The Author Has Made A Detailed And Meticulous Examination Of All Aspects Of Social Life Of Rajputs, Their Religious Beliefs, Gender Relations, Education And Aesthetic Life. Based On Field Work, Royal Archives Of Many Former Princely States. Useful For Social Scientists.

A ground breaking study of the long-neglected fifteenth century in South Asian history.

James Tod s Annals and Antiquities of Rajasthan was crucial in forming the modern image of the R jp t, a princely martial caste resident in India s northwest desert. This book explores the relationships between the political power of the British imperial state, the construction of historical memories in the late nineteenth and early twentieth centuries, and the uses of these constructions by European writers and Indian nationalist elites. The case of the Rajputs demonstrates how imperial histories reflected Indian social processes and pre-colonial forms of knowledge, interpreted India for the world outside and for Indians themselves. This book explores the multiple discourses within Tod s Rajasthan, and European Orientalism, to show how intricately coded the British Empire was and, historically, remains.

Winner of the 2009 Ananda Kentish Coomaraswamy Book Prize, sponsored by the Association for Asian Studies The medieval Rajput queen Padmini - believed to have been pursued by Alauddin Khalji, the Sultan of Delhi - has been the focus of numerous South Asian narratives, ranging from a Sufi mystical romance in the sixteenth century to nationalist histories in the late nineteenth century. The Many Lives of a Rajput Queen explores how early modern regional elites, caste groups, and mystical and monastic communities shaped their distinctive versions of the past through the repeated refashioning of the legend of Padmini. Ramya Sreenivasan investigates these legends and traces their subsequent appropriation by colonial administrators and nationalist intellectuals, for varying different political ends. Using Padmini as a means of illustrating the power of gender norms in constructing heroic memory, she shows how such narratives about virtuous women changed as they circulated across particular communities in South Asia between the sixteenth and early twentieth centuries. This book will interest historians of memory, gender, community, culture, and historywriting in South Asia. Illustrating how enduring legends emerged out of particular precolonial repositories of "tradition," the book also addresses the nature of colonial transitions and precolonial historical consciousness.

What is the relationship between caste and gender in the narratives of Rajput woman? During a year and a half of fieldwork in Rajasthan, a parched land dominated by the great Indian Desert, Lindsey Harlan interviewed more than a hundred women from all levels of Rajput society. She wanted to understand why certain religious practices were so important to Rajput women, and how they justified these to themselves. During the course of her interviews, the women described their religious practices—chief among them the worship of the family kuldevi (the goddess who exemplifies the ideal wife by staving off sickness, poverty, and infertility) and the veneration of satimatas (women who have immolated themselves on their husband's funeral pyre). As the women discussed these rituals, many of them also told Harlan religious myths and stories, drawing parallels between their behavior and that of various Indian heroines. These narratives and the role they play in the women's self-perception are the fascinating and enlightening subject of this book. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.

In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatrīs ("umbrellas"; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatrīs for their late fathers as statements of legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particular past. Offering detailed analyses of individual cenotaphs and engaging with art historical and epigraphic evidence, as well as ethnography and ritual, this book locates the chatrīs within their original social, political, and religious milieux. It also compares the chatrīs to other Rajput arts to understand how arts of different media targeted specific audiences.