Written to celebrate the centennial of the Sphinx's arrival in Philadelphia, The Sphinx That Traveled to Philadelphia tells the fascinating story of the colossal sphinx that is a highlight of the Penn Museum's Egyptian galleries and an iconic object for the Museum as a whole. The narrative covers the original excavations and archaeological history of the Sphinx, how it came to Philadelphia, and the unexpected ways in which the Sphinx's story intersects with the history of Philadelphia, the University of Pennsylvania, and the Museum just before World War I. The book features ample illustrations—photographs, letters, newspaper stories, postcards, maps, and drawings—drawn largely from the extensive materials in the Museum Archives. Images of related artifacts in the Penn Museum's Egyptian collection and other objects from the Egyptian, Near East, and Mediterranean Sections (many not on view and some never before published), as well as pieces in museums in the United States, Europe, and Egypt, place the story of the Penn Museum Sphinx in a wider context. The writing style is informal and text is woven around the graphics that form the backbone of the narrative. The book is designed to be of interest to a wide audience of adult readers but accessible and engaging to younger readers as well.

The present volume has as its central aim a reassessment of the works of Ivan Turgenev for the twenty-first century. Against the background of a decline in interest in nineteenth-century literature the articles gathered here seek to argue that the period in general, and his work in particular, still have much to offer the modern sensibility. The volume also offers a great variety of approaches. Some of the contributors tackle major works by Turgenev, including Rudin and Smoke, while others address key themes that run through all his creative work. Yet others address his influence, as well as his broader relationship with Russian and other cultures. A final group of articles examines other key figures in Russian literary culture, including Belinskii, Herzen and Tolstoi. The work will therefore be of interest to students, postgraduates and specialists in the field of Russian literary culture. At the same time, they will stand as a tribute to the life and work of Professor Richard Peace, a long-standing specialist in nineteenth-century Russian literature, in whose honour the volume has been compiled.

I have been working on this book since leaving Russia in April of 1972. It was my wish to write this book in English, and there were what seemed to me to be serious reasons for doing so. In recent years there has appeared a wealth of literature, in Russian, about Russia. As a rule, this literature has been published outside the USSR by authors who still live in the Soviet Union or who have only recently left it. A fair amount of important literature is being translated into English, but I believe it will be read main ly by specialists in Russian studies, or by those who have a great interest in the subject already. The majority of Russian authors write, of course, for the Russian reader or for an imagined Western public. It is my feeling that Russian authors have serious difficulties in understanding the men tality of Westerners, and that there still exists a gap between the visions of Russians and non-Russians. I have made my humble attempt to bridge ~his gap and I will be happy if I am even partly successful. The Russian world is indeed fascinating. Many people who visit Russia for a few days or weeks find it a country full of historical charm, fantastic architecture and infinite mystery. For many inside the country, especial ly for those in conflict with the Soviet authorities.

Today's Russia, also known as the Russian Federation, is often viewed as less powerful than the Soviet Union of the past. When stacked against other major nations in the present, however, the new Russia is a formidable if flawed player. Russia: What Everyone Needs to Know® provides fundamental information about the origins, evolution, and current affairs of the Russian state and society. The story begins with Russia's geographic endowment, proceeds through its experiences as a kingdom and empire, and continues through the USSR's three-quarters of a century, and finally the shocking breakup of that regime a generation ago. Chapters on the failed attempt to reform Communism under Mikhail Gorbachev, the halting steps toward democratization under Boris Yeltsin, and the entrenchment of central controls under Vladimir Putin bring the reader into the contemporary scene and to headline-grabbing events such as Russia's annexation of the Crimean Peninsula from Ukraine and its military intervention in Syria. Drawing on trends within Russia and on ratings and rankings compiled by international organizations, Colton discusses the challenges facing the country--ranging from economic recession to demographic stress, political stagnation, and overextension in foreign policy--and to the realistic options for coping with them. The book shows that, although Russia is not imprisoned by its history, it is heavily influenced by it. Colton illustrates Russia's greatest strength and, ironically, its greatest weakness: the ability of its people to adapt themselves to difficult circumstances beyond their immediate control. Russia, as Putin has asserted, will not soon be a second edition of the United States or Britain. But, Colton shows, there are ways in which it could become a better version of itself.

Tracing the lives of his Russian forebears, Serge Schmemann, Pulitzer Prize-winning foreign correspondent for the New York Times, tells a remarkable story that spans the past two hundred years of Russian history. First, he draws on a family archive rich in pictorial as well as documentary treasure to bring us into the prerevolutionary life of the village of Sergiyevskoye (now called Koltsovo), where the spacious estate of his mother's family was the seat of a manor house as vast and imposing as a grand hotel. In this village, on this estate--ringed with orchards, traversed by endless paths through linden groves, overseen by a towering brick church, and bordered by a sparkling-clear river--we live through the cycle of a year: the springtime mud, summertime card parties, winter nights of music and good talk in a haven safe from the bitter cold and ever-present snow. Family recollections of life a century ago summon up an aura of devotion to tsar and church. The unjust, benevolent, complicated, and ultimately doomed relationship between master and peasants--leading to growing unrest, then to civil war--is subtly captured. Diary entries record the social breakdown step by step: grievances going unresolved, the government foundering, the status quo of rural life overcome by revolutionary fervor. Soon we see the estate brutally collectivized, the church torn apart brick by brick, the manor house burned to the ground. Some of the family are killed in the fighting; others escape into exile; one writes to his kin for the last time from the Gulag. The Soviet era is experienced as a time of privation, suffering, and lost illusions. The Nazi occupation inspires valorous resistance, but at great cost. Eventually all that remains of Sergiyevskoye is an impoverished collective. Without idealizing the tsarist past or wholly damning the regime that followed, Schmemann searches for a lost heritage as he shows how Communism thwarted aspiration and initiative. Above all, however, his book provides for us a deeply felt evocation of the long-ago life of a corner of Russia that is even now movingly beautiful despite the ravages of history and time.

Russia In Transition Left, Right Or Center?

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window Things are not going well for Inspector Salvo Montalbano. His relationship with Livia is once again on the rocks and—acutely aware of his age—he is beginning to grow weary of the endless violence he encounters. Then a young woman is found dead, her face half shot off and only a tattoo of a sphinx moth giving any hint of her identity. The tattoo links her to three similarly marked girls-all victims of the underworld sex trade-who have been rescued from the Mafia night-club circuit by a prominent Catholic charity. The problem is, Montalbano's inquiries elicit an outcry from the Church and the three other girls are all missing.