Isaiah in the New Testament brings together a set of specially commissioned studies by authors who are experts in their field. Beginning with an introductory chapter on the use of Isaiah in the Dead Sea Scrolls and Second Temple literature, contributors go on to discuss each of the New Testament books that contain quotations from Isaiah: Matthew, Mark, (Q), Luke-Acts, John, Romans and Galatians, 1 and 2 Corinthians, Hebrews, 1 Peter and Revelation. Together they provide an overview of the status, role and function of Isaiah in the first century, considering the Greek and Hebrew manuscript traditions and offering insights into the various hermeneutical stances of the New Testament authors and the development of New Testament theology. The volume includes contributions from Darrell Hannah, Morna Hooker, Christopher Tuckett, Richard Beaton, Bart Koet, Catrin Williams, J. Ross Wagner, Florian Wilk, Cecil McCullough, Steve Moyise and David Mathewson.

The book of Isaiah is a collection of prophecies that is more than a historical record or teaching. It is the overarching vision of the heart of God revealed to his prophet. It spans the ages and touches every nation on earth, becoming a collective overview of all that God has planned. The message of Isaiah is one of victory, hope, comfort, and restoration. The themes of its prophecies are unrivaled in all of Scripture. With panoramic insight, Isaiah preaches the virgin birth of Christ, the bride of Christ, and the New Jerusalem. These prophecies also present a description of the cataclysmic judgments, the survival of a holy remnant emerging in Zion, and the canopy of glory that is coming to earth. It was because of our rebellious deeds that he was pierced and because of our sins that he was crushed. He endured the punishment that made us completely whole, and in his wounding we found our healing. Isaiah 53:5

1 Samuel is Volume VII of The Forms of the Old Testament Literature, a series that aims to present a form-critical analysis of every book and each unit in the Hebrew Bible. Fundamentally exegetical, the FOTL volumes examine the structure, genre, setting, and intention of the biblical literature in question. They also study the history behind the form-critical discussion of the material, attempt to bring consistency to the terminology for the genres and formulas of the biblical literature, and expose the exegetical process so as to enable students and pastors to engage in their own analysis and interpretation of the Old Testament texts. Antony Campbell's valuable form-critical analysis of 1 Samuel highlights both the literary development of the text itself and its meanings for its audience. A skilled student of the Hebrew scriptures and their ancient context, Campbell shows modern readers the process of editing and reworking that shaped 1 Samuel's final form. As Campbell's study reveals, the tensions and contradictions that exist in the present text reflect a massive change in the way of life of ancient Israel. Samuel, the first prophet, here emerges to preside over the rise of Saul, Israel's first king, to be the agent of Saul's rejection, and to anoint David as Israel's next king and the first established head of a royal dynasty. The book of 1 Samuel captures the work of God within this interplay of sociopolitical forces, and Campbell fruitfully explores the text both as a repository of traditions of great significance for Israel and as a paradigm of Israel's use of narrative for theological expression.

This all-purpose commentary is by the author of 'The Suffering Servant in Deutero-Isaiah'. It meets the needs of the specialist but most of it should be intelligible to preachers and teachers who know little or no Hebrew. The Introduction discusses the literary structure of the prophecy, the theology of Deutero-Isaiah (with some reference to current theological debate), and the problem of Salvation History. The exegetical notes are based on the author's own translation from the Hebrew text. The purpose of the book is to elucidate the message of the Prophet in the context of Scripture as a whole.

Thorough study of Israel's prophetism, including covenant and the law in the prophets, prediction in prophecy, Jesus the promised Christ of the prophets, and more.

A key emphasis of Brevard Childs's distinguished career has been to show not only that the canon of Scripture comprises both Old and New Testaments but also that the concept of -canon- includes the way the Christian church continues to wrestle in every age with the meaning of its sacred texts. In this new volume Childs uses the book of Isaiah as a case study of the church's endeavor throughout history to understand its Scriptures. In each chapter Childs focuses on a different Christian age, using the work of key figures to illustrate the church's changing views of Isaiah. After looking at the Septuagint translation, Childs examines commentaries and tractates from the patristic, Reformation, and modern periods. His review shows that despite an enormous diversity in time, culture, nationality, and audience, these works nevertheless display a -family resemblance- in their theological understandings of this central Old Testament text. Childs also reveals how the church struggled to adapt to changing social and historical conditions, often by correcting or refining traditional methodologies, while at the same time maintaining a theological stance measured by faithfulness to Jesus Christ. In an important final chapter Childs draws out some implications of his work for modern debates over the role of Scripture in the life of the church. Of great value to scholars, ministers, and students, this book will also draw general readers into the exciting theological debate currently raging in the Christian church about the faithful interpretation of Scripture.

This clear and readable introduction provides guidance on the history and theology of the book of Isaiah.

The first systematic and comprehensive attempt to identify and analyze the role of Isaianic language and imagery in literature, art, and music Using reception history as its basis for study, Isaiah Through the Centuries is an unprecedented exploration of the afterlife of the Book of Isaiah, specifically in art, literature, and music. This is a commentary that guides the reader through the Book of Isaiah, examining the differing interpretations of each phrase or passage from a variety of cultural and religious perspectives, Jewish, Christian and Muslim. Clearly structured and accessible, and richly illustrated, the book functions as a complete and comprehensive educational reference work. Isaiah Through the Centuries encourages readers to learn with an open mind and to understand how different interpretations have helped in the teaching and comprehension of the Bible and Isaiah’s place in it. As part of the Wiley-Blackwell Bible Commentaries series, which is primarily concerned with reception history, the book emphasizes that how people interpret the prophet—and how they’ve been influenced by him—is often just as important as the sacred text’s original meaning. Uses reception history to study the renowned prophet Provides a historical context for every use or interpretation discussed Offers essential background information on authors, artists, musicians, etc. in its glossary and biographies Minimizes historical details in order to focus as much as possible on exegetical matters Presents the role of Isaiah and the Bible in the creative arts Will be useful to multiple disciplines including theology and religion, English literature, art history and the history of music, not just Biblical Studies Comprehensive in scope, Isaiah Through the Centuries is a much-needed resource for all those interested in the influence of the Bible on Western culture, and presents unique perspectives for anyone interested in the Bible to discuss and debate for many years to come.