The Routledge History Handbook of Medieval Revolt charts the history of medieval rebellion from Spain to Bohemia and from Italy to England, and includes chapters spanning the centuries between Imperial Rome and the Reformation. Drawing together an international group of leading scholars, chapters consider how uprisings worked, why they happened, whom they implicated, what they meant to contemporaries, and how we might understand them now. This collection builds upon new approaches to political history and communication, and provides new insights into revolt as integral to medieval political life. Drawing upon research from the social sciences and literary theory, the essays use revolts and their sources to explore questions of meaning and communication, identity and mobilization, the use of violence and the construction of power. The authors emphasize historical actors’ agency, but argue that access to these actors and their actions is mediated and often obscured by the texts that report them. Supported by an introduction and conclusion which survey the previous historiography of medieval revolt and envisage future directions in the field, The Routledge History Handbook of Medieval Revolt will be an essential reference for students and scholars of medieval political history.

The Jacquerie of 1358 is one of the most famous and mysterious peasant uprisings of the Middle Ages. Beginning in a small village but eventually overrunning most of northern France, the Jacquerie rebels destroyed noble castles and killed dozens of noblemen before being put down in a bloody wave of suppression. The revolt occurred in the wake of the Black Death and during the Hundred Years War, and it was closely connected to a rebellion in Paris against the French crown. The Jacquerie of 1358 resolves long-standing controversies about whether the revolt was just an irrational explosion of peasant hatred or simply an extension of the Parisian revolt. It shows that these opposing conclusions are based on the illusory assumption that the revolt was a united movement with a single goal. In fact, the Jacquerie has to be understood as a constellation of many events that evolved over time. It involved thousands of people, who understood what they were doing in different and changing ways. The story of the Jacquerie is about how individuals and communities navigated their specific political, social, and military dilemmas, how they reacted to events as they unfolded, and how they chose to remember (or to forget) in its aftermath. The Jacquerie of 1358 rewrites the narrative of this tumultuous period and gives special attention to how violence and social relationships were harnessed to mobilize popular rebellion.

Throughout Italy's history, prophetic voices-poets, painters, philosophers-have bolstered the struggle for social and political emancipation. These voices denounced the vices of compatriots and urged them toward redemption. They gave meaning to suffering, helping to prevent moral surrender; they provided support, with pathos and anger, which set into motion the moral imagination, culminating in redemption and freedom. While the fascist regime attempted to enlist Mazzini and the prophets of the Risorgimento in support of its ideology, the most perceptive anti-fascist intellectual and political leaders composed eloquent prophetic pages to sustain the resistance against the totalitarian regime. By the end of the 1960s, no prophet of social emancipation has been able to move the consciences of the Italians. In this Italian story, then, is our story, the world's story, inspiration for social and political emancipation everywhere.

"The Genesis of Israel and Egypt" examines the earliest phase of historical consciousness in the ancient Near East, looking in particular at the mysterious origins of Egypt's civilization and its links with Mesopotamia and the early Hebrews. The book takes a radically alternative view of the rise of high civilization in the Near East and the forces which propelled it. The author, Emmet Sweeney, finds that the early civilizations developed amidst a background of massive and repeated natural catastrophes, events which had a profound effect upon the ancient peoples and left its mark upon their myths, legends, customs and religions. Ideas found in all corners of the globe, concepts such as dragon-worship, pyramid-building, and human sacrifice, are shown by Sweeney to have a common origin in the cataclysmic events of the period termed the "eruptive age" by legendary English explorer Percy Fawcett. Terrified and traumatized by the forces of nature, people all over the world began to keep an obsessive watch on the heavens and to offer blood sacrifices to the angry sky gods. These events, which are fundamental to any understanding of the first literate cultures, have nonetheless been completely effaced from the history books and an official "history" of mankind, which is little more than an elaborate fiction, now graces the bookshelves of the world's great libraries. Starting with clues unearthed by history sleuth Immanuel Velikovsky and others, Emmet Sweeney takes the investigation further. While the Near Eastern civilizations are generally considered to have taken shape around 3300 BC — about 2,000 years before those of China and the New World — Ages in Alignment demonstrates that they had no 2,000-year head start. All the ancient civilizations arose simultaneously around 1300 BC, in the wake of a terrible natural catastrophe recalled in legend as the Flood or Deluge. Sweeney points out that the presently accepted chronology of Egypt is not based on science but on venerated literary tradition. This chronology had already been established, in its present form, by the third century BC when Jewish historians (utilizing the “History of Egypt” by the Hellenistic author Manetho) sought to “tie in” Egypt’s history with that of the Bible. Apparent gaps and weird repetitions resulted. Improbable feats like the construction of major cut-stone engineering projects before the advent of steel tools or Pythagorean geometry point to the weaknesses of the traditional view. Taking a more rigorous approach and pointing to solid evidence, Emmet Sweeney shows where names overlap, and where one and the same group is mistaken for different peoples in different times. Volume 1, The Genesis of Israel and Egypt, looks at the archaeological evidence for the Flood, evidence now misinterpreted and ignored. This volume examines the rise of the first literate cultures in the wake of the catastrophe, and goes on to trace the story of the great migration which led groups of early Mesopotamians westward toward Egypt, where they helped to establish Egyptian civilization. This migration, recalled in the biblical story of Abraham, provides the first link between Egyptian and Hebrew histories. The next link comes a few generations later with Imhotep, the great seer who solved the crisis of a seven-year famine by interpreting pharaoh Djoser’s dream. Imhotep is shown to be the same person as Joseph, son of Jacob.

