"The First Printed Translations" by William James Harris is a bibliography that has been compiled with the view of supplementing existing textbooks on English literary history and assisting students in preparing for examinations in Bibliography and Literature. It will also be of service to those who are working for the professional examinations of the Library Association. The great foreign classics have exercised a direct and decided influence upon English literature and the object of this bibliography is to give in concise form the authors and titles, translations, and dates of the first English translations of the chief foreign authors, and incidentally to enable students to note the effect of such translations on the works of many of our great imaginative writers. Excerpt: "ACHILLES TATIUS. Fourth Century. Greek writer. CLEITOPHON AND LEUCIPPE. Tr. by Rev. R. Smith, 1855. One of the decadent Greek novelists. An erotic novel of a conventional type. ÆLFRIC. c. 1006. THE CATHOLIC HOMILIES. Ed. with tr. B. Thorpe, Ælfric Soc., 1844-46. LIVES OF SAINTS. Ed. Text and Tr. W. W. Skeat, E.E.T.S., 1881. Eminent Saxon prelate, one of the most learned of his time. His works, upwards of eighty in number, have been republished by the Ælfric Soc. (London, 1844-46)."

Harold II is chiefly remembered today, perhaps unfairly, for the brevity of his reign and his death at the Battle of Hastings. The papers collected here seek to shed new light on the man and his milieu before and after that climax. They explore the long career and the dynastic network behind Harold Godwinesson's accession on the death of King Edward the Confessor in January 1066, looking in particular at the important questions as to whether Harold's kingship was opportunist or long-planned; a usurpation or a legitimate succession in terms of his Anglo-Scandinavian kinships? They also examine the posthumous legends that Harold survived Hastings and lived on as a religious recluse. The essays in the second part of the volume focus on the Bayeux Tapestry, bringing out the small details which would have resonated significantly for contemporary audiences, both Norman and English, to suggest how they judged Harold and the other players in the succession drama of 1066. Other aspects of the Tapestry are also covered: the possible patron and locations the Tapestry was produced for; where and how it was designed; and the various sources - artistic and real - employed by the artist.

In The Nature and the Image of Princely Power in Kievan Rus', 980-1054, Walter K. Hanak offers a critical analysis of the annalistic, literary, and other works that provide rich if conflicting and contradictory information on the nature of princely power and their image or literary representations. The primary sources demonstrate an interaction between the reality and the notions concerning princely power and how this power generates an image of itself. The author also analyses the textual incongruities that appear to be a reflection of a number of currents -- Byzantine, Varangian, Khazar, and Eastern Slavic. The secondary sources provide a variety of interpretations, which Hanak seeks to uphold and dispute. His stress, however, is to view this evidence in the light of a newly Christianized state and the launching of a maturative process in its early history.

In recent years, the field of Memory Studies has emerged as a key approach in the Humanities and Social Sciences, and has increasingly shown its ability to open new windows on Nordic Studies as well. The entries in this book document the work-to-date of this approach on the pre-modern Nordic world (mainly the Viking Age and the Middle Ages, but including as well both earlier and later periods). Given that Memory Studies is an ever expanding critical strategy, the approximately eighty contributors in this volume also discuss the potential for future research in this area. Topics covered range from texts to performance to visual and other aspects of material culture, all approached from within an interdisciplinary framework. International specialists, coming from such relevant fields as archaeology, mythology, history of religion, folklore, history, law, art, literature, philology, language, and mediality, offer assessments on the relevance of Memory Studies to their disciplines and show it at work in case studies. Finally, this handbook demonstrates the various levels of culture where memory had a critical impact in the pre-modern North and how deeply embedded the role of memory is in the material itself.

From the Thorsdrapa to the Marvel Thor and Avengers movies, Odin, the dark and mysterious lord of Valhalla, looms over all of the ancient tales of the Vikings. With his brothers, he formed the world from the body of a giant and then went on to seek greater wisdom by sacrificing himself on a tree and trading one of his eyes with a witch. With this vast wisdom, he sits upon his throne, peering into the nine worlds, seeking anything that might threaten his people. He rides over the battles of mortal men, deciding who shall live and die, and collecting worthy souls to come and feast in his hall until the war at the end of time. This book retells the greatest of Odin's stories, and then places those stories within their historical and mythological context. It follows the figure of Odin through the centuries, showing how different times and cultures reinterpreted him, and explores the reasons why he remains such a popular figure today.

Raider. Conqueror. King. Saint. This is the story of Olav Haraldsson, the greatest Viking who ever lived. A ruthless Viking warrior who named his most prized battle weapon after the Norse goddess of death, Olav Haraldsson and his mercenaries wrought terror and destruction from the Baltic to Galicia in the early eleventh century. Thousands were put to the sword, enslaved or ransomed. In England, Canterbury was sacked, its archbishop murdered and London Bridge pulled down. The loot amassed from years of plunder helped Olav win the throne of Norway, and a century after his death he was proclaimed 'Eternal King' and has been a national hero there ever since. Despite his bloodthirsty beginnings, Olav converted to Christianity and, in a personal vendetta against the old Norse gods, made Norway Christian too, thereby changing irrevocably the Viking world he was born into. Told with reference to Norse sagas, early chronicles and the work of modern scholars, Desmond Seward paints an intensely vivid and colourful portrait of the life and times of arguably the greatest Viking of them all.