The Ryman Remembers features a collection of memories, recollections, and recipes that chronicle the history of this special place and the people--a cross-section of culture and entertainment from the late 19th century to the present. Certainly, few places in the country can boast having served up such a broad slice of Americana, including symphony, dance, drama, opera and Opry, comedy, politics, and religion.

(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.

I know God is loving; I know He is good; I believe He is big and powerful. But sometimes I wonder if He is really kind— really deeply always kind. Is He? Christians love to talk about how God is in control, but that’s harder to grasp when things aren’t going like you thought they would, when your life looks quite different than you imagined. For centuries, God’s people have been building altars to Him—to remind themselves and the people around them of His work. His goodness. His kindness. Stacks of stones. Altars. Temples. Cathedrals. Why? Because they believed God and wanted to remember Him. In the back of my mind, God reminds me that He is the same trustworthy God—the One who always finishes the stories he starts. And this is my story—of wrestling with our God who gives a limp and a blessing. A God who is always kind even when my circumstances feel the opposite. God is who He says He is. He is kinder than you imagine. In a world where it is easy to forget who He is, we will not. We will remember God.

Did ordinary people in early modern England have any coherent sense of the past? Andy Wood's pioneering new book charts how popular memory generated a kind of usable past that legitimated claims to rights, space and resources. He explores the genesis of customary law in the medieval period; the politics of popular memory; local identities and traditions; gender and custom; literacy, orality and memory; landscape, space and memory; and the legacy of this cultural world for later generations. Drawing from a wealth of sources ranging from legal proceedings and parochial writings to proverbs and estate papers, he shows how custom formed a body of ideas built up generation after generation from localized patterns of cooperation and conflict. This is a unique account of the intimate connection between landscape, place and identity and of how the poorer and middling sort felt about the world around them.

Called The Mother Church of Country Music, the Ryman Auditorium saw a historic chapter come to a close in 1974 when it closed its doors on 5th Avenue to move into new quarters at Opryland USA. Nashville photographer Jim McGuire had full access to the Ryman and shares over 100 stunning black and white photographs with chapter introductions and captions from the last year of this landmark and the most famous show in country music. Most of the photographs have never been published so come share the memories of this institution and your favorite legendary country music stars. With the foreword written by Garrison Keillor, and an introduction by Opry legend Marty Stuart, this book is a must have for any country music lover

In I Forgot To Remember To Forget Norman Johnson calls upon his sixty eight years of experience in the fields of entertainment and broadcasting to bring the reader series of vignettes of the lives and careers of some of America's top entertainers, many from East Texas and Nacogdoches, his adopted home town. Throughout the book Johnson relives his own personal encounters and friendships with most of the people he writes about including artists from various genres of music as well as Broadway and movie acts, politicians and just everyday folks. This is simple history from one who got to know each individual up close and personal. Johnson expands upon his previous book, The Kid and The King, to include dozens of singers and actors who thrilled and entertained you through the years.

In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.

The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations. A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.

I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II.

This runaway New York Times bestseller tells the rags-to-riches story of Ralph Emery, a humble Tennessee farm boy who fell in love with radio and made it his life. For 40 years, Emery has brought America's most heartfelt music to millions. Now in a celebrity-studded memoir, he tells of his four marriages, his battle with drugs and alcohol, and the efforts that have made him a true country music legend.