-10 |
: 8120826655 |
ISBN-13 |
: 9788120826656 |
Rating |
: 4/5 (55 Downloads) |
Synopsis The Sacrificial Ritual in the Śatapatha Brāhmaṇa by : Naama Drury
understood as a nondual reality: an activity that does not exist in itself
Author |
: Julius Eggeling |
Publisher |
: BoD – Books on Demand |
Total Pages |
: 466 |
Release |
: 2023-12-11 |
ISBN-10 |
: 9783368635961 |
ISBN-13 |
: 3368635964 |
Rating |
: 4/5 (61 Downloads) |
Synopsis The Satapatha-Brahmana, According to the Text of the Madhyandina School by : Julius Eggeling
Reprint of the original, first published in 1891.
Author |
: Julius Eggeling |
Publisher |
: |
Total Pages |
: 684 |
Release |
: 1900 |
ISBN-10 |
: OXFORD:305034114 |
ISBN-13 |
: |
Rating |
: 4/5 (14 Downloads) |
Synopsis “The” Satapatha-brâhmana by : Julius Eggeling
Author |
: Julius Eggeling |
Publisher |
: |
Total Pages |
: 514 |
Release |
: 1966 |
ISBN-10 |
: UCSD:31822017191354 |
ISBN-13 |
: |
Rating |
: 4/5 (54 Downloads) |
Synopsis The Satapatha-brahmana by : Julius Eggeling
Author |
: JULIUS. EGGELING |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 2018 |
ISBN-10 |
: 103362781X |
ISBN-13 |
: 9781033627815 |
Rating |
: 4/5 (1X Downloads) |
Synopsis SATAPATHA BRAHMANA,. by : JULIUS. EGGELING
Author |
: Julius Eggeling |
Publisher |
: |
Total Pages |
: 934 |
Release |
: 1900 |
ISBN-10 |
: STANFORD:36105025575304 |
ISBN-13 |
: |
Rating |
: 4/5 (04 Downloads) |
Synopsis The Satapatha-brâhmana. Part I by : Julius Eggeling
Author |
: |
Publisher |
: |
Total Pages |
: 664 |
Release |
: 1900 |
ISBN-10 |
: NYPL:33433081858650 |
ISBN-13 |
: |
Rating |
: 4/5 (50 Downloads) |
Synopsis The Sacred Books of the East: The Satapatha-Brahmana, pt. 5 by :
Author |
: Kapila Vatsyayan |
Publisher |
: Abhinav Publications |
Total Pages |
: 210 |
Release |
: 1997 |
ISBN-10 |
: 8170173620 |
ISBN-13 |
: 9788170173625 |
Rating |
: 4/5 (20 Downloads) |
Synopsis The Square and the Circle of the Indian Arts by : Kapila Vatsyayan
The Square and the Circle of the Indian Arts is a major contribution in Indian art history. More than a book on the theories of arts, it has far-reaching implications for the way one thinks about the future of indology and art history. It provides a model to be emulated for inter-disciplinary research, not only between the arts but also the sciences and the arts. The book begins by re-examining the imagery of the Vedas and the Upanisads, highlighting some aspects of early speculative thought which influenced the enunciation of aesthetic theories, particularly of Bharata in the Natyasastra. The next chapter introduces a new methodology of analyzing the rituals (yajna) as laid down in the Yajurveda and the Satapatha Brahmana, the best way to focus the relationship between the text and the practice. Four chapters follow – one each on drama (natya), architecture (vastu), sculpture (silpa), and music (sangita). Each presents some fundamental concepts of speculative thought, concerned with each of the arts and purposefully correlates these with actual examples both of the past and the present. The afterward to this second edition remains an event not only because the book benefits from the works published since the first edition, but also because it presents the author’s integral vision and her unique adventure into the boundaries of several disciplines. It demonstrates the efficacy of her earlier approach of investigating the imagery and the metaphors as basic to the discourse of the Indian tradition. She proposes a multi-layered cluster of concepts and metaphors which enable one to uncode the complex multi-dimensional character of the Indian Arts. Also significantly she suggests a deeper comprehension of the relevance of the developments in the field of traditional mathematics and biology for the study of the language of form of the Indian Arts.