The importance of collective behavior in early medieval Europe By the fifth and sixth centuries, the bread and circuses and triumphal processions of the Roman Empire had given way to a quieter world. And yet, as Shane Bobrycki argues, the influence and importance of the crowd did not disappear in early medieval Europe. In The Crowd in the Early Middle Ages, Bobrycki shows that although demographic change may have dispersed the urban multitudes of Greco-Roman civilization, collective behavior retained its social importance even when crowds were scarce. Most historians have seen early medieval Europe as a world without crowds. In fact, Bobrycki argues, early medieval European sources are full of crowds—although perhaps not the sort historians have trained themselves to look for. Harvests, markets, festivals, religious rites, and political assemblies were among the gatherings used to regulate resources and demonstrate legitimacy. Indeed, the refusal to assemble and other forms of “slantwise” assembly became a weapon of the powerless. Bobrycki investigates what happened when demographic realities shifted, but culture, religion, and politics remained bound by the past. The history of crowds during the five hundred years between the age of circuses and the age of crusades, Bobrycki shows, tells an important story—one of systemic and scalar change in economic and social life and of reorganization in the world of ideas and norms.

The creator of the hit podcast series Tides of History and Fall of Rome explores the four explosive decades between 1490 and 1530, bringing to life the dramatic and deeply human story of how the West was reborn. In the bestselling tradition of The Swerve and A Distant Mirror, The Verge tells the story of a period that marked a decisive turning point for both European and world history. Here, author Patrick Wyman examines two complementary and contradictory sides of the same historical coin: the world-altering implications of the developments of printed mass media, extreme taxation, exploitative globalization, humanistic learning, gunpowder warfare, and mass religious conflict in the long term, and their intensely disruptive consequences in the short-term. As told through the lives of ten real people—from famous figures like Christopher Columbus and wealthy banker Jakob Fugger to a ruthless small-time merchant and a one-armed mercenary captain—The Verge illustrates how their lives, and the times in which they lived, set the stage for an unprecedented globalized future. Over an intense forty-year period, the seeds for the so-called "Great Divergence" between Western Europe and the rest of the globe would be planted. From Columbus's voyage across the Atlantic to Martin Luther's sparking the Protestant Reformation, the foundations of our own, recognizably modern world came into being. For the past 500 years, historians, economists, and the policy-oriented have argued which of these individual developments best explains the West's rise from backwater periphery to global dominance. As The Verge presents it, however, the answer is far more nuanced.

The book is a manifesto-like essay aiming to redress some globally present drawbacks characterizing current research in the humanities: 1. Fragmentation and thematic volatility; 2. A reluctance to acknowledge that humanities research is a truth seeking enterprise as all scientific research; 3. A certain unwillingness (or inability) to ask clear questions and to provide distinct answers to these questions. The book consists of three parts: A. Introduction, where the problem and the purpose of the book is presented; B. six chapters, each presenting a certain topic that I suggest that humanist scholars gather around with sustained efforts; C. Conclusion with some words of how to proceed and a section discussing what the humanities or should and are not or should not be.

"[The author] draws out the complex relationship between religion and climate change. He shows that the religious movements and ideas that emerge from climate shocks often last for many decades, and become a familiar part of the religious landscape, even though their origins in particular moments of crisis may be increasingly consigned to remote memory" -- From jacket flap.

Like England's Arthur and France's Charlemagne, the Cid is Spain's national hero, and for centuries he has served as an ideal model of citizenship. All Spaniards are familiar with the story of the Cid and the multifarious ways in which he is visualized. From illuminations in medieval manuscripts to illustrations in twenty-first-century editions, depictions of the Cid vary widely, revealing just how much Spain's national identity has transformed throughout the centuries. Uncovering the racial, gendered, and political impacts of one of Spain's most legendary heroes, Illustrating El Cid, 1498 to Today traces the development of more than five centuries of illustrations and problematizes their reception and circulation in Spain and abroad. By documenting the evolution of visual representations of the Cid, their artists, and their targeted readerships, Lauren Beck also uncovers how his legend became a national projection of Spanish identity, one that was shaped by foreign hands and even manipulated into propaganda by the country's most recent dictator, Francisco Franco. Through detailed analysis, Beck unsettles the presumption that chivalric masculinity dominated the Cid's visualization, and points to how women were represented with increasing modesty as readerships became younger in modern times. An unprecedented exploration of Spanish visual history, Illustrating El Cid, 1498 to Today yields thought-provoking insights about the powerful ways in which illustration shapes representations of gender, identity, and ethnicity.